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Series I. Ford Madox Ford manuscripts [series]:
  1  
AM: "A solis ortus cardine"
Poem, written in the trenches during WWI in a battle along the Somme River .

  1  
AMS Account book of funds in the London and County Banking Co., Ltd.
Accounts Oct. 1, 1901-Jan. 24, 1906, in monogrammed pigskin notebook.

  1  
AMS Account book of funds in the London City and Midland Bank, Ltd.
Accounts Jan. 1, 1906-Apr. 2, 1907, in monogrammed pigskin notebook.

  1  
AMS Account book of funds in the London City & Midland Bank, Ltd.
Accounts Apr. 30, 1908-Jan. 11, 1909, in monogrammed pigskin notebooks.

  1  
AMS Account book of funds in the London City & Midland Bank, Ltd
Accounts Jan. 18, 1909-June 14, 1910, in brown leather notebook.

  1  
AMS Account book of funds with Messrs. Barclay & Co., Ltd.
Accounts Aug. 8, 1910-Aug. 19, 1915, in brown leather notebook.

  1  
TM "Adeline and Oscar"
[Fragment, draft]Written in New York, a possible early version or variant of "Memories of Oscar Wilde". (Harvey D412)

  1  
TM "Adversity' and "Birthday -song"
Written in London, two poems written under pseudonym "Fenil Haig".

  2  
AM "Albade"
Not the "Albade" of the "Poems Written on Active Service". Written in Ballancourt, which the poem references twice, and dates from the biginning of Ford's liaison with Janice Biala.

  2  
TM "The Alcestis of Euripides" freely adadpted for the modern stage.
Two versions; complete manuscript in paper wrapper, 52 leaves, and alternate adaption of the last half, 27 leaves. Commissioned by Nigel Playfair, but unpublished. (Harvey Cv[5])

  2  
TM "The American Scene"
Possibly written in New York, this apparently unpublished manuscript contains a witty comparison of the New York and London literary scenes.

  2  
TM "And even in Paradise devised ..."
Possibly written in New York, a "play" in which the names of the characters and snippets of dialogue are to be found by referencing a crossword puzzle at the top of the page. The dramatic personae are all characters from Old Testament mythology (Adam, Lillith, Satan). With some corrections.

  2  
AM "And [of] halved agels with golden wings ..."
Fragment of two drafts of a short poem, written on the reverse side of a copy of "April Weather" by Mathilde Blind, in the hand of Ford.

  2  
"Arms and the mind"
Printed facsimile of Ford's work of 1916 under the nom de plume "Miles Ignotus" and originally entitled "A Day of Battle", this essay is here published for the first time by "Esquire", v. 94, no.6, Dec. 1980, pp. 78-80.

  2  
Army correspondence notebook.
Cardboard covered army issue notebook containing Ford's records of the regimental mess of which he was in carge, carbons of letter to his Commanding Officer and to C.F.G. Masterman. Also a carbon of the poem "Clair de lune" which was published in "On Heaven and Other Poems," 1918.

  2  
TM [Article on the young American mid-western writers]
Carbon fragment, third page of a draft of an article or book on the subject of the crop of American writers coming out of the mid-west, specifically Chicago. With some corrections.

  2  
TM [Article on wine]
Carbon fragment of pages 9-11 of one of Ford's many articles on wine. Probably one of the first articles which was published. With some corrections.

  2  
AM "As a wounded hart ..."]
An early meditation on youthful love and a description of a summer excursior with the then Elsie Martindale. A 16 line poem is on the last page: "On Taplow lock the sun shines down ..."

  2  



  2  
TM "As Thy Day"
Title when published became "Henry for Hugh". A few holograph corrections.

  2  
TM "At the Caveau Roughe"
Draft. Title variant: "L'Interprete - au Caveau Rouge." Includes original and carbon copy of poem, with variant versions of subsection "Sonnet de Ronssard" and "Plaisir d'Amour." See Harvey A76 for notes on the textual changes occurring between this poem's publication in the 1931 "New English Poems" and as the V poem in "Buckshee" of the 1936 "Collected Poems."

  2  
A & TM "At the Fairing"
Poem. Three versions: 2 typescript, one of which is titled "The Humble Chapman cries his wares at a Fairing" a third in Ford's hand. Apparently unpublished.

  2  
TM "The Athens of the South"
Carbon copy of article on Nashville, Tenn. Identified by a note in Janice Biala's hand as having been published in "Vogue"; not in Harvey.

  2  
TM [Autobiographical entry for includion in Georges Schrieber's "Portraits and Self Portraits"]
Carbon copy of a brief and witty summation of the author's life; written in Paris.

  2  
TM [Autobiographical information]
Carbon copy of draft [?] of a summary of Ford's literary life, written in the third-person. Includes sreferences to Ford Madox Brown and Joseph Conrad as well as the publication history and reception of the author's writings.

  2  
TM [Autocriticism concerning "The Rash Act"]
Draft of an article by Ford commenting upon his novel "The Rash Act", with holograph corrections in the author's hand. Published in "Week-end Review", Sept. 9, 1933.

  2  
TM "Auto-plagiarism"
An article, detailing a minor scandal concerning two works by Conrad: "The Sisters, and Unfinished Story" and "The Arrow of Gold". Includes a synopsis of "The English Novel" for Lippincott's "The One Hour Series", which was published in 1929, and a list of books of collected poems by Ford.

  2  
A & TM "Autumn"
A musical composition, the lyrics of which are typed in full on the first page.

  3  
AM ["Bodurdoe and Gunter"]
Fragment. Possibly written in London, short story or part of a novel, probably unpublished. Not found in Harvey.

  3  
AM "Books for Exchange II"
Fragment [?] of short esssay on Turgenev's [Turgeniev] "Sportsman's sketches".

  3  
[Book on travel and authors}
Beginning pages of book. Dedication (to Olivia Shakespear) and Table of Contents ICh. II - Italy, Ch. IV - J.M. Whistler, Ch. VII - Burne Jones, Ch. IX - D.M. Rossetti) of an unpublished book.

  3  
TM "Buckshee"
Fragment. Poem I. ("Aitchka") of the "Buckshee" sequence.

  3  
TM "Cambridge on the Caboodle"
Carbon of a review of E.M. Forster's "Aspects of the Novel", with revisions apparently in Ford's hand.

  3  
TM "The Case of Elizabeth Canning"
Written in Sussex, a retelling of an important eighteenth-century court case. The particulars of the story are taken from "The Trial of Elizabeth Canning, Spinster for Wilful & Corrupt Perjury...Monday the 29th of April to Wednesday the 8th of May 1754" from "The 1766 Edition of State Trials". With revisions in Ford's hand.

  3  
AM "The Castle in Spain"
Poem, which appeared in different forms as "Castles in the Fog" in the "Daily Mail Books suppl.", Jan. 19, 1907, and as "Finchley Road" in "Songs from London", 1910. Harvey Ciii (4a)

  3  
TM [Champetre] "Aichka Apificata
Draft of variant text of Poem VI of the "Buckshee" sequence.

  3  
TM "Children's Song"
Incomplete poem. Harvey CIII (3)k; published in "The Face of Night" Removed and filed in box 15, folder 29, with "Poems and Little Plays"

  3  
AMS "Chinese Music"
Written in Kent, two versions of an essay on Chinese music, one in Ford's hand (7 leaves), and one in Elsie Martindale Hueffer's hand (12 leaves + folder) Apparently unpublished.

  3  
TM "Citizen or Subject"
Article on American and British notions of citizenry and justice. Enclosed in a folder from the Article Department, Brandt & Brandt, New York, and with revisions apparently in Ford's hand.

  3  
TM "Citizen or subject: Why I shall never become an American citizen"
Carbon of an incomplete typescript, possibly a variant of Ford's published article of the same title.

  3  
Clippings concerning personal life
Press clippings from the "Chicago Tribune" 91924, 1927), the "New York Herald" (1926, the "New York World" (192-?), and anoter unspecified New York publication (1930?) concerning Ford.

  3  
AM ["Club Night"]
Poem, which appeared in a slightly different form in "Songs from London", 1910.

  3  
AM/TM "Coda"
Fragments and drafts of "Coda" from the "Buckshee" sequence. Page 23 is written on verso of TLS to Ford from Theodor Bosanquet [?] ("Time and Tide"), April 14, 1936.

  3  
TM "Coda"
Fragments and drafts of "Coda" of the "Buckshee" sequence.

  3  
TM "Coda"
Clean typescript of the text as published.

  3  
"Collected Poems" galley proofs
Printed proofs of Ford's "Collected Poems", published by Oxford University Press, New York.

  3  
TM "The Colonel's Shoes"
Carbon of the short story. Title page marked: The Northern Newspaper Syndicate, Kendal. No. ""U" 29 Short Story.

  3  
"The Colonel's Shoes" news clipping.
Newspaper clipping of short story. Published in "Reynold's Illustrated Newspaper"

  3  
TM {Compagnie Transatlantique] "Anitchka Anadyomene"
Variant text of Poem II of the "Buckshee" sequence.

  3  
AMS "Conceits"
Poem, later published in "The Questions at the Well", part II, in 1893. Signed with Ford's initials.

  3  
TM "Creative History and Historical Sense"
Apparently unpublished article on critical debate sparked by A.F. Pollard's book "Henry VIII". Includes references to Professor Goldwin Smith's review of the book. With revisions by Ford.

  3  
AMS ["Critique of a writing by Miss Black"]
Fragment of a critique of a book by Miss Black.

  3  
AM "The Dark Forest. Part II"
Writtenn perhaps in collaboration with Violet Hunt, the manuscript is a part of the later published "The New Humpty-Dumpty", 1912. It is mostly writtne in unidentified hand and some pages are typed. Pages 192-205 are in Hunt's hand, and pages 205-206 are in Ford's. The exterior folder has "Ford Madox Hueffer, 17th February, 1911, Geissen" written on it. Title page of manuscript reads: "in the property of F. B. Pinker, Talbot House, Arundel Street, London W.C." Harvey Civ (5)

  3  
AM "A Day of Battle"
Perhaps meant to be part of a larger work, the sub-heading includes the numeral I and the subtitle "Arms and the Mind". Top right corner of title page scribed: "Written on the Ypres Salient: 15th Sep., 1916". Signature at the bottom of the last page reads "Miles Ignotus". See also Ford's essay "War--the Mind."

  3  
TM "Death with Dishonour"
Fragment draft recording Ford's reaction to the Munich conference, especially the role of Britain. With holographic changes; unpublished.

  3  
AM "Death with Disbonour"
Earlier fragment draft of Ford's thoughts about the Munich conference.

  3  
TM "Demigods"
Original title "Beau Sabreur" crossed out and new title penciled in, this document is a synopsis of Ford's novel "A Little Less than Gods", written in 1928.

  3  
AM/TM ["Destiny's Role Given Koehler"]
Report from the Hauptmann-Lindbergh kidnapping trial, later published in the "New York World-Telegram" onJanuary 20, 1935.

  3  
TM ["Dinner with Turbot"] "The Pensive Epicurean"
Later published in "Vogue", September 15, 1939, the original title is "The Pensive Epicurean". Some holograph corrections made to draft, with a page of dictated copy by hand of Janice Biala.

  3  
TM & AM [Draft of chain letter...peace...sketch]
Carbon drafts of a chain letter intended as a protest against the effect of war on "intellectual worksers," with an accompanying sketch signed by Ford.

  3  
AMS "The Dream Hunt"
A slightly different version of the poem which later appeared in "Songs from London", 1910, with a fragment from another poem at the bottom of the page.

  4  
AM ["Edith]
Fragments of 2 chapters of a novel: chapter 1 with the epigraph "Quein se casa por amores/ Ha de vivir con dolores." Chapter II with, "Er war ein alter Konig/ Sein Herz war schwer, sein Haupt war grau." Perhpas from "The Shifting of the Fire."

  4  
AM Eight untitled poems
Fragments of early poems; some with corrections and some with several versions; probably none published.

  4  
AMS "Elspeth"
Short story in 4 chapters, probably unpublished.

  4  
TM "The English Novel; Author's apology to Hugh Walpole"
Dedicatory letter to Hugh Walpole, acknowledging his role in Ford's decision to publish "The English Novel". With Ford's corrections.

  4  
TM "Enigma"
Unpublished manuscript of a short story with a few corrections. Title page on "Coopers-Bedham-Fittleworth-Sussex" stationary, which according to Harvey, would date the manuscript between 1920 and 1923.

  4  
TM [Ford's entry for Who's Who in Literature]
Entry form of the Literary Year Book Press.

  4  
TM "Epilogue"
Two versions of manuscript about WWI, one 8 pages; the other 3 pages.

  4  
TM "The Escape: a One Act Drama"
A single act drama, concerning a married couple and infidelity.

  4  
TMS"Every Man: a Sequence"
Two versions of a poem: 4 leaves of typescript, and 2 leaves of holograph comprising four of the typed poems in another form. Appears in "Songs from London", 1910.

