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Series XII. Books and Magazines [series]:
 
Works by A.R. Ammons (poetry, essays): [subseries]:
  101  
Albright, Alex, "Ponds and Mudbanks, and Ditchbanks, Brierberries, Things of That Kind: A Conversation with A.R. Ammons," with excerpts from "Tape for the End of the Year," and the poem "Broad Brush" North Carolina Literary Review Vol. 1 No. 1 (Summer 1992) pp. 7, 46.
  101  
"Alligator Holes Down Along About Old Dock," North Carolina Literary Review," vol. I, no. 2 (Spring 1993) p. 228.
  101  
"Antithesis," "Range," and "Sweetened Change," The Hampden-Syndney Poetry Review (Winter 1979) pp. 1-3.
  101  
"A.R. Ammons: Interview and Poems," with "The Fairly High Assimilation Rag," and "The Spiral Rag," The Manhattan Review vol. 1, no. 2 (Fall 1980) pp. 1-34.
  101  
"The Arts," Country Club Woman (November/December 1960) pp. 44-55.
  101  
"Boon," The New Republic (August 1, 1988) p. 48
  101  
"The Brook Has Worked Out the Prominence of a Bend," and "Strolls," Poetry, vol. CXXXIII, no. 1 (November 1978) pp. 80-81.
  101  
"By the Boulder Cluster the Wind," The Hudson Review, vol. XXX, no. 3 (Autumn 1977) pp. 371.
  101  
"Candle-lit," The Harvard Review, no. 9 (Fall 1995) p. 34.
  101  
"Changing Stations," Moosehead Review, no. 6 (1982) p. 6.
  101  
"Chiseled Clouds," broadside included in commemorative brochure on Epoch, 1985.
  101  
"Coming Round," Carolina Quarterly, vol. 37, no. 3 (Spring 1985) p. 34.
  101  
"Coming Clearing," "Anxiety's Prosody," "The Surprise of an Ending," and "All's All," Poetry, vol. CXLIII, no. 1 (October, 1988) pp. 1-4.
  101  
"Commentary," Poets and Writers, vol. 15, no. 2 (Mar./April 1987) p. 16.
  101  
"Commissary," Prairie Schooner, vol. 62, no. 2 (Summer 1988) p. 36.
  101  
"Cornell's Wee Stinkie," Ackee, no. 2 (June 1994) p. 33.
  101  
"Corsonsundet," Tarningskastet, no. 6, 1980, pp. 33-38. (in Swedish).
  101  
"Country Music," Michigan Quarterly Review, vol. XVII, no. 4 (Fall 1978) p. 457.
  101  
"Day Ghosts," The New Yorker, April 15, 1985, p. 49.
  101  
"December Starlings," Beloit Poetry Journal, vol. 45, no. 4, p. 7.
  101  
"The Deep Slow," "Spot Check," and "Sparklings," Grand Street , vol. 7, no. 4 (Summer 1988) pp. 81-83.
  101  
"Distraction," "Design," "Rapids," "Feel like Traveling On," and "Spruce Woods," The Hudson Review, vol. XXXIII (Spring 1980) pp. 35-37.
  101  
"Easter Morning," Poetry, no. 1, vol. CXXXIV (April 1979) pp. 1-4.
  101  
"Enameling" and "Walking Around in the Evening," Cornell Review (Fall 1979) p. 74
  101  
"Extravaganza," Abraxas, vol. 21/22, 12th Anniversary Issue, p. 3.
  101  
"First Loves," Journal of the Poetry Society of America, no. 49 (Spring 1997) p. 9.
  102  
"Flat Rock," North Carolina Literary Review, no. 5, vol. II (1996) p. 70.
  102  
"For Emily Wilson from a Newcomer," Chelsea, no. 55, p. 13.
  102  
"Front," Foxfire, no. 1, vol. 2 (Mar. 1968) p. 51.
  102  
"Getting About," "Saving Account," and "Generally Clear with Scattered Slippery Spots," Panoply, no. 1, vol. 2 (Winter/Spring 1988) pp. 64-66. Includes note by Timothy Houghton.
  102  
"Going Places," Pearl, no. 14 (Winter 1993) p. 4.
  102  
"Gravelly Run," "Epiphany," and "Mansion," Poetry, no. 2, vol. XCVII (November 1960) pp. 94-97.
  102  
"The Hermit Lark," Imprint, no. 2, 1980, p. 31.
