| Container / Location |
Title |
| |
Series IV. Cornell University Theatre and Cornell Dramatic
Club [series]: |
| 25 |
|
CDC Secretary-Treasurer's account book |
| 25 |
|
CDC minute book |
| 25 |
|
CDC and CU Theatre business records book |
| 25 |
|
CDC box office reports |
| 25 |
|
CDC box office reports |
| 25 |
|
CDC box office reports |
| 25 |
|
Theatre financial ledger book |
| 25 |
|
Theatre financial ledger book |
| 52 |
|
CDC account book |
| 52 |
|
CDC account book |
| 52 |
|
CDC account book |
| 52 |
|
CDC Summer Theatre account book |
| 22 |
|
CDC financial report |
| 22 |
|
CDC business/finances
Includes 1914-1917, 1921-1923, 1925-1929
|
| 22 |
|
CDC business |
| 22 |
|
CDC accounts/finances |
| 22 |
|
CDC financial statements |
| 22 |
|
Financial reports-plays |
| 22 |
|
Theatre financial and business reports |
| 22 |
|
CDC financial reports |
| 22 |
|
CDC workshop finances |
| 22 |
|
CDC ledgers |
| 22 |
|
Theatre house manager reports |
| 22 |
|
Miscellaneous theater/equipment magazines, catalogs, publications |
| 22 |
|
Summer Theatre ledger book |
| 22 |
|
Summer Theatre financial reports |
| 22 |
|
Summer Theatre business and financial |
| 22 |
|
Summer Theatre financial papers |
| 22 |
|
Summer Theatre accounts |
| 22 |
|
Play ledger book |
| 22 |
|
Summer Theatre financial report |
| 22 |
|
Summer Theatre financial/staff |
| 22 |
|
Summer Theatre reports |
| 22 |
|
Box office reports
Includes 1930-1933, 1936-1940, 1950-1955
|
| 23 |
|
Kita Noh Theatre Co., Cornell performance (V-817) |
| 23 |
|
CDC annual dance card |
| 23 |
|
Newspaper clippings, Pillars of Society and An Enemy of the
People |
| 23 |
|
Logo designs for Ithaca Repertory Theatre |
| 23 |
|
Newspaper clippings; program for "Inspector General" |
| 23 |
|
Playwright's Notebook of New York State |
| 23 |
|
Studio reports and production schedules |
| 23 |
|
Drummond Studio information |
| 23 |
|
Japanese Noh drama |
| 23 |
|
Shakespeare Celebration |
| 23 |
|
The Knack tour |
| 23 |
|
Festival of Contemporary Arts |
| 23 |
|
Cornell University Theatre exhibit caption |
| 23 |
|
Caption cards for Library's display on CDC's 50th
anniversary |
| 23 |
|
Newspaper clippings |
| 23 |
|
Newspaper clippings, Ithaca Journal |
| 23 |
|
Latin America tour - George McCalmon correspondence and newspaper
clippings |
| 23 |
|
CDC constitutions/by-laws
Includes 1925-1929, 1948, 1959, 1969
|
| 23 |
|
CDC Manual of Play Production |
| 23 |
|
Procedure for the general tryout |
| 23 |
|
List of plays performed by the Cornell Dramatic Club |
| 23 |
|
CDC Council minutes |
| 23 |
|
Studio '57 instructions for directors of one acts |
| 23 |
|
CDC Open House |
| 23 |
|
CDC 50th anniversary-correspondence and planning
materials |
| 23 |
|
CDC member lists (includes Cornell Women's Dramatic
Club) |
| 23 |
|
CDC members lists |
| 23 |
|
CDC officers and members lists |
| 23 |
|
First President's Prize correspondence |
| 23 |
|
Pyramus and Thisbe-correspondence, production notes,
scripts |
| 23 |
|
Drummond bequest and "Uncle Vanya" production |
| 23 |
|
Alexander Drummond
[contains photograph]
|
| 23 |
|
A.M. Drummond Playwriting Contest announcements and judges'
forms |
| 23 |
|
CDC and CU Theatre annual letter to former members |
| 23 |
|
Alumni news clippings |
| 23 |
|
50th anniversary radio program script |
| 23 |
|
CDC meeting minutes |
| 23 |
|
The Book of Job |
| 23 |
|
Letter from Jacob Gould Schurman to CDC |
| 23 |
|
News and press releases |
| 23 |
|
Willard Straight Theatre opening, The Contrast
correspondence |
| 23 |
|
Articles from Cornell publications and newspaper clippings |
| 23 |
|
List of CDC productions |
| 23 |
|
Women's Dramatic Club "Alice in Wonderland" |
| 23 |
|
Inventory - costumes, financial |
| 23 |
|
List of Westminster props and scenery |
| 23 |
|
Alfred University performance of A Day in the
Vineyard |
| 47 |
|
Blueprint of the seating plan of the Goldwin Smith
amphitheatre |
| |
Alexander Drummond [subseries]: |
| 21 |
|
Articles on scene design |
| 21 |
|
The Country Theatre, State Fair |
| 21 |
|
National Association of Teachers of Speech correspondence,
Drummond |
| 21 |
|
National Association of Teachers of Speech correspondence,
Drummond, Country Theater |