  4  
TM "The Exile"
Poem, published iwth minor differences in "High Germany", 1912.

  4  
TM [On Ezra Pound-Canto IX]
A draft of Ford's chapter in "Ezra Pound: Some Testimonials by Ernest Hemingway, Ford Madox Ford, T.S. Eliot, Hugh Walpole, Archibald MacLeish, James Joyce and Others". With holograph additions and corrections.

  4  
AM "Faith and Hope, Being part of a double-Trilogy in Park & Parlour
Fragment of poem, includes I (1) Faith in the Park; I (2) Faith in the Parlour; II (1) Hope in the Park. Published in "The Qestions at the Well", 1893.

  4  
TM "The Feather"
Poem, published with slight differences in "High Germany", 1912.

  4  
TM "Felo de Se"
Poem, another version of "The Ballad of a Suicide"; unpublished in this form.

  4  
AM "First Lecture"
Fragments of notes for an unidentified lecture on Writing and bookselling; probably in in Ford's hand. Harvey notes: "Probably delivered after 1924 to an American audience. (Harvey Cvi6)

  4  
[Five Sons]
Musical compositions in German and French: "An deinen Blauen Augen," "Esliebt sich so lieblich in Lenze," "Herbst Lied," "Adieu de ceux qui s'en vont sur mer," "Si le Roi m'avoit donne," listed on title page.

  4  
TM [Fleuve Profond] "Nuitee a l'Americaine"
Draft of varian fragments of Poem III of the "Buckshee" sequence.

  4  
A & TM "Footsloggers"
Poem, written on stationary of the 3rd Battalion of the Welch Regiment, "REDCAR." Later published in "On Heaven". 6 leaves of typescript with some corrections; 2 leaves written, probably not in Ford's hand.

  4  
AM "For Democracy"
Poem, probably unpublished.

  4  
"Ford Madox Brown" galley proof
Introduction to a catalogue for an exhibition of Ford Madox Brown's paintings at Grafton Galleries.

  4  
"Ford Madox Ford"
Small printed broadside, containing a brief biography and a portrait of Ford.

  4  
AM Ford Madox Ford French Press Cuttings
A list with brief descriptions of 37 cuttings about Ford in French newspapers.

  4  
TM Ford Madox Ford Route
Itinerary for a lecture tour; stops including Dartmouth and Williams College.

  4  
TM "Ford Madox (Hueffer) Ford Obit"
Copy of obituary written by Ezra Pound, with some corrections.

  4  
TM Foreword to "The English Review Book of Short Stories"
Carbon copy of the foreword Ford wrote, "For the English Review", describing his earlier venture with the journal.

  4  
TM "From Boston to Denver"
Carbon copy of an "investigatory" essay on the American way of life, its great disparities of class and standards of living as well as its educational and political values; probably unpublished.

  4  
Printed "Fun!--It's Heaven"
Copy of published short story printed in "The Bystander". Set in WWI, with illustrations.

  4  
TM/AM "Le Bon Soldat"
Fragmentary draft of the French translation of "The Good Soldier". Portions of the text include Chapters I-V. On last page is inscribed: "This is a specimen of the adaptation into French of the "Good Soldier" that I made in the line during and after the 1st battle of the Somme, July to Sept. 1916--For Francis [Cheny} with gratitude--from Ford Madox Ford, Clarksvill, Tenn., 4 July '27." Although Harvey (p.46) cites a remark made in "Return to Yesteryear" (p.410) that Ford had begun a French translation of the novel in 1916. The two typed leaves of the text appear on the verso of the letterhead stationary of "The Transatlantic Review", indication a later transcription of composition. 2 leaves typescript, 36 leaves in Ford's hand.

  4  
"The Good Soldier" book jacket proof
Book jacket proof for "The Good Soldier" as published by Albert and Charles Boni.

  4  
AMS "The Goose Girl"
Fords retelling of the fairytale, "The Goose Girl". Verso of title page contains a fragment of manuscript by Ford: "benevolent twinkle in his eyes, beaming through his glasses...."

  5  
AM "Ford Madox Brown: A Record of his Life and Work"
Draft of outline of Ford Madox Brown's life, devided into 4 periods (1821-50, 1851-65, 1866-78, 1879-93).

  5  
AM "Ford Madox Brown Outline"
Outline of the biography of Ford Madox Brown, including Part I, Ch.1-5; Part II, ch.6-8 and ch. 17-18. Material organized by date with hypothetical chapter numbers and headings.

  5  
AM "Ford Madox Brown; A Record of his Life and Work" Version A, Part I, ch.1
First version of Part I, Chap. I of Ford's biography of his grandfather, mostly in the hand of Elsie Martindale Hueffer. With editorial notes by William Michael Rossetti on front and verso of 6 pages.

  5  
AM "Ford Madox Brown" Version A, Part I, ch.2
Fragment of text of first version of Part I, Chap. II of Fords biography.

  5  
AM "Ford Madox Brown" Version A, Part I, ch. 3
First version of Part I, Chap. III, Paris 1840-44 of biography, edited and anotated by William Michael Rossetti.

  5  
AM "Ford Madox Brown" Version A, Part I, ch. 4
Incomplete text of first version of Part I, Chap. IV of Ford's biography, edited and annotated by William Michael Rossetti.

  5  
AM "Ford Madox Brown" Version A, Part I, ch. 5
First version of Part I, Chap. V of Ford's biography, edited and annotated by William Michael Rossetti

  5  
AM "Ford Madox Brown" Version A, Part I, ch. 6
First version of Part I, Chap. VI of Ford's biography, edited and annotated by William Michael Rossetti

  5  
AM "Ford Madox Brown" Version A, Part I, ch. 8
First version of Part I, Chap. VIII (1850-51) of Ford's biography, edited and annotated by William Michael Rossetti. Original title "Book II, Chapter 1 1850"

  5  
AM "Ford Madox Brown" Version A, Part II, ch. I
First version of Part II, Chap. 1 (1852) of Ford's biography, edited and annotated by William Michael Rossetti.

  5  
AM "Ford Madox Brown" Version A, Part II, ch. 2
Incomplete first version of Part II, Chap. II of Ford's biography, edited and annotated by William Michael Rossetti

  5  
AM "Ford Madox Brown" Version A, Part II, ch. 3
Incomplete first version of Part II, Chap. III (1856) of Ford's biography, edited and annotated by William Michael Rossetti.

  5  
AM "Ford Madox Brown" Version A, Part II, ch. 4
Incomplete first version of Part II, Chap. IV (1857-58) of Ford's biography, edited and annotated by William Michael Rossetti

  5  
AM "Ford Madox Brown" Version A, Part II, ch. 7
Incomplete first version of Part II, Chap. VII (The Piccadilly Exhibition) of Ford's biography, edited and annotated by William Michael Rossetti

  5  
AM "Ford Madox Brown" Version A, Part II, ch. 6
Incomplete first version of Part II, Chap. VI (1864) of Ford's biography, edited and annotated by William Michael Rossetti

  5  
AM "Ford Madox Brown" Version A, Part III, ch. 5
Incomplete first version of Part III, Chap. V (M.B.'s pictures from 1866-78) of Ford's biography.

  5  
AM "Ford Madox Brown" Version A, Part III, ch. 7
Incomplete first version of Part III, Chap. 7 (1888) of Ford's biography abbitated by William Michael Rossetti.

  5  
TM "Ford Madox Brown" Version A, Final chapter
Incomplete first version of final chapter of Ford's biography. Text corresponds roughly to p. 398ff. of printed biography.

  5  
AM "Ford Madox Brown" Version B, part I, ch. 1-5
First 5 chapters of second version of Ford's biography: Chapter 1. Parentage. 1755-1821 [16 leaves]; Chapter 2. Early Recollections & Student Life. 1821 [3 leaves]; Chapter 3. Paris. 1840-1844 [36 leaves]; Chapter 4. 1846-1849 [2o leaves; Chapter 5. 1850-51 [21 leaves] Portions of document in the hand of Elsie Martindale Hueffer and some typewritten quotes. Annotated by William Michael Rossetti.

  5  
AM "Ford Madox Brown" Version B, Part II, ch. 6-8
Chapters 6-8 (1852-65) of second version of Ford's biography: Chapter 6. 1852-55 [42 leaves; Chapter 7. 1856 [59 leaves; Chapter 8. 1857-58 [3 leaves]. Portions of the manuscript in the hand of Elsie Martindale Hueffer, some pages in an unidentified hand and some typewritten quotes. Annotated by William Michael Rossetti.

  5  
AM "Ford Madox Brown" Version B, Part II, ch. 9-10
Chapters 9-10 (II) of the second version of Ford's biography: Chapter 9. 1859-60 [32 leaves]; Chapter 10. 1862-65 [65 leaves] Portions of the manuscript in the hand of Elsie Martindale Hueffer, some pages in an unidentified hand and some typewritten quotes. Annotated by William Michael Rossetti..

  6  
AM "Ford Madox Brown" Version B, part III, ch. 11-13
Second version, Part III, Chapters 11-13 of Ford's biography: Chapter 11. 1866-68 [27 leaves]; Chapter 12. 1869-1871 [36 leaves]; Chapter 13. 1872-74 [38 leaves] Annotated by William Michael Rossetti.

  6  
AM "Ford Madox Brown" Version B, part III, ch. 14-16
Second version, Part III, Chapters 14-16 of Ford's biography: Chapter 14. 1875-78 [37 leaves]; Chapter 15. 1879-1881 [29 leaves]; Chapter 16. 1882-85 [23 leaves] Portions of the manuscript in the hand of Elsie Martindale Hueffer, some pages in an unidentified hand and some typewritten quotes. Annotated by William Michael Rossetti..

  6  
AM "Ford Madox Brown" Version B, part III, ch. 17-19
Second version, Part III, Chapters 17-19 of Ford's biography: Chapter 17. 1886-87 [14 leaves]; Chapter 18. 1888-1893 [14 leaves]; Chapter 19. Influences and Developments [37 leaves] Portions of the manuscript in the hand of Elsie Martindale Hueffer, some pages in an unidentified hand and some typewritten quotes. Annotated by William Michael Rossetti..

  6  
AM "Ford Madox Brown" Appendix B, List of M.B.'s more important works
Chronological list of Brown's works up through 1865 (1866-1892 missing). Information includes: price, title and remarks, description, date and place of execution of exhibition, and owner.

  6  
AM "Ford Madox Brown" Appendix C, Catalogue of M.B.'s designs for stained glass, executed by Morris & Co.
Chronological list of Brown's designs up through 1869 (1870-1874 missing).

  6  
AM "Ford Madox Brown Index"
Contents include a General index [44 leaves]; Index of F. M.B's paintings, stapled [15 leaves]; and portraits [2 leaves] in the hand of Elsie Martindale Hueffer; and Index of illustrations [2 leaves]

  6  
AM "Ford Madox Brown" Note to printer & proof of title page
Ford's note to the printer, suggesting that a chapter might be more efficiently presented as an appendix. Copy of the title page of the biography, with the author's suggestions written in ink.

  6  
AM "Ford Madox Brown" Notes on F.M. B.'s paintings
List of paintings and painters, subdivided into: Grand Style; Domestic subjects; and Landscapte, French Art, and German Art with remarks interspersed.

  6  
AM "Ford Madox Brown" Inventory of Correspondence. Packets A-X
List of Brown's correspondence, with identifying notes and commentary by Ford.

  6  
AM "Ford Madox Brown" Excerpts of F.M.B.'s correspondence, 1852-1857
A list of important passages from letters sent and received by Brown. Excerpts used in chapters 6 and 7 of the biography.

  6  
AM "Ford Madox Brown" Draft of Chapter 19
Incomplete version of Chapter 19 of Ford's biography, partly in the hand of Elsie Martindale Hueffer.

  6  
AM "Ford Madox Brown" Miscellaneous manuscripts
Notes and fragments related to Ford's biography, with 1 leaf extensively annotated by William Michael Rossetti.

  6  
AM "Ford Madox Brown" Version Note
Draft of a note based on a paper delivered by Ford before the Art Workers Guild on the biography.

  6  
AM "Ford Madox Brown" Version B Note
Second draft of a note based on a paper delived by Ford before the Art Workers Guild on the biography with 2 leaves in the hand of Elsie Martindale Hueffer.

  7  
AM & TM "The Fifth Queen", Part I-II
Holograph and typewritten versions, with corrections, of the first two parts of Ford's novel, which was published in 1906. Ford's address on the title page of the hand written version of Part II dates at least that part as 1904.