  102  
"The High Desiring,"The Grapevine's Finger Lakes Magazine (Winter 1986-87) p. 70.
  102  
"An Improvisation for the Pieties of Modernism," "An Improvisation for Angular Momentum," and "An Improvisation for Soot and Suet," Poetry, no. 1, vol. CLIX (October 1991) pp. 1-4.
  102  
"Inclinations," The Hudson Review, no. 1, vol. XL (Spring 1987) pp. 59-70.
  102  
"Keeping Track," North Carolina Literary Review, no. 1, vol. II (Spring 1994) p. 21.
  102  
"Laser," Foxfire, no. 1, vol. 1 (Mar. 1967) p. 32. Includes note by Eliot Wigginton.
  102  
"Late Look," Mississippi Review, no. 7, vol. 3 (Fall 1978) p. 27.
  102  
"A Little Thing Like That," Bound, September 1986.
  102  
"Lofty Calling," "Obsession," "Weightlessness," and Walsh, William, "An Interview with A.R. Ammons," Michigan Quarterly Review, no. 1, vol. XXVIII (Winter 1989) pp. 105-120.
  102  
"Long Sorrowing," The New Yorker, October 20, 1986, p. 48.
  102  
"Louise," Granite, no. 4 (Autumn 1972-73) p. 95.
  102  
"Love songs,"Poetry, no. 3, vol. 110 (June 1967) n.p.
  102  
"Middling Seasons," "Whitewater," and "Spike-Tooth Harrows," The Yale Review, vol. 80, no. 4 (October 1992) pp. 37-39.
  103  
"Modes Against Too Much," "Death and Silhouettes," "The Crystal Tree," The Paris Review, no. 127 (Summer 1993) pp. 34-37.
  103  
"Moving Figures," and "Prisons There and Not," Tar River Poetry, vol. 33 (Fall 1993) pp. 144-46.
  103  
"Museums," and "Time Being," Partisan Review, no. 1, vol. LVIII (Winter 1991) pp. 118-19.
  103  
"Narrows," Chicago Review. 26th Anniversary Poetry Issue, no. 3, vol. 26, p. 63.
  103  
"Now Then," Michigan Quarterly Review, no. 1, vol. XXXVI (Winter 1997) 185-187.
  103  
"Ontology Precedes Teleology," Skylark, XVII Issue, 1988-89, p. 7.
  103  
"Pairing" and "Course Discourse," Brim: An Arts Journal, no. 4 (Fall 1975) p. 18.
  103  
"A Part for the Whole," South-West Review, Spring 1987, p. 39.
  103  
"Period," Columbia: A Magazine of Poetry and Prose, no. 20 (Summer 1993) pp. 26-7.
  103  
"Persistences," Poetry, no. 2, vol. CXXXII (May 1978) p. 88.
  103  
"Picking Up Equations"The Paris Review, no. 134 (May 1978) p. 221.
  103  
"Ping Jockeys," Princeton University Library Chronicle, no. 3, vol. LV (Spring 1994) p. 468.
  103  
"A Pretty Looking Sight," Bluefish, no. 1, vol. 1 (Autumn 1983) p. 2.
  103  
"Prey," Poetry, January 1996, p. 206.
  103  
"Providences" Granite, no. 7/8 (Spring 1974) p. 118.
  103  
"Radiant Days," CrossRoads: A Journal of Southern Culture, no. 1, vol. 1 (Fall 1992) pp. 45-48.
  103  
  104  
"Reading Ta'o Chien," The Southern Review, Autumn 1994, p. 791.
  104  
"Readings By Ways," Partisan Review, no. 4, vol. LV (1988) p. 611.
  104  
"Remembering Old Caves," "Tertiaries" Bound, no. 2 (April 1987) n.p.
  104  
"Righting Wrongs," Ubu, no. 3, p. 5.
  104  
"Room Conditioner" Tendril Poetry, no. 2 (Spring-Summer 1978) n.p.
  104  
"Rosalie" The New Republic , Mar. 7, 1988, p. 34.
  104  
"The Sale Sale," "Blues in the Valley," "Turning Things Out Good," and "For My Beloved Son," The Hudson Review, no. 1, vol. XLVI (Spring 1993) p. 169-172.
  104  
"Saying Saying Away" and "The Clenched-Jaw School," Poetry, no. 3, vol. CLXVIII (June 1996) pp. 133-134.
  104  
"Second-Rate Perfection," Banyan, vol. 1, 1990, p. 6.