| 21 |
|
Country/Rural Theater correspondence, clippings |
| 21 |
|
Drummond correspondence |
| 21 |
|
The Little Country Theatre correspondence, clippings,
etc. |
| 21 |
|
Play Production in the Country Theatre extension bulletin by
Drummond manuscript |
| 21 |
|
All's Well That Ends Well |
| 21 |
|
National Theatre Company Army theatre program correspondence
and reports |
| 21 |
|
Festival of Contemporary Arts |
| 21 |
|
Chekhov Theatre Studio correspondence |
| 21 |
|
Willard Straight Theatre management |
| 21 |
|
Willard Straight building administration |
| 21 |
|
Willard Straight Theatre design |
| 21 |
|
Film and miscellaneous expenses |
| 21 |
|
Correspondence, reports, financial information |
| 21 |
|
Little Country Theatre (State Fair) |
| 21 |
|
Theatre Lighting Past and Present by the Ward Leonard
Electric Company |
| 21 |
|
Permissions for Drummond book |
| 21 |
|
A. Drummond's theatre notebook |
| 21 |
|
Correspondence |
| 21 |
|
Sketches of scenery and stage |
| 21 |
|
CDC and Drummond correspondence |
| 22 |
|
Essays and notes |
| |
Walter H. Stainton [subseries]: |
| 20 |
|
Theatre Service Organization of Buffalo
correspondence |
| 20 |
|
Miscellaneous Stainton correspondence |
| 20 |
|
Correspondence with Museum of Modern Art regarding
films |
| 20 |
|
New York State Plays Project |
| 21 |
|
Willard Straight Theater improvements and upkeep |
| 21 |
|
Inventory |
| 21 |
|
Narcissus dance choreography |
| 21 |
|
Pied Piper of Hamelintown and Narcissus dance
notes |
| 21 |
|
Miscellaneous publications and clippings |
| 21 |
|
Typescripts of Civil War letters |
| |
George McCalmon [subseries]: |
| 19 |
|
Donations and gifts |
| 19 |
|
American National Theatre and Academy
publications |
| 19 |
|
American National Theatre and Academy (ANTA) |
| 19 |
|
ANTA International Cultural Exchange Service correspondence -
tour |
| 19 |
|
National Theatre Assembly |
| 19 |
|
Requests for plays |
| 19 |
|
University Theatre Executive Board minutes |
| 19 |
|
McCalmon correspondence |
| 19 |
|
Film policies |
| 19 |
|
Ithaca Community Players |
| 19 |
|
Festival of Contemporary Arts |
| 19 |
|
Festival of Contemporary Arts XII |
| 19 |
|
Festival of Contemporary Arts XIII |
| 19 |
|
Festival of Contemporary Arts XIV |
| 20 |
|
Festival of Contemporary Arts XVI-XVIII |
| 20 |
|
Festival of Contemporary Arts booklets |
| 20 |
|
Announcements to theatre magazines |
| 20 |
|
Theater financial reports |
| 20 |
|
Scheduling Committee |
| 20 |
|
Thesis on Central Staging, J. Burian |
| 20 |
|
Audio-visual, catalogs, misc. |
| 20 |
|
Report of the Director of Summer Session |
| 20 |
|
BEAN-O Dramatic Club banquet |
| 20 |
|
University Theater Certificate of Compliance |
| 20 |
|
Drummond Playwriting Contest |
| 20 |
|
Cornell Dance Club |
| 20 |
|
Gilbert and Sullivan - Savoyards |
| 20 |
|
Miscellaneous interdepartmental correspondence |
| 20 |
|
Cornell United Religious Work |
| 20 |
|
Faculty minutes and reports |
| 20 |
|
New York State Community Theatre correspondence |
| 20 |
|
New York State Community Theatre bulletins and
minutes |
| 20 |
|
History of the University Theatre and Dramatic
Club |
| 20 |
|
Daily Sun and Alumni News clippings |
| 20 |
|
"Traffic Signals" by A.M. Drummond [memorabilia, script,
photos] |
| 20 |
|
Inventory of CDC scrapbooks |
| 20 |
|
Kermit Hunter correspondence |
| 20 |
|
Constance Kuhn, "Revolution in the Theatre" |
| 20 |
|
CDC correspondence |
| 20 |
|
Heermans Prize |
| 20 |
|
Willard Straight Hall correspondence |
| 20 |
|
McCalmon correspondence |
| 20 |
|
Studio reports and correspondence |
| |
Publicity and Correspondence [subseries]: |
| 23 |
|
Publicity |
| 26 |
|
Publicity |
| 26 |
|
Summer Theatre publicity and correspondence |
| 26 |
|
Summer Theatre staff
[contains photographs]
|
| 53 |
|
An Evening of One Act Plays (Champeen of the Canawl; Portrait
of a Madonna; The Cocklepfiefer Case) |
| 53 |
|
A Program of One-Act Plays (Village Wooing; A Matter of
Husbands; Fumed Oak) |
| 53 |
|
A Program of One-Act Plays (At Liberty; Love and How to Cure
It; I'm a Fool; Pyramus and Thisbe) |
| 53 |
|
A Program of One-Act Plays (The Hope Chest; Materia Medica;
Murder is Fun!) |
| 53 |
|