  7  
AM "The Fifth Queen", Part III
Third part of Ford's novel, with corrections.

  7  
AM "The Fifth Queen Shewn"
Complete holograph manuscript, parts I, II, III of Ford's novel, later published under the title "Privy Seal" in 1907.

  8  
AM & TM "Great Trade Route" Text and Map
Had-drawn map of Ford's travel route, with carbon of the notes explaining the relation between the map and the volume.

  8  
TM "Great Trade Route" Dedication
Carbon draft of Ford's humorous dedication to Jean Nicolas Le Son, the son of one of the couples with whom he stayed during his travels.

  8  
TM "Great Trade Route" Table of Drawings & Part I, Chapter I
Table of Contents of drawings by Janice Biala, which were not printed. Typescript of Part I, Chapter 1, "Voyage Westward", includes some variants from printed text as well as a few corrections in Ford's hand.

  8  
TM "Great Trade Route", Part I, Chapter II
Typescript of Part I, Chapter II, with a few changes made.

  8  
TM "Great Trade Route", Part I, Chapter III
Typescript of Part I, Chapter III, "Voyage Outwards", with a few minor variations from printed text.

  8  
TM "Great Trade Route", Part I, Chapter IV
Typescript of Part I, Chapter IV, "Voyage Outwards-Inwards". A few variants from printed text.

  8  
TM "Great Trade Route", Part I, Chapter V
Typescript of Part I, Chapter V, "Interludes for Reflection, One. Societies of Nations"; a few variants, some corrections in Ford's hand, and some pagew which were cut in printed version.

  8  
TM "Great Trade Route", Part I, Chapter VI
Typescript of Part I, Chapter VI, "Interludes Two. Vestiges of Civilization"; two pages of printed text missing, some corrections in Ford's hand.

  8  
TM "Great Trade Route", Part I, Chapter VII
Typescript of Part I, Chapter VII, "Last Interlude"; quite a bit of material cut from this text in the published volume, some corrections in Ford's hand.

  8  
TM "Great Trade Route", Part II, Chapter I
Typescript of Part II, Chapter I, "Voyage South"; some material cut from printed text, and some printed text missing, corrections in Ford's hand. Includes title page for Part II.

  8  
TM "Great Trade Route", Part II, Chapter II
Typescript for Part II, Chapter II, "Voyage Southwards"; some corrections in Ford's hand.

  8  
TM "Great Trade Route", Part II, Chapter III
Typescript of Part II, Chapter III, "Voyage Outward".

  8  
TM "Great Trade Route", Part II, Chapter IV
Typescript of Part II, Chapter IV, "Voyage Soutward"; is imperfect, there being much missing, added and rearranged material, differing greatly from published text.

  8  
TM "Great Trade Route", Part II, Chapter V
Typescript of Part II, Chapter V, "Voyage Outward"; some material cut from printed text, and some missing material

  8  
TM "Great Trade Route", Part II, Chapter VI
Typescript of Part II, Chapter VI, "Voyage Sotwards"; some missing material.

  8  
TM "Great Trade Route", Part II, Chapter VI [variant]
Variant typescript of Part II, Chapter VI; incomplete, has some new subject matter and some corrections in Ford's hand.

  8  
TM "Great Trade Route", Part III, Chapter I
Typescript of Part III, Chapter I, "Voyage Westwards"; part of the printed text missing.

  8  
TM "Great Trade Route", Part III, Chapter II
Typescript of Part III, Chapter II, "Voyage Westwards".

  8  
TM "Great Trade Route", Part III, Chapter III
Typescript of Part III, Chapter III, "Voyage Westwards"; corrections in Ford's hand.

  8  
TM "Great Trade Route", Part III, Chapter IV
Typescript of Part III, Chapter IV, "Voyage Westwards"; titled on document as Chapter III.

  8  
TM "Great Trade Route", Part III, Chapter V
Typescript of Part III, Chapter V; corrections in Ford's hand; written in pencil at top of first page: "New Chapter III, iv."

  8  
TM "Great Trade Route" Coda, Chapter I
Typescript of Coda, Chapter I, "Towards Nowhere"; last 11 lines omitted from the printed text.

  8  
TM "Great Trade Route" Coda, Chapter II
Typescript of Coda, Chapter II, "To Malaga"; some material cut in printed text.

  8  
TM "Great Trade Route" Coda, Chapter III
Typescript of Coda, Chapter III, "To Nowhere"; final paragraph of book omitted here.

  8  
Printed "Great Trade Route" Reviews
Group of printed clippings from newspaper and periodical reviews of Ford's work. Includes a Graham Greene (London Mercury) review.

  8  
AM & TM Miscellaneous envelopes
Series of envelopes, of varying shapes and sizes, sent from Ford in Paris to his erstwhile American agent Ruth Kerr in New York City.

  8  
TM "Grumbles and Gingerbread"
An article on the change in the appearance and atmosphere of New York City after the Stock Market collapsed. Apparently unpublished. Some holograph corrections and a folder indicating the former ownership of Ruth Kerr.

  9  
TM "H.G."
Carbon typescript of an article on H. G. Wells, with some corrections in Ford's hand. One version appeared in the "American Mercury" (May 1936), and the other as a draft of chapter seven of "Portraits from Life".

  9  
TM "Hands off the Arts"
Fragment of a draft of an article on the role of propaganda in the Arts, with some corrections. Later published in the "American Mercury", April 1935.

  9  
AM "The Heart of the Country"
The complete holograph manuscript, with corrections in Ford's hand. This was published in 1906. (Harvey Cii(3)

  9  
AM "He hath Outsoared the Darkness ..."
A verse inscription for the funeral wreath od Dr. William Martindale: "He hath outsoared the darkness of our night/ Envy and heartache and all grief and pain/ And that unrest which men miscall delight/ Can touch him not and torture not again."

  9  
AM "Hedging. A Farcially Fantastic Tragedy"
Fragment of Act I, Scenes 1 & 2 of an apparently unpublished drama, set "some years hence, in & about London."

  9  
AMS " Henry for Hugh"
Holograph text with corrections and additions of the novel published by Lippincott in 1934; forms a sequel to "The Rash Act."

  9  
Printed "Henry for Hugh" Reviews
Four reviews of Ford's novel, by Iris Barry, Caroline Gordon, William Rose Benet, and an unsigned review that appeared in "The American Mercury."

  9  
TM "Historians' Methods"
Typescript of an apparently unpublished article on the methodological struggles between "Literary Historians" and "Scientific Historians".

  9  
TM "Honoria Mary Lelage"
Fragments of drafts of three states of the text which begins on p. 4 of the complete typescript; one with some corrections.

  9  
TM "Honoria Mary Lelage"
Uncorrected typescript of an unpublished short story. Harvey Civ(10). A letter from Brandt & Brandt (TLS to Ford, March 11, 1930) tells of unsuccessful efforts to have the story published in a periodical.

  9  
AMS "Hope"
Holograph poem, divided into three parts.

  9  
AM & TM "A House"
Two versions of a poetic play, holograph version, 24 leaves with corrections; final typescript, 17 leaves. Includes an illustrated title page and an inscription: "For my dear Stella. First draft finished 5/6/20, Final copy 10/6/20." The play first appeared in "Poetry", March 1921, where it won the prize of the year. Harvey Ciii(10).

  9  
AM "The House of Hohenfelsen: A Drama in Three Acts by F. M. H."
Manuscript of an early three act drama, set in the royal court of Saeuerland, with minor corrections. (Harvey Cv(1).

  9  
AMS "Idylls and Ideals - Being Five Prose Idylls"
Title page, preface and incomplete table of contents of a manuscript of five poems, signed under pseudonym "Eff Aitch-Emm." With an inscription: "To Mr. Ford Madox Brown, this little book is gratefully dedicated by the author."

  9  
AMS "Idylls and Ideals I: An Idyll of the Spessart-[wald]"
The first of five idylls, signed Ford H. M. Hueffer. A complete copy with minor corrections and a draft of p.2.

  9  
AM "Idylls and Ideals II: An Idyll of a Fatal Ideal?"
Incomplete fragment of what is probably the second idyll. Leaves numbered 25 through 28.

  9  
AM "Idylls and Ideals III: The Idyllic Courtship of Coytmore"
The third idyll, also titled "Coytmore'ss Courtship," with a note in Ford's hand on the first page: "I might rewrite this. Th style of English is a failure."

  9  
AM "Idylls and Ideals V: The Idyll of an Old Pierhead"
Probably a fragment of the fifth idyll, but at least a part (p. 6-52) also has been identified as a fragment of a version of "Elspeth".

  9  
TM "Immortality: An Elegy on a Great Poet Dying Abroad"
A Typscript (7 leaves) and proofs (3 leavees) of a poem, which appeared in Hold Monro's "Chapbook", 1920. Harvey CIII(9)

  9  
Printed "Immortatlity" [The Chapbook}
Volume of "The Chapbook" (No. 13, Vol. III, July 1920), which includes Ford's poem "Immortatity".

  9  
AM "Im Wunderschonen Monat Mai"
A pair of musical compositions, which also indludes "Thou art to all Lost [love] tje Bes." dated 1895; with title page in the hand of Elsie Martindale Hueffer.

  9  
AMS "In Autumn, the Fall of the Leaf!"
A holography essay on Tennyson on the occasion of his death, intended for publication in "The Speaker." The first draft of the same essay was titled simply "Tennyson."

  9  
TM "In High Germany ["Autumn Evening"]
Typescript of poem, later published in the volume "High Germany" with slight changes as "Autumn Evening". Harvey Ciii(5)

  9  
TM "In Praise of Garlic"
Fragment of a draft of essay, with holograph corrections. Article appeared in "Harper's Bazaar" in August, 1937.

  9  
AM ["In the Stone Jug"]
Four holograph versions of a poem, each differing from the other (one with the variant title "Song before Suicide") and from the final version which appeared in "Songs from London", 1910. Harvey Ciii(4e).

  9  
TM "In the Train"
Uncorrected typescript of a poem published with minor changes in "High Germany, 1912. Harvey Ciii(5)

  9  
TM "The Inheritors"
Fragment of incomplete typescript of an earlier version of the first chapter of "A Conrad Memorial Library: The Collection of George T. Keating", 1929, in which Ford Describes the collaboration between Conrad and himself. Harvey Cii(23)

  9  
AM "The Inheritors"
Fragment of three quotations from the novel in Ford's hand, perhaps notes or early passages.

  9  
AM ["Introduction to Joseph Conrad's The Sisters"]
Fragment of what later became Ford's preface to Conrad's story. "The Sisters" appeared in "Bookman", January 1928. Harvey Cii(19)

  9  
TM "Inventory"
Typescript of poem which appears to be a later version of the poem titled "An Inventory: With a second and third copy.

  9  
TM "An Inventory"
Early typescript version of a poem with the second section indluded in triplicate. Harvey Cvii(2)

  9  
TM "An Inventory [revised]
Early typescript version of a poem, with revisions apparently in Ford's hand.

  9  
Printed "It Was the Nightingale" Reviews
Review and copy from the "Morning Post" (Mary 28, 1934) and a notice from the "Daily Telegraph".

  9  
AM "It was towards Eleven...."
A fragment of an unknown text, the first sentence being: "It was towards eleven of one of those August days, when, in the neighborhood of Mark Lane...coats come off in inner offices and the distant forgotten fields call insistently."

  9  
TM "Just People"
Typescript with sections titled "The Waiter", "The Violinist and the Hotelkeeper", and "Two Very Worried Gentlemen"; with revisions apparently in Ford's hand. Plus a folder from Brandt & Kirkpatrick on which is written "Unpublished, April 1930."

  10  
TM "A History of Our Own Times" Synopsis
A carbon typescript synopsis of Ford's unpublished history, which he began working on in 1929 and for which he sought a publisher throughout the 1930's. With a correction apparently in Ford's hand and signed in pencil.

  10  
TM "A History of Our Own Times" Note
Two typescript copies of an Author's note intended for Ford's unpublished history.

  10  
TM "A History of Our Own Times" Preface to Volume One (1870-18950
A fragment of a copy of typescript composed of the first part of Ford's preface, dated "New York 3d August 1929" and with two of those pages being heavily corrected variants of an earlier draft. Two copies of two single-space typescript pages compose the second part, dated "Ballancourt 27 July 1930".

  10  
TM & AMS "A History of Our Own Times" Vol. I, Chap. I-III and Author's Note
Volume I, Chapters I-III of Ford's unpublished history, with many holograph additions and corrections. Leaves are numbered sequentially, with a gap between II. 3-28, but the sense of the text is unaltered. Also includes an incomplete and heavily corrected autographed copy of the "Author's Note" and title page in Ford's hand.