  104  
"A Sense of Now," "Emerging Curves," "Local Antiquities," "Sumerian Vistas," "Collapsed Structures," and "The Deep End," Poetry, no. 1, vol. CLXVIII (April 1996) pp. 1-7.
  104  
"Sentiment," The New Yorker, February 21, 1994, p. 76.
  104  
"The Separation" and "Pit Lines," St. Andrews Review, no. 34 (Spring/Summer 1988) pp. 67-68.
  104  
"September Drift," "Mountain Talk," "Here & Now," "Square," "Admission," "Cougar," "Project," "Reversal," "Dominion," "Countering," "Working Still," "Then One," and "Play," Poetry, no. 1, vol. CXVII (October 1970) pp. 7-19.
  104  
"Singling and Doubling Together," "Meeting Place," "Yadkin Picnic," Poetry, no. 1, vol. CXLI (October 1982) pp. 1-4.
  104  
"Some Notes on William Harmon, 'Paronomastics,'" in Connotations, no. 1, vol. 3, 1993, pp. 42-43.
  104  
"Spiritual Progress" Yale Review, Autumn 1981, p. 88.
  104  
"Spring Tornado," "Certainty," "Model," and "Self-Projection," New Letters, no. 2, vol. 39 (Winter 1972) pp. 75-76.
  104  
"Standing Light Up," and "Plain Divisions," Verse, Issue 3, p. 3.
  104  
"Strings," Tar River Poetry, no. 1, vol. 28 (Fall 1988) pp. 60-61.
  104  
"From Strip," The Paris Review, no. 139 (Summer 1996) pp. 106-109.
  105  
"Summer Place," The Hudson Review, no. 2, vol. XXX (Summer 1977) pp. 173-209.
  105  
"Sung Reassertions," The Beloit Poetry Journal, (Fall 1963) p. 36.
  105  
"Taking Place" and "Contruing Deconstruction" Verse, no. 4, p. 8.
  105  
"Time After Time," "The Incomplete Life," and "What Was That Again," The Ohio Review, no. 41, 1988, 105-107.
  105  
"Volitions" Sparrow, no. 1 (Fall 1979) p. 8.
  105  
"I Went Back," "Immortality," "Warming Trend" Beloit Poetry Journal, (Summer 1978) pp. 4-5.
  105  
"Weather-Bound," Poverty," "Density," "Sunday at McDonald's," "Vehicle," and "Response," The Hudson Review, no. 4, vol. XXXI (Winter 1978-79) pp. 587-590.
  105  
"Why Is It Always the Way It Always Is," "Motion Which Disestablishes Organizes Everything," "Forerunners," "The Time Rate of Change," "Loving People," "Ah," "Slights of Sight," and "Fall's End" The Hudson Review, no. 2, vol. XL (Summer 1987) pp. 286-294.
  105  
"Winter Crop," Banyan, vol. 2, 1990, p. 10.
  106-108  
Works about A. R. Ammons (reviews, interviews) [subseries]:
  109-111  
Works inscribed to A.R. Ammons [subseries]:
  112  
[subseries]:
  113  
[subseries]:
  114  
[subseries]:
  115  
Correspondence April-June 1997 [subseries]:
  115  
Correspondence July 1997 [subseries]:
  115  
Correspondence October 1997 [subseries]:
  115  
Correspondence December 1997 [subseries]:
  115  
Correspondence March 1998 [subseries]:
  115  
Correspondence July 31, 1998-May 1999 [subseries]:
  115  
Correspondence May-August 1999 [subseries]:
  116  
[subseries]:
  127  
Johnson Museum of Art
  127  
A.R. Ammons Art Shows
  127  
Awards, Prizes, Tributes
  127  
Archie - Old Receipts, Income, etc.
  127  
Poems, Copies
  127  
Poems, Articles, Translations
  127  
Chapel Hill Library
  127  
Navy Papers
  127  
Misc. Rights and Agreements
  127  
Clippings
  127  
Letter to Joe Plumbo and Family (Phyllis' Brother)
  127  
Correspondence
  127  
Gift to ECU (Greenville, NC)
  127  
W.W. Norton
  127  
Wake Forest Transcript
  127  
Post Surgery Diary Entries
  127  
Memorials
  127  
Epoch
  127  
Reviews
  127  
University of Michigan Press
  127  
W.W. Norton Royalty Statements
  127  
Norton
  127  
Norton Contracts
  127  
Agent
  127  
Papers and Permissions
  127  
Poems
  127  
Brink Road Manuscript