Plays of Three Nations (Sunday Costs Five Pesos; Evening
Dress Indispensable; Hello Out There) |
| 53 |
|
Three One-Act Plays (Murder is Fun!; Evening Dress
Indispensable; Hello Out There) |
| 53 |
|
Four One-Act Plays (How He Lied to Her Husband; Mild Oats;
Such Things Only Happen in Books; Quiet-Facing the Park) |
| 53 |
|
Five One-Act Plays (Little Immortal; Overtones; The Power of
Fate; Sparkin'; The Square Triangle) |
| 53 |
|
Four One-Act Plays (Some Women Were Talking; The Bridegroom
Waits; The Odd Streak; Lonesome-Like) |
| 53 |
|
Four One-Act Plays (Hello Out There; All on a Summer's Day;
Mild Oats; The Power of Fate) |
| 53 |
|
Four One-Act Plays (Hat and Stick; Some Women were Talking;
Everybody's Husband; The Pot Boiler) |
| 53 |
|
Three One-Act Period Plays (Box and Cox, Married and Settled;
The Choir Rehearsal; Exile) |
| 53 |
|
Ivan [film presentation] |
| 53 |
|
Jero Magon's Marionettes - Arabian Nights: Aladdin and his
Wonderful Lamp; Marco Millions |
| 53 |
|
Jim Dandy |
| 53 |
|
The Baker's Wife [film presentation] |
| 53 |
|
The Good Earth [film]; Red Gate Players [Chinese shadow
plays] |
| 53 |
|
Hay Fever
[contains photographs]
|
| 53 |
|
Henry V [film] |
| 53 |
|
Holy Matrimony [film] |
| 53 |
|
How Green was my Valley [film] |
| 53 |
|
In Which We Serve [film] |
| 53 |
|
The Man Who Came to Dinner [film] |
| 53 |
|
Maedchen in Uniform [film] |
| 53 |
|
Ladies in Retirement |
| 53 |
|
The Lost Weekend [film] |
| 53 |
|
Alan Lomax and Leadbelly [live performance] |
| 53 |
|
The Lives of a Bengal Lancer [film] |
| 53 |
|
Lifeboat [film] |
| 53 |
|
Million Dollar Legs [film] |
| 53 |
|
Heermans Prize Plays |
| 53 |
|
The Ascent of F6 |
| 53 |
|
As You Like It |
| 53 |
|
The Bonds of Interest |
| 53 |
|
Boy Meets Girl |
| 53 |
|
A Child is Born |
| 53 |
|
Joan of Lorraine |
| 53 |
|
The Last Chance [film] |
| 53 |
|
The Lake Guns of Seneca and Cayuga |
| 53 |
|
Milestones |
| 53 |
|
Kind Lady
[contains photographs]
|
| 53 |
|
Beauty and the Beast |
| 53 |
|
Angel Street |
| 53 |
|
Arms and the Man |
| 53 |
|
Heart of Paris [film] |
| 53 |
|
Headin' for Havana |
| 53 |
|
Four One-Act Plays (Fumed Oak; They Refuse to be Resurrected;
Etiquette; A Pound on Demand) |
| 53 |
|
One-Act Plays (Shall We Join the Ladies?; Travelling Light;
Fancy Free; The Choir Rehearsal) |
| 53 |
|
Cornell One-Act Plays (A Man Should Have a Wife; (Unnamed);
Three Cheers for Woody) |
| 53 |
|
Deep are the Roots |
| 53 |
|
Three One-Act Plays (Pullman Car Hiawatha; Idyl on a Summer
Hotel Porch; Two Gentleman of Soho) |
| 53 |
|
Across the Board on Tomorrow Morning; Hands Across the
Sea |
| 53 |
|
The Barretts of Wimpole Street |
| 53 |
|
John Gabriel Borkman
[contains photographs]
|
| 53 |
|
Tatterman Marionettes |
| 53 |
|
Stone Flower |
| 53 |
|
Springtime for Henry |
| 53 |
|
Specter of the Rose (film) |
| 53 |
|
The Skin of Our Teeth
[contains photographs]
|
| 53 |
|
Six Characters in Search of an Author |
| 53 |
|
Shoe Shine (film) |
| 53 |
|
The Seventh Veil (film) |
| 53 |
|
The Second Shepherd's Play |
| 53 |
|
Three One-Act Plays (The General Retreats; Bath at Cayuga
Bridge; Aria Da Capo) |
| 53 |
|
An Evening of One Act Plays (That's Hollywood; Papa Never
Done Nothing . . . Much; Mooney's Kid Don't Cry; They Refuse to Be
Resurrected) |
| 53 |
|
Of Mice and Men |
| 53 |
|
Dr. Knock |
| 53 |
|
Angna Enters (dance performance) |
| 53 |
|
The Glass Menagerie
[contains photographs]
|
| 53 |
|
The Second Man |
| 53 |
|
The Music Hall Show |
| 53 |
|
An Inspector Calls |
| 53 |
|
The Play's the Thing
[contains photographs]
|
| 53 |
|
HMS Pinafore
[contains photographs]
|
| 53 |
|
Cornell One-Act Plays |
| 53 |
|
Children of Paradise (film) |
| 53 |
|
Crossfire (film) |
| 53 |
|
The Damask Cheek |
| 53 |
|
Dead of Night (film) |
| 53 |
|
Special Anniversary Film Program |
| 53 |
|
Arsenic and Old Lace |
| 53 |
|
Camille (film) |
| 53 |
|
The Captive Heart (film) |
| 53 |
|
Caesar and Cleopatra (film) |
| 53 |
|
Charlie Chaplin Film Festival |
| 53 |
|
Newspaper clippings, Cornell theater performances |
| 53 |
|
Blithe Spirit |
| 53 |
|
Bombshell (film) |
| 53 |
|
Brief Music |
| 53 |
|
Across the Continent |
| 53 |
|
Ah, Wilderness! |
| 53 |
|
Alison's House |
| 53 |
|