  10  
TM "A History of Our Own Times" Vol. I, Chap. IV-VI
Typescript of Volume I, Chapters IV-VI of Ford's unpublished history. With many holograph additions and corrections.

  10  
TM & AMS "A History of Our Own Times" Vol. I, Chap.VI-VIII
Volume I, Chapters VII-VIII of Ford's unpublished history. With many holograph additions and corrections. Leaves numbered sequentially, with the insertion of pages 198-198 after page 241 and with a gap between II. 262-301, but the sense of the text is unaltered. Final page is dated from Toulon, Sept. 19, 1932.

  10  
TM "A History of Our Own Times" Vol. I, Chap. I-III
Copy of Volume I, Chapters I-III of Ford's unpublished history, belonging to Ford's agent, Ruth Kerr. With minor correction and an extra carbon typescript of Chapter III.

  10  
TM "A History of Our Own Times" Vol. I, Chap. IV
Copy of Volume I, Chapter IV of Ford's unpublished history, belonging to Ford's agent, Ruth Kerr; with minor corrections.

  10  
TM "A History of Our Own Times" Vol. I, Chap. VIII
Carbon typescript of Volume I, Chapter VIII and conclusion of Ford's unpublished history. With minor corrections, dated from New York, July 1st, 1929 and Ballancourt July 14th 1930.

  10  
TM "A History of Our Own Times" Folders
Reddish-orange dividers and folders for "A History of Our Own Times," with pasted tabs indicating title, volume, and chapter as well as the name and address of Ford's agent, Ruth Kerr.

  10  
TM "Chances of War Today"; "A History of Our Own Times" Drafts
Two drafts of a fragment titled "Chance of War Today"; the typescript of 10 leaves with corrections and manuscript Addition in Ford's hand; the carbon draft of 17 leaves with a note in the hand of Janice Biala dating the manuscript from 1938-1939, although the manuscript most likely dated from 1934-1935.

  11  
AM "Katherine Howard"
Incomplete holograph of a blank verse play which was probably originally collected in "Poems & Little Plays", but nver published in "The Face of the Night" or elsewhere. Harvey Cv(2)

  11  
AM "Katherine Howard"
A holograph manuscript that is slightly out of order, but appears to have nearly complete sections of all excepting Act I. There is much revision, and variant pages of this unpublished play. Harvey Cv(3)

  11  
TM "Katherine Howard"
Typescript of an unpublished play in four acts, with minor corrections and with a holograph inscription of the first leaf: "Author's Note - This is really a superior play in the Elizabethan model: It contains two mad scenes & one Beef Eater! Likewise one lyric & one speech about Divinity of Kings, & one wooden heroine; one scene of comic relief & etc." In addition to one complete version, this manuscirpt includes 12 random leaves from a different version. Harvey Cv(3)

  11  
AM "King Cophetua's Wooing: A Song Drama in One Act"
Dramatic poem first published in "Poems for Pictures", 1900. Harvey Ciii(i)

  11  
AM "King Cophetua's Wooing: A Song Drama [Musical Composition]
Musical composition; in paper wrappers with "Cophetua's Wooing. A Song Drama. Winchelsea after 1901" written on front wrapper in Elsie Martindale Hueffer's hand.

  11  
AM "Ladies Whose Bright Eyes"
A single page fragment, containing a quote either from "Ladies Whose Bright Eyes" or "The Young Lovell."

  11  
TM "Ladies Whose Bright Eyes" Cast of Characters
A descriptive list of the characters in Ford's novel, most probably for the American edition of 1935. A note in the top right corner reads: "This is a new edition of an old book out of print, first published in England in 1912."

  11  
TMS "Ladies Whose Bright Eyes"
Pages 1-4 and 343-344, 347-363 torn from the 1911 London edition of this novel. With an inscription to Janice Biala in Ford's hand, dated from Toulon, March '32, with anew opening paragraph typed on first page, and with holograph revisions throughout. These revisions appeared in the 1935 American reprint of "Ladies Whose Bright Eyes".

  11  
AM "Ladies Whose Bright Eyes" Jacket Design
Ink and gouache jecket design.

  11  
Printed "Ladies Whose Bright Eyes" Reviews
Reviews of the 1935 American edition of this novel. One by Isabel Paterson of the "New York Herald Tribune" (May 26, 1935), one by Lewis Gannett, and one by Peter Monro Jack of the "New York Times Book Review" (May 19, 1935).

  11  
AM "The Land of Song: A Phantasy"
An unpublished story in four parts, set in the Viking era. Possibly in the hand of Elsie Martindale Hueffer. Harvey Civ(1)

  11  
TM "Last Nickels"
An unpublished short story about a conversation between two women at a Writers' Club, a story idea, and the shoe trade.

  11  
TM "The Last Post"
Fragments of carbon copy of several versions of passages which appear between pages 183-234 of the first American edition of "The Last Post". Part of Harvey Ci(15)

  11  
TM" Last Works About Edward VIII"
Manuscript with copy plus variant of a radio address given in New York on December 7, 1936. Expanded version perhaps intended for publication.

  11  
AM "Lausanias & Glaucus"
Fragment of unpublished manuscript missing pages 1-17, with page 18 beginning with "But to me to hunger is worse than to die."

  11  
TM Lecture delivered at Sacre du Printemps
Typescript of a lecture given by Ford, dated from "Paris, June' 25," with some holograph corrections. Similar to his preface to "Transatlantic Tales". Harvey Cvi(5)

  11  
AM Lecture delivered at University College, London
Manuscript of lecture given by Ford, addressed to a group of young ladies on the subject of the "literary life". In Ford's hand as well as the hand of an unidentified person. Harvey Cvi(4)

  11  
M Lecture Notes
A photocopy of notes for an unidentified lecture, with three pages in ypescript and two in an unidentified hand.

  11  
AM Lecture on Writing
Incomplete manuscript from an unidentified lecture on the "Literary life". Harvey Cvi(6)

  11  
AMS "Letters in England"
Essay on literature in the form of a letter from "F.C. Pash" to Ford Madox Hueffer; With some corrections.

  11  
TM "The Life & Times of Henry VIII" Synopsis
Typescript of a synopsis for a book that was never completed. Harvey Civ94)

  11  
TM "The Life & Times of Henry VIII" Chapter 1
Sample chapter of a book that was never completed, with holograph corrections and a note on the title page indicating that "it should be distinctly understood that the enclosed introductory chapter is to be regarded as a specimen of manner rather than of matter & that the author reserves to himself the right to entirely re-write it, if necessary, at a later stage." Written on the back of an uncorrected typescript of "Romance" Harvey Civ(4)

  11  
AM List of poems available for publication
A list of Ford's new poems and next to each title, the names of one or two magazines for consideration. Some poems were so published, others apparently were not.

  11  
TM "A List of the Books of Ford Madox Ford"
A carbon typescript listing Ford's published books, with some holograph additions and corrections.

  11  
Printed "A Little Less Than Gods" Review
A review by Herschel Brickell of the "New York Herald Tribune Books 5" (November 4, 1928) of Ford's historical romance.

  11  
TM "A Little Tour at Home" Synopsis
A typescript synopsis of a proposed book of American travels, with some holograph corrections.

  12  
TM "London"
Typescript of a general synopsis, preface, and chapter I and holograph of chapters IV and V of the book published as "The Soul of London" in 1905. With holograph corrections throughout and an inscription by Ford on the first page.

  12  
TM "London Re-Visited"
Incomplete carbon typescript of an article that appeared in the "London Mercury", XXV (Dec. 1936). Missing pages 11-13 and with some corrections in Ford's hand.

  12  
TM "Lost Leader"
Carbon typescript of a version of a chapter on H. G. Wells in "Portraits from Life". Missing the last page and with minor corrections.

  12  
AMS "A Lullaby"
A musical manuscript with the following inscription on the first page: "Lullaby - Words and Music by F. M. Hueffer."

  12  
TM "The Making of Modern Verse" and "Christina Rossitti" Amalgamation
An incomplete holograph and typescript that is an amalgamation of the two articles. "The Making of Modern verse" appeared in "Academy, April 19 & 26, 1902 and "Christina Rossetti" appeared in the "Fortnightly", March 1911. Wit holograph corrections throughout. Harvey Cii(1)

  12  
Printed "The March of Literature" Review
A review by W. S. Campbell of Ford's book "The March of Literature".

  12  
AM "The Marsden Case?"
A fragment of a manuscript that might be from "The Marsden Case" or from "Riesenberg". With minor corrections.

  12  
"The Marsden Case" Dust Jacket Photograph
Color photograph of dust jacket of Ford's novel, published by Duckworth Press, 1923.

  12  
TM "The Master"
Typescript of an essay published with this title in "American Mercury 36" (Nov. 1935) and republished as the first chapter of "Portraits from Life", with the title "Henry James: The Master"

  12  
AM Memoir on the death of his grandfather, Ford Madox Brown.
A tribute to Ford's grandfather, Ford Madox Brown, beginning "The painter of "Work" is no more - in his studio the work stands unfinished on the easel". With some corrections.

  12  
AM [Memorandum]
A memorandum, which references a letter written to StanleyUnwin on Jan. 18, 1939.

  12  
AM "Memories and Impressions"
All but the first page of Chapter VI "Pre-Raphaelites and Prisons" of the book "Ancient Lights" [American title: "Memories and Impressions"]. Probably in Violet Hunt's hand.

  12  
Printed Menu Card
A menu card with Ford's signature and the date.

  12  
AM "Milhado said..."
Unidentified fragment of a possible short story, apparently dating from the 1930's.

  12  
TM "The Miracle"
A carbon typescript of a short story later published in the "Yale Review", XVIII Winter, 1928. Enclosed in a folder from Brandt and Kirkpatrick, New York and with corrections apparently in Ford's hand. Harvey D361.

  12  
TM "A Mirror to Conrad"
A review by Ford of "Joseph Conrad: Some Aspects of the Art of the Novel" by Edward Crankshaw for the periodical "Time & Tide", London.

  12  
AM Miscellaneous manuscript fragments
Fragments of various manuscripts: three leaves of unidentified manuscript; three photocopies of manuscript leaves with writing at the heading in pencil indicating that they are comprised of versos of writing on Wagner as well as verso of the title page of "The Goose Girl."

  12  
AM & TM Miscellaneous musical compositions
A book of musical compositions, including "At the Bal Masque," "Tandaradei," and untitled scores. Partially bound and in paper wrappers.

  12  
AM Miscellaneous untitled poems
Various untitled verses, with corrections. With these first lines: "When runnels began to leap and to ring"; "He taught some sure of striplings and how to plough"; "The lamplight gilds the pictures on the wall"; "And [so] the ships above the wall."

  12  
TM "Mr. Bosphorus and the Muses"
An incomplete copy, with several versions of some pages and some penciled notes in Ford's hand.

  12  
Printed "Mr. Madox Hueffer's Inaccuracies"
Facsimile of Ford's letter to the editor in "The Outlook" (May 6, 1911) in reference to W. M. Rossetti's comments about "Ford Madox Brown: A Record of his Life and Works". With Rossetti's response to Ford's response.

  12  
Printed "Mr. R. B. Cunninghame Graham and 'A Hatchment'"
Facsimile copy of Ford's literary portrait (XV) of R. B. Cunninghame Graham, author of "A Hatchment", published in "The Outlook", Dec. 20, 1913.

  12  
Printed "Mr. Robert Frost and 'North of Boston'".
Facsimile of Ford's literary portrait (XLII) of Robert Frost and his book of verse "North of Boston". Published in "The Outlook" (June 27, 1914).

  12  
Printed "Mr. William de Morgan and 'When Ghost Meets Ghost'"
Facsimile of Ford's literary portrait (XXIV) of William De Morgan and his novel "When Ghost Meets Shost". Published in "The Outlook", Feb. 21, 1914.

  12  
AM & TM "A Mother"
Manuscript version (57 leaves) and parts of the typewritten version (12 leaves) of a possibly unpublished story. With corrections in Ford's hand.

  12  
TMS "The Mother: A Song-Drama"
A typescript of a poem-play, with corrections in Ford's ahnd and with one page of the holograph version. Published first in "Fortnightly", April, 1901 and later in "The Face of the Night". Harvey Ciii(3n)

  12  
TM "The Mother (A Psalm...)"
A typescript of the poem, with corrections in Ford's hand and with additional stanzas from either this poem or another poem. For an earlier draft of "The Mother," see FMF, Box 4, Folder 2 "Eight Untitled Poems" Harvey Cvii(2d) and Cvii(2j)

  12  
AM & TM "Mu...seums"
Incomplete manuscript, two complete variant typescripts, and two additional pages of typescript from an unknown draft of an apparently unpublished short sotry. Typescripts include notes in Ford's hand.