The Ghost Goes West (film) |
| 53 |
|
Fantasia (film) |
| 53 |
|
Fanny's First Play
[contains photographs, 1930]
|
| 53 |
|
Mr. Pim Passes By |
| 53 |
|
Home and Beauty |
| 53 |
|
Morning's at Seven |
| 53 |
|
They Knew What They Wanted |
| 53 |
|
The Importance of Being Earnest |
| 53 |
|
The Taming of the Shrew |
| 53 |
|
Two Blind Mice |
| 53 |
|
Trial by Jury |
| 53 |
|
The Vinegar Tree
[contains photographs]
|
| 53 |
|
The Wild Duck |
| 53 |
|
The Winslow Boy |
| 53 |
|
The Little Foxes |
| 53 |
|
The Madwoman of Chaillot |
| 53 |
|
The Male Animal |
| 53 |
|
The Mikado |
| 53 |
|
The Beautiful People |
| 53 |
|
The Beachcomber |
| 53 |
|
Beau Brummel (film) |
| 53 |
|
Beyond the Horizon |
| 53 |
|
Blithe Spirit |
| 53 |
|
The Doctor in Spite of Himself
[contains photographs]
|
| 53 |
|
Happy Birthday |
| 53 |
|
Production by the Kermis Club |
| 26 |
|
An Evening of One Act Plays (November 21-22) -
correspondence, publicity |
| 26 |
|
An Evening of One Act Plays (May 7-8) - correspondence,
publicity |
| 26 |
|
Night Must Fall - correspondence, publicity |
| 26 |
|
An Evening of One Act Plays (July 30-31) - correspondence,
publicity |
| 26 |
|
You Touched Me! - correspondence, publicity |
| 26 |
|
MacBeth - correspondence and press releases |
| 26 |
|
Once Upon a Hill - correspondence |
| 26 |
|
Pyramus and Thisbe - correspondence, production
notes |
| 26 |
|
The Importance of Being Earnest - correspondence and press
releases |
| 26 |
|
The Detour - press releases |
| 26 |
|
The Vegetable - correspondence and publicity |
| 26 |
|
Cornell One-Act Plays (The Late Adam Fry; The Big Cheese; The
Fishbowl) - correspondence |
| 26 |
|
On the High Road - publicity |
| 26 |
|
Romeo and Juliet - correspondence and publicity |
| 26 |
|
Desire Under the Elms - correspondence |
| 26 |
|
The Pirates of Penzance - correspondence |
| 26 |
|
The Family Reunion - correspondence and publicity |
| 26 |
|
Awake and Sing! - correspondence |
| 26 |
|
Tambou - correspondence |
| 26 |
|
Ten Nights in a Bar-Room - correspondence and
publicity |
| 26 |
|
Hay Fever - correspondence and publicity |
| 26 |
|
Juno and the Paycock - correspondence |
| 26 |
|
Patience - correspondence and publicity |
| 26 |
|
The Autumn Garden - correspondence and publicity |
| 26 |
|
The Tempest - correspondence and publicity |
| 26 |
|
The Country Wife - correspondence and publicity |
| 26 |
|
The Glass Menagerie - correspondence and
publicity |
| 26 |
|
The Christmas Invasion - correspondence and
publicity |
| 26 |
|
The Lady's Not for Burning - correspondence and
publicity |
| 26 |
|
Hedda Gabler - correspondence and publicity |
| 26 |
|
Twelfth Night - correspondence and publicity |
| 26 |
|
Blood Wedding - publicity |
| 26 |
|
The Pursuit of Happiness - correspondence and
publicity |
| 26 |
|
Right You Are - publicity |
| 26 |
|
Amahl and the Night Visitors - correspondence and
publicity |
| 26 |
|
Electra - correspondence and publicity |
| 26 |
|
The Flowering Peach - correspondence and
publicity |
| 26 |
|
The Would-Be Invalid (Le Malade Imaginaire) -
publicity |
| 26 |
|
Misalliance - correspondence and publicity |
| 26 |
|
All Summer Long - correspondence and publicity |
| 26 |
|
Bernardine - correspondence and publicity |
| 26 |
|
Once Upon a Hill - Founder's Day program and
articles |
| 26 |
|
The Good Woman of Setzuan - correspondence and
publicity |
| 26 |
|
The Witchfinders - correspondence and publicity |
| 26 |
|
Favor Island - publicity |
| 26 |
|
Papa is All - correspondence and publicity |
| 26 |
|
The Tavern - publicity |
| 26 |
|
Amahl and the Night Visitors - correspondence and
publicity |
| 26 |
|
Studio '58 publicity |
| 26 |
|
Othello - publicity |
| 26 |
|
Shadow and Substance - correspondence |
| 27 |
|
A Different Drummer - correspondence and
publicity |
| 27 |
|
The Haunted House - correspondence and publicity |
| 27 |
|
Bell, Book and Candle - correspondence and
publicity |
| 27 |
|
The Rivals - publicity |
| 27 |
|
Antigone - publicity |
| 27 |
|
Ghosts - publicity and production information |
| 27 |
|
Under Milkwood - publicity |
| 27 |
|
The Taming of the Shrew - publicity |
| 27 |
|
My Three Angels - publicity |
| 27 |
|
The Boy Friend - publicity |
| 27 |
|