  12  
AM "Music of the Future"
A chart evaluating various types of music, covering the years 1878-1888.

  13  
TM "The March of Literature" p. 1-100
Draft of the first section of the typescript of the 1938 Dial Press edition of Ford's book. Includes a list of his works, title page, copy right, dedication page, and text up through the first pages of Book I, Part I, chapter 5. With corrections, additions, and printer's marks.

  13  
TM "The March of Literature" p.101-200
The second section of the typescript of the 1938 Dial Press edition of Ford's book. Includes the text from a few pages into Book I, Part I, chapter 5 throught Part II, chapter I. With corrections, additions and printer's marks.

  13  
TM "The March of Literature" p.201-300
The third section of the typescript of the 1938 Dial Press edition of Ford's book. Includes the text from Book I, Part II, chapter 1 through Part II, chapter 4. With corrections, additions, and printer's marks.

  13  
TM "The March of Literature" p.301-381
The fourth section of the typescript of the 1938 Dial Press edition of Ford's book, including the text from Book I, Part II, chapter 4 through Part III, chapter 3. With corrections, additions, and printer's marks.

  14  
TM "The March of Literature" p.382-480
The fifth section of the typescript of the 1938 Dial Press edition of Ford's book, including the text from Book I, Part III, chapter 3 through Part IV, chapter I. With corrections, additions, and printer's marks.

  14  
TM "The March of Literature" p.481-600
The sixth section of the typescript of the 1938 Dial Press edition of Ford's book, including the text from Book I, Part IV, Chapter I through Book II, Part I, chapter 4. With corrections, additions, and printer's marks.

  14  
TM "The March of Literature" p.601-700
The seventh section of the typescript of the 1938 Dial Press edition of Ford's book, including the text from Book II, Part I, chapter 4 through Part I, chapter 8. With corrections, additions, and printer's marks.

  14  
TM "The March of Literature" p.701-800
The eighthth section of the typescript of the 1938 Dial Press edition of Ford's book, including the text from Book II, Part I, chapter 8 through Part II, chapter 3. With corrections, additions, and printer's marks.

  14  
TM "The March of Literature" p.801-934 & appendix
The ninth section of the typescript of the 1938 Dial Press edition of Ford's book, including the text from Book II, Part II, chapter 3 through Part II, chapter 7 (the end) and appendix. With corrections, additions, and printer's marks.

  15  
AM "Neew English Magazine specimen" Table of Contents
An itemization of the contents of a hypothetical issue of an uncreated magazine.

  15  
TM "New York is Not America"
A carbon copy of the typewritten manuscript of an earlier draft of Ford's book; missing some material found in published version and containing other materials not to be found in the published version. With a few corrections probably in Ford's hand. Harvey Cii(18)

  15  
TM "Nightmare"
A carbon copy of a typewritten manuscript of an apparently unpublished short story. With a folder indicating that it had been submitted to "The New Yorker" by Ford's agent, Ruth Kerr.

  15  
AM "No More Parades"
A handwritten page of an earlier draft of Ford's novel. Widely variant from the published version. For a comparison, see page 24 of the first American editiion.

  15  
Printed "No More Parades" Reviews
An unidentifies notice of Ford's novel and a review by Isabel Paterson published in "The New York Herald Tribune" (22 Nov. 1925). Harvey E486.

  15  
TM "The Narrowest Escape From Death"
A carbon copy of an apparently unpublished short story. With revisions probably in Ford's hand.

  15  
TM "The Net"
Two variant versions (one with a copy) of a poem later published in the "New York Herald Tribune Books 4" (4 Dec. 1927) With a note in Ford's hand.

  15  
TM "Whiskey Johnnie: A Noble Fluid"
Fragmentary draft and complete copy of an apparently unpublished story. The draft bears extensive holograph corrections and the title "Whiskey Johnnie"; the copy is title "A Novle Fluid" and covering note, initialed by Ford concerning editing.

  15  
AM "Nostalgia"
A poem, written during battle along the Somme river, World War I. Identified as a version of "The Iron Music" in "Collected Poems", 1936.

  15  
TM "Not Idle"
Carbon copy of an article that first appeared in "The New York Herald Tribune Books" July 1, 1928. Harvey Cii(20)

  15  
AM "Notabilia Quaedam"
Holograph collection of quotes from Schopenhauer, Lucretius, Ecclesiastes, and Chapman among others. Divided into six parts, in German, Lating, and English.

  15  
TM "A Note to the Preface of Madox Brown's 1909 Exhibition"
Ford's note considering claims that he had made in his earlier preface to a catalogue of Madox Brown's work.

  15  
AM "Notes as to Thoughts"
Ford's literary journal which includes ideas on literary figures and works such as Shakespeare, Coleridge, the Talmud, Bunyan, and Shelley.

  15  
AM & TM Notes for proposed new edition of "Romance" and "Joseph Conrad: A Personal Remembrance"
Carbon copy of a list of materials to be included in what was apparently to be a reissue of these works. With notes in Ford's hand.

  15  
Printed "Observations on Technique"
Facsimile of Ford's remarks on certain aspects of writing, including the difference between projection and narration, collected by Robie Macauley and published in "Shenandoah", IV, 49-50, Spring, 1953. Harvey E972.

  15  
TM "Notes on Prose"
Carbon copy of a humorous document concerning the origins of verse and prose. With corrections in Ford's hand.

  15  
TM & AM Notes on the Hauptmann Trial
Fragmentary manuscript and typescript versions of Ford's notes on the Hauptmann trial. With corrections apparently in Ford's hand.

  15  
AM Notes - Possibly for Lectures
Notes for a lecture quite possibly on the subject of lecturing. With autobiographical and literary references.

  15  
AM "Notre Dame du Chateau (Letter to S.)"
A poem, with a note identifying it as unpublished. Harvey Cvii(2)cc.

  15  
TM "O Hymen" Version B
Carbon copy of an apparently unpublished article. With corrections apparently in Ford's hand. This version has a few slight differences in the revisions from the original (which can be found with the bound Manuscripts Ms. Bd. O Hymen). This lacks the alternative beginning present in version A. Includes a folder from Ford's New York agents, Brandt & Brandt.

  15  
TM "O Hymen" Version C
Variant typescript of an apparently unpublished article, which incorporated revisions present in Version B.

  15  
Printed "Observations on Cooking"
Letter to the Editor published in the "New York Times", March 3, 1937. Harvey D404.

  15  
TM "October, 1914"
Typescript of a poem that was published with slight changes as "Antwerp". With minor corrections in Ford's hand. It appeared by itself in book form in 1915. Harvey Ciii(7)

  15  
TM "Of Heaven"
Carbon copy of an earlier draft of the poem, part of the volume "On Heaven" published in 1918. With a few corrections in Ford's hand which were later incorporated into the printed version. This poem appeared first in "Poetry", June 1914. Harvey Ciii(8)

  15  
TM "Oh Two Such Silver Currents"
Copy of two sections (one 5 leaves, one 12), both with the same title. Appears to be a draft of Part III, Chapter 3 of "Return to Yesterday" Working with Conrad" (pp. 186-201)

  15  
TM "An Old Circle. Changes." Chapter XIII Of "Ancient Lights"
Copy of Chapter XIII of "Ancient Lights" where the title has been changes to "Changes."

  15  
TM "The Old Story"
Typescript of a short story or unfinished novel that is divided into the "argument," with the name Daniel Chaucer typed at the end (7 leaves) and the story (27 leaves), in three parts.

  15  
TM "On Conrad's Vocabulary"
Unfinished and uncorrected typescript document on the subject of the literary collaboration between Ford and conrad and on Conrad's style.

  15  
TMS & AMS "On Impressionism" Part I
Typescript and manuscript of the first part oa a two part article that was later published in "Poetry and Drama", June, 1914, pp. 167-175.

  15  
AM & TMS "One More Look" and "Linger a Moment"
Musical compositions, with the title in the hand of Elsie Martindale Hueffer. Also included: "There's a woman like a dewdrop" and fragments of "Copethua," "Speech with a Ghost," and "Christine."

  15  
AM "On the Road"
Poem, a version of which later appeared in "Outlook", Aug. 22, 1903. With corrections and untitled. Harvey Ciii(2)

  15  
TMS "The Other"
Uncorrected typescript of a children's story, pubably unpublished. With cover. Harvey Civ(3)

  15  
AM "Outcasts"
Musical score, with the title page written in the hand of Elsie Martindale Hueffer.

  15  
Printed proofs "The Queen Who Flew"
Corrections by Ford of the firs page proofs of "The Queen Who Flew". Author's last name is incorrectly spelled "Huffer" on the title page. Harvey A5.

  15  
TM "The Panel: Act IV"
Part of the dramatization of Ford's novel, with a few ink corrections in Ford's hand. Harvey Cv(4)

  15  
AM Pencil sketch of Ford
Sketch of Ford by an unknown artist.

  15  
Printed "Parade's End" Review
W. T. Scott's review of the re-issued "Tietjens tetralogy". Printed in the "Providence Journal", Sept 17, 1950.

  15  
TMS "Pax!"
Typescript of an essay on the subject of disputes between countries and cultures, especially as it relates to the evolving role of the United States in international affairs. With extensive revisions in red pen and in pencil, the latter apparently in Ford's hand. These corrections were later incorporated into the published version, which appeared in "Harper's" 155, Sept., 1927, pp. 422-430. Harvey D343.

  15  
AM & TM "Pearls"
Fragmentary manuscript and typescript of a story. Corrections in Ford's hand and a note on Janice Biala's inventory of her former collection states that this story was published "in London."

  15  
TMS "Pink Flannel"
A typescript of an apparently unpublished short story. With minor corrections in Ford's hand and a TL to Ford from Curis Brown Ltd. (signed by secretary Angela Easterbrook), Jan. 7, 1922.

  15  
TM "Podmore's Brother"
A typescript of an unpublished short story and a carbon copy of what appears to be a slightly different version. With minor corrections in typescript version.

  15  
AM & TM"Poems & Little Plays" [The Face of the Night]
Manuscript and typescript of twenty-two poems which later appeared in "The Face of the Night", 1904. With many minor differences from the published poems and with Ford's corrections throughout. Harvey Ciii(3)

  15  
Folder 30 from Box 15 has been recatalogued as Folder 28.5, Box 15.


  15  
Printed "Portraits from Life" Reviews
Reviews of Ford's book of literary portraits: Isabel Paterson's review from the "New York Herald Tribune", March 28, 1937; and two copies of Ralph Thompson's review in the "New York Times", March 23, 1937.

  15  
TM "Portraits of Cities - Boston"
Carbon copy of a probably unpublished essay on the city of Boston. With corrections in Ford's hand.

  15  
TM "Portraits of Cities - Denver"
Carbon copy of a probably unpublished essay on the dity of Denver.

  15  
TM "Thornicroft's Model" Preface
Preface to Margaret Raine (Mrs. Alfred) Hunt's novel, "Thornicroft's Model", was supposedly written by her daughter, Violet Hunt. However, on the reprint, this is a note in Violet's hand that the preface was written by Ford. With corrections.

  15  
TM Press release concerning the Society of the Friends of William Carlos Williams.
Press release and membership roster of this Society, of which Ford was President.

  15  
AM "Princess Goldenhair"
Manuscript of a children's story, inscribed "to Miss Poppie Hueffer from the Author. With the Compliments of the Season. Xmas 1889". With some pages in unidentified handwriting.

  15  
AM "Prologue: Down near the earth__" ["The Peasant's Apology"]
Poem, which later appeared in "Poems for Pictures", 1900, as "The Peasant's Apology."

  15  
TM "Prologue of 'Buckshee'"
Prologue of the "Buckshee" sequence, the text varying from the published in the 1936 edition of the "Collected Poems".

  15  
Printed Publicity sheet for the Tietjens series
Publicity sheet for the first three novels of the "Tietjens Tetralogy:: "Some Do Not", "No More Parades," and "A Man Could Stand Up". With a handwritten message: "Please return to Stella Bowen, Green End, Purleigh, Essex."

  16  
AMS "No Enemy [titled "English Country " in manuscript]: Title page, List of Contents, and Foreward.
The title page, table of contents, and foreword of an early version of the novel published as "No Enemy", New York, 1929. The title page possesses a notation in Ford's hand, addressed to Edward W. Titus, concerning the writing of and the publication of the manuscript.

  16  
TM "No Emeny [Titled "English Country" in manuscript] Foreword
Incomplete typescript copy of the foreword to Ford's book. Another draft appeared in the 1919 manuscript, but not in the 1929 published text of "No Enemy".

  16  
TM "No Enemy " {Titled "English Country" in manuscript] ""To Introduce Gringoire"
Incomplete typescript draft of "To Introduce Gringoire," published as Part I, Chapter I of the 1929 text of "No Enemy".

  16  
AMS "No Enemy" [Titled "English Country" in manuscript] "Gardens and Flats"
Manuscript draft of Part I (subtitled "Four Landscapes"), Chapter I (which became Part I, Chapter II in the 1929 published text of "No Enemy"), major portions of which were published in "The New Statesman", XIII, Aug. 23 and Aug. 30, 1919, pp. 518-519, 542-543, under the title "English Country". With numerous corrections and emendations by the author.

  16  
AMS "No Enemy" [Titled "English Country" in manuscript] "Blue of Swallows' Backs"
Manuscript draft of Part I, Chapter II (which became Part I, Chapter III in the 1929 published text of "No Enemy"), also published in large part in "The New Statesman", XIII, Sept 6, 1919, pp. 565-566. With numerous corrections and emendations by the author.

  16  
AMS "No Enemy" [Titled "English Country" in manuscript] "The Kingdoms of the Earth"
Manuscript draft of Part I, Chapter III (which became Part I, Chapter IV in the 1929 published text of "No Enemy"). With numerous corrections and emendations by the author.

  16  
TM "No Enemy" [Titled "English Country" in manuscript] "Intermezzo"
An incomplete typescript and a complete typescript of "Intermezzo", which constitutes Chapter V of the 1929 text of "No Enemy", but does not appear in the 1919 manuscript. Harvey Ci(17)

  16  
AMS "No Enemy" [Titled "English Country" in manuscript] "Just Country"
Manuscript draft of Part I, Chapter IV (which became Part I, Chapter VI in the 1929 published text of "No Enemy"), with a notation at the end of the manuscript indicating the "End of Part I:. With numerous corrections and emendations by the author. The verso of a sheet of this manuscript is a letter from J. Lewis May, of "The Anglo-French Review" to James B. Pinker, Ford's literary agent.

  16  
AMS "No Enemy" [Titled "English Country" in manuscript] "Maisie"
Manuscript draft of Part II, Chapter II (which became Part II, Chapter VIII in the 1929 Published text of "No Enemy"). With numerous corrections and emendations by the author.

  16  
AMS "No Enemy" [Titled "English Country" in manuscript] "The Water Mill"
Manuscript draft of Part II, Chapter II (which became Part II, Chapter IX in the 1929 published text of "No Enemy"). With numerous corrections and emendations by the author.

  16  
AMS "No Enemy" [Titled "English Country" in manuscript] "From a Balcony"
Manuscript draft of Part II, Chapter III (which became Part II, Chapter X in the 1929 published text of "No Enemy"). An earlier version of which was published in "The English Review", Oct., 1919, pp. 297-304 as "Henry Gaudier: The Story of a Low Tea-Shop". With numerous corrections and emendations by the author.

  16  
AMS "No Enemy" [Titled "English Country" in manuscript] "Rosalie Prudent"
Manuscript draft of Part II, Chapter IV (which became Part II, Chapter XI in the 1929 published text of "No Enemy"). With numerous corrections and emendations by the author.

  16  
AMS "No Enemy" [Titled "English Country" in manuscript] "The Movies"
Manuscript draft of an incorrectly labeled Part II, Chapter IV (which became Part II, Chapter XII in the 1929 published text of "No Enemy"). with Numerous corrections and emendations by the author. The end of the manuscript, "That is all I have to say about the war.", approximately matches up with p. 278 of the published manuscript, which continues through p. 292.

  16  
AMS "No Enemy" [Titled "English Country" in manuscript] "Un jeu de Cricket"
Earlier manuscript draft of the appendix, variously titled "Un jeu de Cricket," "Envoi," and "Une partie", (which became Part II, Chapter VII in the 1929 published text of "No Enemy" and was title "Plying the Game"). It was first published in "Bibliotheque universelle et revue Suisse," tome LXXXV, no. 253, janvier 1917.

  16  
TM "No Enemy"
Typescript version of manuscript, with numerous corrections. The title pages bear 21 possible titles for this work, in Ford's hand and the following limerick: "There was an old fellow named Ford/ Whose aspect was horribly bored/ When they cried, "How you mumble!"/ He replied with a grumble, I speak with the pen and the sword."

  16  
Printed "No Enemy" Uncorrected galley proofs
Uncorrected galley proofs.

  16  
Printed "No Enemy" Uncorrected galley proofs
Uncorrected galley proofs

  17  
TM "Professor's Progress: Synopsis"
Synopsis of Ford's last work in progress, an uncompleted novel. Includes a title page with the provisional title: "Bullen." Harvey Civ(11)

  17  
TM "Professor's Progress"
First typed ddraft with numerous corrections and additions. Probably in Ford's hand.

  17  
AMS "Professor's Prograss"
Second version draft with corrections and additions. Signed by Ford and inscribed to Janice Biala.

  17  
TM "Professor's Progress"
Typescript copy; relatively clean.

  17  
TM "Professor's Progress"
Second typescript draft with numerous corrections. Probably in Ford's hand.

  17  
TM & AM "Professor's Progress"
Third typescript version with copy. Numerous corrections and additions as well as a hand-written page.

  18  
TM "Provenance" pp. 1-100
The first hundred pages of a havily corrected typescript, with a holograph version of the first page that includes a sketch of the travel route Ford's book is folowing. Used as the printer's copy of the American edition of "Provence" published by Lippincott in 1935.

  18  
TM "Provenance" pp. 101-200
The second hundred pages of a corrected typescript.

  18  
TM "Provenance" pp. 201-300
The third hundred pages of a corrected typescript.

  18  
TM "Provenance" pp. 301-[362]
The last 62 pages of a corrected typescript. With a holograph version of the final page that includes a sketch by Janice Biala.

  18  
TM "Provence
Complet carbon copy typescript, with minor corrections throughout in Ford's hand. The first page bears the note: "Copy corrected for Printer" and the second page gives the title as well as five other suggested provisional titles. Harvey Cii(29)

  18  
Printed "Provence" Notices
A notice of "Provence" by Lewis Gannett in his colum "Books and Things" in the "New York Herald Tribune", March 21, 1935; and a review of the book by Katherine Woods in the "New York Herald Tribune Books", March 24, 1935.

  19  
TM "Que Pensez-Vous de la France?"
Copy of an article that was later published in "L'Intrasigeant", 2 (Jan.5, 1934). Harvey D379.

  19  
Printed "Que Pensez-Vous de la France?" clipping
Clipping of Ford's article from "L'Intransigeant".

  19  
Proof "The Questions at the Well"
Proofs of an early volume of poetry. Written under the pseudonym Fenil Haig and deditcated to "Miss Elsie Martindale."

  19  
AMS "The Question at the Well, with Sundry Other Verses for Notes of Music"
Manuscript of the first section of the book of verse later published as "The Questions at the Well", signed under the pseudonym Fenil Haif. With some annotations and penciled numbering in the brackets done by publisher. Contents include: "The Questions at the Well"; "The Story of Simon Pierreauford"; "Terra Sperum [also titled "The Song of the Land of Hopes"]; and "Faith and Hope," which is the collective title of the four poems "Faith in the Park," "Faith in the Parlour," "Hopie in the Park," and "Hope in the Parlour."

  19  
TM "Ralston Crawford's Pictures"
Draft of a short critique later printed as program notes for an exhibit of Crawford's paintings held at the Boyer Galleries, Philadelphia, March 10-30, 1937.

  19  
TM "The Rash Act" Synopsis
Copy of a synopsis of Ford's novel "The Rash Act."

  19  
Printed "The Rash Act" Review
Unsigned review of "The Rash Act," published in "The New York Times Book Review", 16-17 (mar. 12, 1933).

  19  
AM "The Reformers" [An English Girl]
Almost complete manuscript of what was published in 1907 as "An English Girl". With minor corrections throughout. Harvey Ci(6)

  19  
TM "Return to Yesterday" Dedication
Incomplete dedication "[to] Dr. Michael and Mrs. Eileen Hall Lake," later published in "The Rash Act:. With minor corrections in pencil and three added leaves are a typescript copy of Ford's poem "Champetre".

  19  
TM "Return to Yesterday"
Typescript of parts ofFord's book, including Chapter I, titled "A Mecca for Americans" (published as "Compostella Americana"); Chapter III (including some material not published in either the English or American editions); and Chapter IV (original typescript with carbon copy). The unpublished material from Chapter III (pp. 41-44 of the manuscript) deals with the role of the arts in America.

  19  
Printed "Return to Yesterday" Reviews
Two reviews of Ford's book, one by Peter Monro Jack of "The New York Times Book Review" (Jan. 24, 1932) and one by Lawrence Price of the the "University of California Chronicle", XXXI, 169-171 (Jan. 1933).

  19  
Printed "Dumas, The Incredible Marquis" Review
A review by Ford, entitled "Salute to Adventure," on the subject of a book about Alexandre Dumas. From an unidentified periodical.

  19  
TM "Joseph Conrad" Review
Incomplete carbon copy of a review by Ford, for the periodical "Time & Tide", of Edward Crankshaw's "Joseph Conrad: Some Aspects of the Art of the Novel". See Box 12, Forlder 13 for another top copy with the first page.

  19  
TM "My Old World" Review
Typescript copy of Ford's review of Abbe Ernest Dimnet's book published in the "New York Hearald Tribune Books" 4, Mar. 31, 1935.

  19  
TM "Paris in Profile Review
Typescript of Ford's review of George Slocombe's book, later published in the "New York Herald Tribune Books,", Dec. 8, 1929. With some corrections. Harvey Cii(24)

  19  
TM "Gallion's Reach" Review
Uncorrected typescript copy of Ford's review of Henry Major Tomlinson's book. Publisher unknnown. Harvey Cvi(8)

  19  
TM "Nothing is Sacred" Review
Uncorrected typescript of Ford's review of Josephine Herbst's novel, with later appeared in "Bookman" in Sept. 1928. Harvey Cii(21)

  19  
TM "My Heart and My Flesh" Review
Typescript of Ford's review of Elizabeth Madox Robert's novel, probably unpublished. With minor corrections.

  19  
Printed "Paris in Profile" Review
Ford's review of George Slocombe's book, published in the "New York Herald Tribune", Dec. 8, 1929 and entitled "Come to Paris."

  19  
Printed "Between St. Dennis and St. George" Review
Newspaper clipping containing a signed review of Ford's book of essays, by Pierre Mille of the "Temps".

  19  
Printed "The Good Soldier" Review
Newspaper clipping of a review by Frank H. Pettee of Ford's novel. Missing the final part.

  19  
Printed "Joseph Conrad: a Personal Remebrance" Reviews
Six newspaper clippings of reviews, including signed reviews by John Clair Minot in "The Boston Herald Tribune", Dec. 13, 1924; by Edwin Francis Edgett in "The Boston Evening Transcript", Dec. 13, 1924; and by William McFee in "Bookman", LXI, 500 (June1925)

  19  
Printed "Ladies Whose Bright Eyes" Review
Newspaper clipping of a review of Ford's novel by E. B. Osborn.

  19  
Printed "The Last Post" reviews
Three newspaper clippings of reviews of Ford's novel, by P. J. M. in "The Manuschester Guardian", Mar.2,1928; Frank Pettee; and Fanny Butcher in the "Chicago Daily Tribune".

  19  
Printed "A Man Could Stand Up" Reviews
Two newspaper clippings of reviews of Ford's novel, one by Delbert Clark in "The Baltimore Sun", Dec. 18, 1926; and an unsigned review in the "Buffalo New York News", Nov. 27, 1926.

  19  
Printed "The March of Literature" Review
Newspaper clipping of a signed review of Ford's book by Herbert Read in "The New English Weekly", Nov. 9, 1939.

  19  
Printed "The Marsden Case" Reviews
Six newspaper clippings of reviews of Ford's novel, including one by Gerald Gould in "The Saturday Review", May 26, 1923 and one by Forrest Reid of the "Athenaeum".

  19  
Printed "A Mirror to France" Reviews
Seven newspaper clippings of reviews of Ford's book, including one by Shan Bulloch in the "Chicago Evening Post", Sept. 10, 1926; one by Blair Niles in the "New York Herald Tribune", Sept. 5, 1926; one by Dorothy Canfield Fisher in the "Saturday Review of Literature", Sept. 4, 1926; and one by Henry James Forman in "The New York Times Book Review", Aug. 29, 1926.

  19  
Printed "New York is Not America" Reviews
Two newspaper clippings of unsigned reviews of Ford's book.

  19  
Printed "No More Parades" Reviews
Eight newspaper clippings of reviews of Ford's novel, including signed reviews by Gilbert Sevier of the "New York World", Nov., 1925 and by Isabel Paterson of the "New York Herald Tribune", Nov. 22, 1925.

  19  
Printed Poetry reviews
Newspaper clipping of an article on the subject of Ford's poetry, published in "The New Cambridge", Nov. 20, 1920.