Studio '60 publicity |
| 27 |
|
Death of a Salesman - publicity |
| 27 |
|
Dr. Faustus - publicity |
| 27 |
|
Twilight Bar - publicity |
| 27 |
|
Thieves' Carnival - publicity |
| 27 |
|
Pictures in the Hallway - publicity |
| 27 |
|
Three Russian Comedies (Gamblers; A Marriage Proposal;
Squaring the Circle) - correspondence and publicity |
| 27 |
|
Volpone - publicity |
| 27 |
|
The Time of Your Life - publicity |
| 27 |
|
The Great God Brown - publicity and box office
reports |
| 27 |
|
The Gondoliers - publicity and box office reports |
| 27 |
|
Three Way Split (The Sandbox; The Room; The Future is in
Eggs) - publicity and box office reports |
| 27 |
|
Man and Superman - publicity |
| 27 |
|
Oedipus the King - publicity |
| 27 |
|
As You Like It - correspondence and publicity |
| 27 |
|
The Fantasticks - correspondence |
| 27 |
|
Lysistrata - correspondence and production notes |
| 27 |
|
Rosmersholm - correspondence |
| 27 |
|
Look Back in Anger - correspondence and publicity |
| 27 |
|
Finnegans Wake - correspondence and publicity |
| 27 |
|
The Jew of Malta - correspondence and publicity |
| 27 |
|
The Happy Haven - correspondence |
| 27 |
|
Tartuffe - publicity |
| 27 |
|
The Great Magician - correspondence and publicity |
| 27 |
|
Cat on a Hot Tin Roof - correspondence and
publicity |
| 27 |
|
Telemachus Clay - publicity |
| 27 |
|
All the King's Men - publicity |
| 27 |
|
The Devil in America - publicity |
| 27 |
|
Ah, Wilderness! - publicity |
| 27 |
|
The Man of Mode - publicity |
| 27 |
|
The Physicists - correspondence and publicity |
| 27 |
|
A Funny Thing Happened on the Way to the Forum -
correspondence |
| 27 |
|
Medusa - correspondence |
| 27 |
|
Uncle Vanya - correspondence and publicity |
| 27 |
|
Three Modern Plays (Act Without Words I; The Difficult Hour
III; The Bald Soprano) - correspondence |
| 27 |
|
Saint Joan of the Stockyards - correspondence |
| 27 |
|
The Knack - correspondence and publicity |
| 27 |
|
The Hostage - correspondence |
| 27 |
|
The Gambler - correspondence |
| 27 |
|
The Knack - correspondence and publicity |
| 27 |
|
King Richard III - study guide and publicity |
| 27 |
|
Dracula - study guide and publicity |
| 27 |
|
Andorra - correspondence, study guide and
publicity |
| 27 |
|
The Threepenny Opera - correspondence, study guide and
publicity |
| 27 |
|
The Deadly Game - correspondence |
| 27 |
|
A Taste of Honey - correspondence and publicity |
| 27 |
|
The Cave Dwellers - correspondence and publicity |
| 27 |
|
The Blood Knot - publicity |
| 27 |
|
The Egg - correspondence and publicity |
| 27 |
|
Barthol'mew Fair - publicity |
| 27 |
|
Getting Married - study guide and publicity |
| 27 |
|
Mary Stuart - correspondence, study guide and
publicity |
| 27 |
|
Zoo - correspondence and publicity |
| 27 |
|
Orontea - correspondence, libretto and publicity |
| 27 |
|
The Acharnians - correspondence and publicity |
| 27 |
|
The School for Wives - correspondence and
publicity |
| 27 |
|
The Rules of the Game - correspondence and
publicity |
| |
Scripts and Prompt Books [subseries]: |
| 27 |
|
Jess of the Bar Z Ranch by Forbes
Heermans |
| 27 |
|
Under the Oaks by E. L. Laporte; Simple
Honors by Elizabeth Goepp and Constance Connor Brown;
Ashes of Sweets by George Fass; Three
Pasos of Lope de Rueda by W.C. Capune, W.H. French, and
J.N. Williams; Gamaliel the High Priest |
| 27 |
|
Cophetua's Queen by Julian M. Drachman;
The Announcement by I.T.C. Dissinger; As
Far As I Know by K.R. Wallace; The Trouble in the
Bubble by Sidney S. Kingsley |
| 27 |
|
The Magic Called Love by Sidney S. Kirshner;
Untitled; Friends by D.E. Keenan |
| 27 |
|
619. Portrait of Polish Family by Lloyd
Weninger |
| 27 |
|
The Glass Menagerie - Author: Tennessee
Williams |
| 27 |
|
Kagekiyo - Author: Seami Motokiyo - Director:
Brian Meeson |
| 16 |
|
The Shoemaker's House |
| 16 |
|
Corner of God by Louis Adelman |
| 16 |
|
Sea-Wife by Maxwell Anderson |
| 16 |
|
In Noah's Ark by Rumer Godden |
| 16 |
|
The Unknown Woman from Arras by Armand
Salacrou |
| 16 |
|
Like Falling Leaves |
| 38 |
|
Jim Dandy by William Saroyan |
| 28 |
|
Dagzil by James V. Hatch |
| 28 |
|
The Four Sons of Aymon by Herman Closson |
| 28 |
|
This is My Valley by Dorothy R.