  19  
Printed "Romance" Review
Newspaper clipping of a review by Victor Llona in "La Revue Europeenne" of a novel that Ford co-wrote with Conrad.

  19  
Printed "Some do Not" Reviews
Six newspaper clippings of reviews of Ford's novel, including signed reviews by Fanny Butcher of the "Chicago Daily Tribune," Dec. 6, 1924 and Stuart P. Sherman of the "New York Herald Tribune", Nov. 16, 1924.

  19  
2 items
Two newspaper clippings of reviews of Ford's book, both by Robert Blatchford and one published in the "Illustrated Sunday Herald", Jan. 11, 1920.

  19  
Printed "Thus to Revisit" Reviews
Three newspaper clippings of unsigned reveiws of Ford's book.

  19  
Printed "Thus to Revisit" Reviews


  20  
Printed "Rhyme and Metre, or Vers Libre" Proofs
Galley proof of a letter to the editor that later appeared in the July 16, 1920 issue of the "Athenaeum"; with some corrections in Ford's hand. Harvey D283.

  20  
TM "Riesenberg" I
First draft of an incomplete typescript of Ford's short story, which appeared in the "English Review", April 1911; with many corrections and emendations not in Ford's hand. Harvey Ci(7)

  20  
TM "Riesenberg " II
Uncorrected typescript draft that is probably a later version of "Riesenberg" I. Harvey Ci(7)

  20  
TM "Riesenberg" III
Tyupescript draft of Ford's short story; with revisions apparently in Ford's hand. Harvey Ci(7)

  20  
AM "Ring out, Wild Bells"
Musical score, in the hand of Elsie Martindale Hueffer.

  20  
AM "Ripostes"
Untitled early version of this poem, later published in the "Buckshee" sequence of 1931 and 1936. On the verso is a typescript draft of the poem "The Sailor's Wife".

  20  
TM "Ripostes"
Draft version of this poem varies slightly from the text published as Poem VII of the "Buckshee" sequence. This text bears the title: "You Never Can Trust A Man When He's Out of Your Sight."

  20  
AM "Romance"
Photocopy fragment of single page of the Ford-Conrad manuscript.

  20  
AMS "A Romance of the Times Before Us"
Three versions (sub-folders A, B, & C) of an unpublished novel by Ford and possibly a collaborator. Versions A (1) [57 leaves] and B(2) [43 leaves] are in Ford's hand and are incomplete; version C (3) [71 leaves] is a copy of 2, probably in Elsie Martindale Hueffers' hand with corrections by Ford. Harvey Civ(2)

  20  
AM "A Romance of the Times Before Us"
Text identified as corresponding to page 8 of version 3 of "A Romance of the Times Before Us"; in Ford's hand.

  20  
AM "Roussynolet"
Musical coposition.

  21  
TM "The Saddest Story" [The Good Soldier]
First part of an incomplete and uncorrected draft of what was later published as "The Good Soldier". According to Thomas C. Mosher, in his "Note on the Text," in The World's Classics edition of "The Good Soldier" (Oxford: Oxford UP, 1990), "The forty-two page typescript from which the magazine installment ["Blast"] was printed ... follows the holograph manuscript, inclorporating some, but not all, of its revisions .... The "Blast" typescript thus antedates the first and predates the second complete manuscript. The "Blast" installment contains the novel's epigraph but omits the first sentence." Harvey Ci(9b)

  21  
AM &TM "The Saddes Story" [The Good Soldier]
An apparently complete manuscript of what was to become the novl "The Good Soldier", both typewritten and in various handwritings and divided into three sections IParts I-II, Part III, and Part IV) by pieces of green cord. Thomas C. Mosher ascribes the identities of the various transcribers as follows: "Most of Part I (manuscript pages 2-44 and 47-82) was written by Bridit Patmore; much of Part II (pages 141-196, 106-218, and 225-253) appears to have been written by the American Imagist poet H. D. (Hilda Doolittle); the last two chapters, less the first two typed pages (pages 342-376) look to be in the hand of H.D.'s husband, the English Imagist poet Richard Aldington.... The holograph portions of the manuscript surely represent first drafts; the typed portions may not be." Harvey Ci(91a)

  21  
TM "The Saddest Story" [The Good Soldier]
Known as the "Printer's copy" this typescript draft of what was later published as "The Good Soldier" is not, according to Harvey, identical with the first English edition. With some handwritten corrections. Harvey Ci(9c)

  21  
Printed "The Scaremonger. A Tale of the War Times"
Facsimile of a short story published in "The Bystander", Nov. 25, 1914.

  21  
AM Notebook with scattered entries
A small pocket notebook, containg various entries, mostly addresses, memos of appointments, and phone numbers.

  22  
AMS "Sea-Jealousy"
Poem, signed under the pseudonym "Fenil Haig" and with anote indicating that it was intended for publication in the "Speaker". Later it was published in "Poems for Pictures" in 1900.

  22  
TM "See, They Return!"
Draft of an article published in "Esquire", June 1935, wich was later revised and incorporated into Chapter 3 of Ford's book "The Great Trade Routs." With corrections throughout.

  22  
TMS "Seraphina" [Romance}
Typescript of an early draft of the novel "Romance", with later became a collaboration between Ford and Joseph Conrad. With corrections in Ford's hand and lots of additions towards the end. This draft is really remote from "Romance", so that one can study the effect of Conrrad upon Ford by checking parts of this typescript against it. Harvvey A11(a)

  22  
AMS "Serenada (Your Poet & Some Nightingales)"
Unpublished poem with miscellaneious pages, several versions of a part, and an inscription to Stella on the first page. Holograph passages of "Thus to Revisit" on the verso of some pages. Harvey Cvii(2aa)

  22  
TM "Sevenfold Farewell"
Early version of the poem "The Newt"; with a second copy.

  22  
TM "The Small Producer" [And His Hands Prepared]
Typescript of an essay that later appeared in the "American Mercury", XXXV (Aug. 1935). With some corrections. harvey has noted a similarity in sentiment and phrasing to the "Great Trade Route". Harvery D388.

  22  
TM "Society of the Friends of William Carlos Williams" Membership Roster
Typescript list of the group's members, with names including Sherwood Anderson, Ezra Pound, Marianne Moore, and Henry Miller. With annotations and emendations throughout.

  22  
Printed "Some Do Not" Dust Jacket
Tattered fragment of the dust jacket for the second english impression. Harvey A56(c)

  22  
Photo "Some Do Not" Dust Jacket
8 x 10 color photograph of the image on the dust jacket of Ford's novel. Harvey A56(c)

  22  
AM "The Song of the Land of Hopes"
Manuscript of a poem, also title "Terra Sperum", that was later published in "The Questions at the Well".

  22  
AM Sonnet [Untitled}
Sonnet, written apparently for one of Ford's "bouts-rimes" parties. With end rhymes in Janice Biala's hand.

  22  
AM "Sonnet [Whatever Things Future Have In Store]
Sonnet written for Violet Hunt.

  22  
TM "Sooner Than be Idle"
Copy of an article, possibly unfinished. On the subject of the British reading public.

  22  
AM "The Soul of London"
Fragment (pages 4 & 5) of what might be a very early version of "The Soul of London" or one of the two other books in the trilogy.

  22  
TM Speech given at a fund-raising dinner for "Poetry" magazine
A speech on the subjects of poetry and the death of a Miss Monroe. With some corrections.

  22  
AM "The Spirit of the People"
Incomplete manuscript of Chapter 3 of Ford's book. On verso of page 2 is a letter to Ford from H. Hamilton Fyfe of the "Daily Mirror"; on verso of pages 6-9 is a manuscript of an essay, apparently never published, "On Letters in England"; and on verso of pages 10-11 is a manuscript fragment possibly from "The Simple Life Limited." Harvey Cii(4)

  22  
Printed "Stephen Crane" Proof
Author's proof of Ford's essay which appeared in "American Mercury", Jan. 1936. With minor corrections. Harvey Cii(32)

  22  
Printed "Stevie" Review
Review of Thomas Beer's biography of Stephen Crane by Ford, published in "The New York Evening Post Literary Review", July 12, 1924. With second copy.

  22  
AM "The Story of Simon Pierreford"
Manuscript poem published as "The Story of Simon Pierreauford" in "The Questions at the Well."

  22  
AM & TM "Stripping Underwood"
Two versions of a poem: an incomplete typescript (1 leaf) and a corrected manuscript entitled "Felling Underwood:. Harvey Cvii(2)f

  22  
TM "On Heaven" Studies
Copies of earlier versions of this poem entitled "Just Heaven" and "On Heaven". The final version was published in "Poetry", June 1914. With minor corrections. Harvey Ciii(8)c

  22  
TM "A Sunday Morning Tragedy"
Incomplete carbon draft of an article on Thomas Hardy. One version later appeared in the "American Mercury", Aug. 1936 and another became Chapter 6 of "Portraits from Life". With corrections throughout and missing pages 3-5 and 20.

  22  
AM "Synopses of Novels"
Autograph manuscript of four sour synopses of novels: Item I, entitled "Bond", was later written and published as "When the Wicked Man"; Item II, entitle "Hallows End", and Item III, untitled, were apparently never developed but both are about characters in "The Good Soldier" about whom Ford felt he could write more; and Item IV entitle "After Waterloo," was written and published as "A Little Less Than Gods".

  22  
TM "Synopses of Novels"
Typescript copy of the same synopses [20] with provisional titles included.

  22  
TM "The Rash Act" Synopsis
Copy of a synopsis of Ford's novel "The Rash Act" (here called "As Thy Day"), written by J. T.

  22  
TM Talk delivered over W.A.B.C., Sat., Dec. 19, 1936
Carbon copy of a radio talk that Ford delivered on the subject of the W.P.A.

  22  
TMS "Techniques"
Typescript of an article on the writer's craft. Later published in the "Southern Review", 1 (July, 1935). With revisions apparently in Ford's hand and a note indicating the "manuscript [is] the property of Mrs. E.G. Bowen."

  22  
AM "Tennyson"


  22  
AM "They Say the Old Kind Gods ..."
Draft of an unpublished poem. Written in pencil on a paper tablecloth.

  22  
TM "Thinking Aloud"
Draft of an article "On War", possibly unpublished which was apparently to be part of a larger series of articles titled "Thinking Aloud". With monor corrections.

  22  
TM "Thomas Hardy, O.M."
Draft of an article that was later published with slight revision under this title in the "New York Herald Tribune Books) Jan. 22, 1928. Typed on Two different typewriters. Article shares material in coomon with "A Sunday Morning Tragedy," with eventually became Chapter 6 in "Portraits from Life".

  22  
AM & TM "Three Rhymes for a Child"
Drafts of poems, including a typescript of the three poems, "Seven Shepherds", "To Julia (Who Shall be a Poet)" (both of which were published in "New Poems"), and "Flight into Egypt" (7 leaves); a typescript of variations of "Flight into Egypt" (5 leaves); and a typescript (5 leaves) and manuscript (4 leaves) of "Lyra Domestica".

  22  
AM "The Three-Ten"
Draft of poem, later published in "Songs from London", 1910. With a few corrections and with minor variations from the final version in the first stanza, and major variations in the second. Harvey Ciii(4)b

  22  
AMS & TM "Thus to Revisit"
Incomplete manuscript and typescript of Ford's book. Date stamped on first page "June 7, 1920" and with corrections and emendations throughout. Parts of this book appeared in the "English Review" and the "Dial", beginning in July, 1920 and the book itself appeared in 1921. Harvey Cii(10)

  22  
AM "Thus to Revisit" Note and Possible Appendix
Copy of H.G. Wells" "Letter to the Editor" in the Aug. 1920 issue of the "English Review" entitled "A Footnote to Hueffer", and a note by Ford concerning the possibility of making that article an appendix to "Thus to Revisit".

  22  
Printed "Thus to Revisit" Review
Copy of one in a series of articles published in the "Piccadilly Review", bearing no resemblance to the later serialization, "Thus to Revisit", in the "English Review" and "Dial" nor to the book bearing that title. In this article, Ford critiques Max Beerbohm's "Seven Men" and W. H. Hudson's "Birds in Town and Village". Harvey D278.

  22  
AM "Times" marriage advertisement
Note to be sent to the "Times" announcing Ford's marriage to Elsie Martindale. On stationary with the British Museum seal.