Stewart |
| 28 |
|
Doctor for a Dumb Wife by F. Duerr |
| 28 |
|
A Fake is a Fake by Friedrich von
Bachlein |
| 28 |
|
The Family Romance by June Dudley
Donnell |
| 28 |
|
Henry and the Mimzies by Joanna Russ |
| 28 |
|
Jade Bracelet by Fairfax Proudfit Walkup and
De Witt Bodeen |
| 28 |
|
Saturday Stranger by Joseph
Rosenberg |
| 28 |
|
Lo, The Angel by Nancy Wallace |
| 28 |
|
Full Score by Theodore Hatlen |
| 28 |
|
A Power of Dreams by Peter John
Stephens |
| 28 |
|
The Day of a Faun by Archie Binns |
| 28 |
|
The Inconstant Moon by Irving
Kreutz |
| 28 |
|
Mary and Her Sergeant by Wm. Philip
Smith |
| 28 |
|
They Got Every Night by Fred Myers |
| 28 |
|
Lefty Peroni by Georgia Backus |
| 28 |
|
Repayment by Ralph Brewster |
| 28 |
|
The Blind Shall See by John
Fleming |
| 28 |
|
The Devil to Pay by Brian Dillon |
| 28 |
|
The Doctor and the Devils by Dylan
Thomas |
| 28 |
|
Supernaturally Speaking by John
Fleming |
| 28 |
|
The Wonder Worker of the Plains by Sandra
Goldberg |
| 28 |
|
A Match for the Devil by Norman
Nicholson |
| 28 |
|
The Female Woild by Kenneth James
Konlande |
| 28 |
|
In a Mirror Darkly by Eugene Feist |
| 28 |
|
Mania, Mania, Who's Got the Mania by
Preston |
| 28 |
|
Ancient Aztec Legend by Margaret
Brobston |
| 28 |
|
The Temptation of Saint Antonio by Stephen
Radkoff |
| 28 |
|
The Man Who Woke Up by Anne
Walters |
| 28 |
|
Red Two by James E. Michael |
| 28 |
|
A Penny for Charon by Herman A.
Miller |
| 28 |
|
High Life by Janet K. Smith |
| 28 |
|
The Squirrel Cage by William H.
Putch |
| 28 |
|
Cinderella by Rossini adapted by Gil
Gallagher |
| 28 |
|
A Moment of Quiet by Jean Ennui |
| 28 |
|
The Shorn Lambs by John Mock |
| 28 |
|
The Golden Goose by Roberta
Lanouette |
| 28 |
|
The Long Hill by Calista Barker
Clark |
| 28 |
|
Steps of Sand by Bert Pollock |
| 28 |
|
Song Without End by Louis C.
Adelman |
| 28 |
|
End of a Season by Gloria
Goldsmith |
| 28 |
|
Cicero by Upton Sinclair |
| 28 |
|
A Different Drummer |
| 28 |
|
A Different Drummer by Gene
McKinney |
| 28 |
|
Sharp Practices |
| 28 |
|
The Man on the Bar Stool by Alex Panas;
To Live in Faith by Esther M. Hawley; A
King of a Man by Norton Cooper; The House with
Hanging Feet by Gordon Reston; The Secret of the
Drums by Priscilla Kiefer |
| 29 |
|
Everyman |
| 29 |
|
Judas |
| 29 |
|
The House by the Stable by Charles Williams;
Three Actors and Their Drama; The Little
Man; Come on Kid, Let's Go to Sleep;
The Doctor and the Devils |
| 29 |
|
Heermans Plays (And May God Have Mercy by
Charles Mendick |
| 29 |
|
Heermans Plays (Fair Day Thursday, and
Private Performance by Patricia Anne Colbert;
Oblivion Is Not Here by Margaret Taylor;
Postwar Planning by Andreas Ibanov (James D.
Breckenridge); Spoil by Walter Scheinman; Up
Sword by Roy I. Friedlander |
| 29 |
|
Heermans Plays (And the Pursuit of Happiness
by William Marshall; Superman's Wife by Jacob Regal;
Tomorrow Without Leave by Walter Scheinman;
Mea Culpa by Walter Scheinman;
Island by John Brook; Mine Eyes Have
Seen by Gene Wyckoff) |
| 29 |
|
Heermans Plays (Melting Pot, and The
Woman in Bed by Frederick M. Shelley III;
American Pieta by Albert N. Perretta) |
| 29 |
|
Heermans Plays (Gerda's Vision; Prince
John; Insurrection in Heaven by Albert
Perretta) |
| 29 |
|
Heermans Plays (Private Performance by
Patricia Anne Colbert; Retreat by Walter Scheinman;
The Reprieve, and Five Characters in
Search of Saroyan by Roy I. Friedlander) |
| 29 |
|
The Dusk of Battle by Walter Scheinman;
The Trojan Horse by Archibald MacLeigh; No
Doubt About It by Brian Dillon |
| 29 |
|
Chicago by Gary Simpson |
| 29 |
|
Written in the Stars by Hugh Carstairs;
Splendid Isloation by Everett Crum;
Progression by Charles Lebrun; The
Clock by Jerome Jerrold |
| 29 |
|
Traffic Signals by A. M. Drummond |
| 29 |
|
Traffic Signals Part II by A. M.
Drummond |
| 29 |
|
The Prize by Roderick Robertson; The
Time Ran by Joanna Russ |
| 29 |
|
Paradiso! Paradiso! by Jan Wahl; The
Muskrat Ramble by Stephen R. Franken; One Hundred
Pounds by Judy Roberts; Come for Tea by
Judith Shields |
| 29 |
|
Confessional by Don Biederman; Three
Cheers for Woody by Monroe Scott; Soft Rains Will
Come by Emily Frenkel; Fountain of
Knowledge by Brian Dillon |
| 29 |
|
Champeen of the Canawl by E. Kamarck;
Right You Are! (If You Think So) Acts I, II, III;
The Absent-Minded Professor Has Breakfast by
Sidney S. Kirschner |
| 29 |
|
The Fall of the City |
| 29 |
|
Stranger in the House by William H.
Putch |
| 29 |
|
Yankee Land by C. A. Logan
script and notes
|
| 29 |
|
Late for Dinner by Patricia Schewerman;
Payday Night by Story Talbot; Marriage
Wheel by Joel Climenhaga |
| 29 |
|
Steps of Sand; Across Big
Mountain and Years of the Harvest by Bert
Pollock |
| 16 |
|
Once Upon a Hill |
| 29 |
|
Once Upon a Hill individual
scripts |
| 29 |
|
Once Upon a Hill individual music |
| 29 |
|
Once Upon a Hill production notes |
| 29 |
|
Once Upon a Hill |
| 29 |
|
The Groove |
| 29 |
|
Tickless Time |
| 29 |
|
The Wooden Leg |
| 29 |
|
The Eternal Quadrangle |
| 29 |
|
Carnival |
| 29 |
|
Who Knows Best |
| 29 |
|
The Sheaphardes' Play |
| 29 |
|
Beauty and the Jacobin |
| 29 |
|
Be It Ever So Humble by M.B.
Hellinger |
| 29 |
|
The Long Christmas Dinner |
| 30 |
|
No Answer by Dan Tuttle |
| 30 |
|
Too Good is Unhealthy by Angela Marsden
Messenger |
| 30 |
|
Pas de Deux by Daniel Brooke |
| 30 |
|
Climate of Fear by Charles Aycock
Poe |
| 30 |
|
He Chose to Dream by Theodore
Allen |
| 30 |
|
Farmers' Holiday by Thomas Searles |
| 30 |
|
Trial by Fire by George H. Dunne |
| 30 |
|
The Cloak by Arthur Lithgow |
| 30 |
|
The Dream Weaver by Antonio Buero
Vallejo |
| 30 |
|
Crazy Man by Donald F. Weinberger |
| 30 |
|
Page of Life by Robert Goodman |
| 30 |
|
The Passionate Pilgrims by Douglas
Watt |
| 30 |
|
... the worker who ... by Irwin J.
Liebowitz |
| 30 |
|
Silver Slippers by Seymour A.
Gross |
| 30 |
|
The Radiator by Gabriel Levenson |
| 30 |
|
Violet J. Brown plays (By the Waters of
Babylon; Where Angels Fear;
Lucrezia; The Great American Play or
America Sings!) |
| 30 |
|
Reunion, and The Man Who Defied
God by C. B. Moss |
| 30 |
|
Sattiday Night, and Fle Fro the
Pres by G. H. Levenson |
| 30 |
|
The Frogs Become America (with George Jean
Nathan as a character) |
| 30 |
|
Charles J. Bruneel Plays (Informal Date;
Reunion; Smart Girl;
Together Alone |
| 30 |
|
The Sons of Setewa by Herbert
Yenne |
| 30 |
|
Wrong Number by Charles Brunelle; The
Poet or Peter? by Homer E. Baker; Ars Gratia
Artis by Lawrence Abbott or Seymour Gross and John
Smith; Reunion by Charles Lebrun) |
| 30 |
|
The Vicious Cycle by Ted Hatlen; The
Impenetrable Night, and Fugue by Violet
Joyce Brown; America's Melting Pot, and
Careerdom or Wifedom, and A Fifty-Fifty
Chance by Ruth Press |
| 30 |
|
Ars Gratia Artis by Seymour A. Gross;
The Blind Goddess, and Town Girl
by Annette R. Baker; Back on the Game by J. R.
Hefler; A Playwright Looks at Life by Seymour B.
Berkowitz; Thirteen Gardenias by Barbara P.
Buchanan |
| 30 |
|
1945 Anvil Revue; The Restless
Sea by Lacy Baldy |
| 30 |
|
To Learn To Love by William I. Oliver;
The Prickly Pear; From Rags to
Riches by Charles A. Taylor |
| 30 |
|
Don Juan Tenorio by Jose Zorrilla y Moral,
translated by William I. Oliver |
| 30 |
|
Clive of India; Dr. Gailey's
Lecture by Anthony G. Dower; Silver
Slippers; A Babe in Time by Leonard
Feinstein |
| 30 |
|
Helen of Troy by Joseph W. Miller
script |
| 30 |
|
Over the Mountain and Proof by
Robert Hethmon; From Bad to Better and Love
Abetted by Lea Shampanier; The Weaker
Souls by James R. Crane; Whistle +
Stop |
| 30 |
|
Jimmy's Surprise by Lea Shampanier;
Play #1 by Frank E. Fairchild, Jr.; Beyond
the Law and the Damned by Eldridge; The Dead Yet
Living by James P. Crane; The Oil That
Heals and Sentimental Value by Anthony
Geiss |
| 30 |
|
Until the Coroner Comes by Anthony Geiss;
No Heaven for Me, and The Gay
People, and untitled by Nestor Ernest Kuzmin;
Night Watch; Will to Live by Lea
Shampanier; The Answer Man by William E.