  23  
TM "That Same Poor Man"


  23  
TM "That Same Poor Man"
Typescript of Part I, Chapters 5-11 of a revised draft of an unpublished novel, originally titled "The Wheels of the Plough". With minor corrections throughout. Harvey Civ(9)

  23  
TM "That Same Poor Man"
Typescript of Par II, Chapters I-V of a revised draft of an unpublished novel, originally titled "The Wheels of the Plough". Typed on different typewriters and with corrections throught. Harvey Civ(9)

  23  
TM "That Same Poor Man"
Typescript of Part III, (subtitled "A Romance of Re-Construction), Chapters I-IV of a revised draft of an unpublished novel, originally titled "The Wheels of the Plough". Typed on different typewriters and with minor corrections throughout. The first page is marked with a stamp: "W.A. Bradley / 5, Rue S-Louis-en-L'Ile / Paris-IV". Harvey Civ(9)Harvey Civ(9)

  24  
Photocopy "That Same Poor Man"
Copy of the entire manuscript of Ford's unpublilshed novel.

  25  
AMS "To Petronella at Sea"
Poem, written by Ford in pencil.

  25  
TM "To Violet Hunt, Poet"
Poem, inviting Violet Hunt to attend a contes of poetry-writing to be held at Ford's home on April 4, 1909.

  25  
AM "Tomorrow!"
Partial dramatization of Conrad's short story which was called "One Day More." In Ford's hand. Harvey Ci(3)

  25  
TM "Towards A History of English Literature"
Incomplet carbon copy typescript of an unpublished critical work. With two copies of some chapters and additions and emendations throughout. Harvey Cvi(3)

  25  
TM "Towards Tomorrow"
Earlier typescript draft of Ford's book "It was the Nighingale", with was published in 1933. A few corrections throughout. Harvey Cii(28)

  25  
AM & TM "Towton Field"
Poem, apparently unpublished. With a complete version of 5 leaves in Ford's hand and an incomplet version with 1 leaf of typescript. With corrections throughout. Harvey Cvii(2)c

  25  
AM Transcriptions of some Ford manuscripts and letters owned by Lord Stow Hill
Complete and incomplete transcripts of manuscripts and letters by Ford written by Arth;ur and Rosemary Mizener.

  25  
AM "The Tribulations of Tolputt"
Incomplete manuscript of a short story, an earlier version of which was titled "The Troubles ofTolputt".

  25  
TM Tributes and Comments
Typed list of quotes from Sinclair Lewis, Hendrick Van Loon, H.G. Wells, Hugh Walpole, and Rebecca West. The quotes come from letters to Ford and from the book jacket of the American edition of "The Good Soldier".

  25  
TM "Tristia"
Poem sequesnce, with some poems in several versions and with many corrections in Ford's hand. Some poems are earlier, variant versions of poems published in "On Heaven", and some are unpublished.

  25  
AM "The Troubles of Tolputt"
Manuscript of an earlier version of a short story later entitled "The Tribulations of Tolputt". With minor corrections throughout.

  25  
Printed "Trois Jours de Permission"
Copoy of an article printed in "The Nation", Sept. 30, 1916, on the subject of a weekend leave in Paris during WWI.

  25  
TM "True Love and a General Court Martial"
Incomplete draft of an unpublished war novel. With duplicates of pages, some of which have slight differences and with corrections throughout. Harvey Civ(7)

  25  
TM "Two Poems in an Old Manner"
Fragment, truncated variant text of the "Aupres de ma Blonde: segment of this poem. First published in "New Poems (1922) and reprinted in the "Collected Poems (1936).

  26  
TM "Ulysses & the Handling of Indecencies"
Typescriipt of an essay that appeared in the "English Review", Dec. 1922. With many excisions and corrections throughout. Harvey Cii(11)

  26  
TM Untitled Short Story
Copy of an untitled short story about a maker of violin varnish. With a note in Janice Biala's hand that states "published". See Box 15, Folder 5.5 for what appears to be a longer, variant version of this manuscript.

  26  
AM Untitled Short Story or Chapter from an Unpublished Novel
Manuscript of an unpublished piece of fiction about a young woman named Sarah and a Dominican friar, which stylistically bears a resemblance to "A Romance of the Times Before Us."

  26  
TM "Vanellus Cristatus"
Uncorrected typescript of a poem, apparently unpublished. Harvey Cvii(2)g

  26  
AM "The Verses for Notes of Music"
Manuscript of verses, partially published in "The Questions at the Well:; with two title pages and with corrections throughout. Contents include: "A Dialogue," "L'Envoi," "Faith, Hope & Charity," "A Song of Seed's Fate" fragment, "L'Envoi Dedicatory," "Hammock Song," "An October Burden" TM, "In Contempt of Palmistry," "ASong of Seed's Fate," "A Little Comfort for a Child," "Spinning Song," "In Memoriam E.M.B.," "Travellers' Tales," "Moonlit Midnight," " River Song," "In Tenebris," and "Hope in the Parlour."

  26  
AMS "Wagner Educationally Considered"
An incomplete manuscript on the subject of Wagner, written as "an accompaniment to the Boyreuth Festival: and signed under the pseudonym of "Hewrman Ritter". With 2 leaves of unidentified manuscript on the back: "it was eagerly accepted by the publishers...".

  26  
AM "Waking Song"
Manuscript of a poem, inspired by the bombing of some convents along the Somme river during WWI. With a fragment of "A solis ortus cardine" written on verso.

  26  
TMS "The Wall: Things Seen in U.S.A."
Typescript of an essay, musch of which was later incorporated in Sections 3 & 4 of the "Great Trade Route, Woyage Outwards". With a note indicating the manuscript "the property of Mrs. E.G. Bowen" and with revisions apparently in Ford's hand.

  26  
AM "War--the Mind"
Signed with the pseudonym "Miles Ignotus". Manuscript draft of Part II, subtitled "The Enemy," of an essay, some part of which was posthumously published in "Esquire" magazine, Dec. 1980 {see Box 2, Folder 6] in an article titled "Arms and the Mind." Also, see Ford's manuscript "A Day of Battle" [Box 3, Folder 22] for what might be the first part of this manuscript.

  26  
TM "War and the Mind.II The Enemy"
Typescript of the second part of an essay, posthumously published as "Arms and the Mind". Signed "Miles Ignotus" and with revisions apparently in Ford's hand. See Box 2, Folder 6; Box 3, Folder 22; and Box 26, Folder 8 for earlier and later drafts of this essay as well as its first part "A Day of Battle."

  26  
TM "Weather"
Copy of a possibly unpublished article on the subject of weather. Typed on two different typewriters.

  26  
TM [What do Doctors know?]
Typescript of an incomplete, untitled essay, on the subject of the science of medicine.

  26  
AM "The Wheels of the Plough"
Incomplete manuscript of an unpublished novel, later titled "That Same Poor Man". Part I, Chapters I-III (77 leaves) are in Stella Bowen's hand; Part I, Chapters X-XIII & Part II, Chapters I-V are in Ford's hand (200 leaves); and the rest is missing. Harvey Civ(6)

  26  
AM "Trio: When Runnels Begin to Leap and Sing"
Musical composition with corrections in pencil and a note "Correct for next time." See Box 12, Folder 16 for the lyrics of this composition written simply as verse.

  26  
TM "...When that I was a Little, Little Boy..."
Copy of an essay on the subject of social conventions and prudery. With one holograph correction in Ford's hand. Second copy of pages 5-7.

  26  
TM "When the Wicked Man" [Notterdam}
Fragmentary original version of Ford's novel, here titled "Notterdam". With excisions and corrections in Ford's hand.

  26  
Printed "The Wind's Quest"
Leaf torn from the "Torch", 1891, with Ford's written note indicating that this was the first thing he ever wrote. On the verso is the beginning of a song verse in Ford's hand, with four bars of music.

  26  
TM "Women and Men"
Complete typescript of Ford's book of eassays, with a vew minor corrections. Harvey Cii(2). [See Harvey A54 for evidence that dates the manuscript well before its 1923 publishing date.]

  26  
AM "The Wood-Haunter's Dream"
Poem, not in Ford's hand and possibly not by Ford. Harvey Cvii(2)k

  26  

Not in box.

  26  
Printed "The Work of William Harrison Coleshaw"
Photocopy of an article by Ford, published in "The Artist", Sept., 1897.

  26  
TM "Working with Conrad"
Single manuscript page of an article, the complete text of which appeared in "The Yale Review," Summer, 1929. With many corrections and emendations in Ford's hand.

  27  
TM "When the Wicked Man"
Typescript of Part I, Chapters I-III, of Ford's novel, still titled "Notterdam". With numerous corrections in Ford's hand and three copies of an illustrated programme, atop which Ford has penciled "Notterdam".

  27  
TM "When the Wicked Man"
Typescript of Part II, Chapters I-III of Ford's novel, still titled "Notterdam". With numerous corrections in Ford's hand.

  27  
TM "When the Wicked Man"
Typescript of Part III, Chapters I-IV & Part IV, Chapters I-IV of Ford's novel. Still titled "Notterdam" With numberous corrections in Ford's hand.

  27  
TDS "When the Wicked Man" Contract
Carbon copy of the book contract for Ford's novel, still tentatively titled "Notterdam". Signed by Ford as well as a representative of the publishers Horace Liveright, Inc.

  27  
TD "When the Wicked Man" Royalty Statement
Royalty statement from Liveright Inc., Publishers concerning the money owed from Ford's novel.

  27  
Printed "When the Wicked Man" Reviews
Reviews of Ford's novel for "The New York Herald Tribune," "The Mirror," "The New York Times," " New York Evening Post," "Chicago Tribune," "Philadelphia Ledger," "The Outlook" and "The Shanghai Times".

  27  
TM "When the Wicked Man" Synopsis, List of Characters
Three versions of a synopsis of Ford's novel and a list of its characters. An original typescript with corrections, a revised version with some corrections and a carbon copy of the final version.

  28  
AM & TM "The Year of Last Omens"
Poem, the first three sections of which is handwritten and the fourth section is typed. Corrections throughout in Ford's hand. Harvey Cvii(2)i.

  28  
TM "Years After"
Carbon copy of an apparently unpublished short essay commemorating thos British soldiers who died in WWI. Harvey Cvi(10)

  28  

Recataloged to Box 9, Folder 8.5

  28  
Printed "Young America Abroad"
Article, published in "The Saturday Review of Literature" on the subject of the exodus of American writers to Europe.

  28  
TM "The Young D.H."
Draft carbon copy of an essay about D.H. Lawrence, which appeared in one version in the "American Mercury" XXXVIII, June, 1936, and in another as chapter five of "Portraits from Life."

  28  
AM & TM "The Young Lovell"
Incomplete, corrected holograph and typescript version of Ford's novel [277 leaves], and a typescript of Part II with the corrections made which had been indicated on the earlier draft [118 leaves]. Harvey Ci(8).

  28  
AM & TM "Young Man's Road Song"
Two versions of an apparentlyunpublished poem, a complete, untitled holograph copy and an incomplete titled typescript copy. Harvey Cvii(2)a.

  28  
AM "Young Wife's Song"
Poem, apparently unpublished. In Ford's hand.

  28  
DS Agreement signed by Ford and Stella Bowen after their breakup
Two copies of a legal document signed by Ford and Stella Bowen, outling the terms of their separation. The second copy, in purple ink belonged to Bowen.

  28  
DS Bank Draft
Bank draft for five pounds, signed by Ford for John Galsworthy.

  28  
DS Check
Check for 125 pounds, signed by Ford for Theodore Watts-Dutton.

  28  
DS Check
Check for 2 pounds, 10 shillings, signed by Ford for J.W. Lewis.

  28  
DS Check
Check for 137 francs, signed by Ford for Captain F.G. Bonham-Carter.

  28  
TDS "It was the Nightingale" Contract
Contract between Esther Gwendolyn Bowen

  28  
D "The Nature of a Crime" Contract
Ford's carbon of the contract signed by Elliot Holt with an appended note concerning the terms and conditions for the re-issue of Ford's novel.

  28  
TDS "Vanity Fair" Contract
Ford's copy of a contract that specifies the he will write eight articles for "Vanity Fair", signed by a representative of Conde Nast.

  28  
AD Description of property
A list of various properties owned by Ford as well as the income to be derived from them. In Ford's hand.

  Mapcase  
ADS Passport for Ford Madox Brown
A passport of Brown's issued in Belgium in Sept. 1945, 2 leaves stamped in various countries.

  28  
DS Passport
A passport of Ford's issued on November 15, 1932 in Marseilles.

  28  
D Petition for restitution of conjugal rights for Elsie Hueffer
A citation issued to Ford by Elsie Hueffer, necessitating his appearance in divorce court.

  28  
AD Sales receipt for the Bungalow, Winchelsea
Receipt of the sale of Ford's property to Mr. Harris for 641+ pounds.

  28  
DS Temporary passport
Temporary passport issued to Ford on Nov. 1, 1932.

  28  
Printed FORDIANA
Collection of various newspaper and magazine cllippings by or about Ford. Includes photographs of the author, reviews and metions of his works as well as news of the escalating violence in Germany in the 1930's.