Johnson |
| 30 |
|
Shavelson plays - So This Is Love, and
Portrait of Eternity by Melville
Shavelson |
| 30 |
|
Heermans plays (Heavy Traffic by C.B. Moss;
Superman by John Brookes; The Better
Angels by Burt Monroe; America Enters the
War by Esther Marsh; Harness by Arnold
Fraleigh; By the Rivers of Babylon by Violet J.
Brown; Symphony by Ralph Tomfrelt; Man Hunt
b |
| 30 |
|
Heermans plays (The Sidewalk by Beatrice
Marks; Dark Earth by Morris Frank; Town and
Gown by Seymour B. Beckmitz; Self Evident
Truths by Robert Gordman; The Quiet of
Tomorrow by Ralph Cohn) |
| 30 |
|
Heermans plays (What Price the Melting Pot? By
Beatrice Marks; The Melody of Discord; The
Great American Play by Elvira M.J.H. Lester; Our
Wiser Sons by S. A. Gross; It's a Wow by
Ruth A. Beck)) |
| 30 |
|
Written in the Stars by Annete Baker;
Orchids for Laurels by Seymour A. Gross;
illegible by Hillman; untitled by Henry Hillman;
Services Rendered by M.B. Hellinger; The
People's Friend by Deane A. Dunloy |
| 30 |
|
Jobie and The Simple Farming
Man by Daniel N. Fader; Murdering by
Alice Dennis Weschke; Stampede Bluff |
| 30 |
|
Sabotage by Charles Hellem, William Valcros
and Pol d'Estoc |
| 30 |
|
A Good Woman by George Middleton |
| 30 |
|
The Tents of the Arabs |
| 30 |
|
The Choir Rehearsal |
| 30 |
|
Cheese Colossus |
| 30 |
|
Pullman Car Hiawatha |
| 30 |
|
This Property is Condemned by Tennessee
Williams |
| 30 |
|
The Catalogue |
| 30 |
|
The Feast of the Holy Innocents by S. Marshall
Ilsley |
| 30 |
|
The Aulis Difficulty |
| 30 |
|
Minnie Field |
| 31 |
|
An Idea for Charlie and The
Harvester by Wilmer Hayden Welsh; One Summer's
Day by Ellen Lawson; Three Cheers for
Woody by Munroe Scott; Touchdown for
Shakespeare by Adolyn Arline |
| 31 |
|
The Muskrat Ramble by Stephen R. Franken;
The Devil Among the Skins; Transition: A
Game by David Seidler; Waiting for Santy
by S. J. Perelman; To Count Thirteen by Marion L.
Miller; The Ivory Gate by Perry Mason |
| 31 |
|
International Ladies' Garment Workers'
Union plays |
| 31 |
|
The Christmas Story, Old and New by Olla
Rickett and Robert Rhodes |
| 31 |
|
UNESCO plays (New Fountains by Lee Gilmore;
To Live in Faith by Esther M. Hawley) |
| 31 |
|
New York State plays (A Day in the Vineyard by
Irene Baker and A. M. Drummond; Family Co-operative
by Ella L. Thurston; Let's Get on With the Marryin',
and Raisin' th' Devil by Robert E. Gard) |
| 31 |
|
American Agriculturalist Prize Plays
(Fractions by Floyd Spicer Armstrong; Who
is Wellington? by Carrie W. Ladd; Nothing
Doing by Grace Smith Beers; The Electric
Fence by M.F. Partridge) |
| 31 |
|
Reflection in the Dark by Emily Frenkel;
To Dwell in the Sun by William I.
Oliver |
| 31 |
|
Christmas plays (The Line by Morris Martin;
Christmas Eve Story by Alastair Cooke; The
Christmas Invasion) |
| 31 |
|
Il Teatro Alla Moda by Benedetto Marcello,
translated by William Strunk, Jr. |
| 31 |
|
The Cellar by Michael Chayes; Without
Return by O'Gene U. Heele; Then the Winning
School-boy by John Falstaff; Bachelor of
Unemployment by Theodore Allen; Clam
Digger by John Brown, Jr. |
| 31 |
|
Twilight Bar by Arthur Koestler |
| 31 |
|
The Crime in Lansing by J. A. Withey |
| 31 |
|
An Afternoon Fantasy by Charles
Rodin |
| 31 |
|
Woodman, Chop That Tree by Division of
Information, WPB |
| 31 |
|
Another Kate by Arthur Francis
Brash |
| 31 |
|
Crown of Choice by M. C. Kuner |
| 31 |
|
Set It In Troy |
| 31 |
|
How to Grow a Musical |
| 31 |
|
Fishin' Weather by Samuel Sidney Hale;
Bugles at Noon; Moses, Saroyan and
Welles |
| 31 |
|
Cry Witch by Marion L. Miller; Pillar
of Salt by Wilmer Hayden Welsh; Second
Degree by Ian Elliot;
Pierrot-in-the-Round by Donald Streibig;
Three Cheers for Woody by Munroe Scott; A
Heavy Sound Breaks In by Richard Farina; Waiting
for Santy by S. J. Perelman |
| 31 |
|
Behind the Beyond by Stephen Leacock;
Ka La'Ni by Dorothy Stewart;
Polski, and Hell and High Water by
William D. Hammack; Three Cheers for Woody by Monroe
Scott; Waiting for Santy by S. J. Perelman;
The Romantic Family by Q. Vermout |
| 31 |
|
Behind the Beyond |
| 31 |
|
General Store |
| 31 |
|
As Good As She Is Beautiful |
| 31 |
|
Plots and Playwrights |
| 31 |
|
The Trysting Place |
| 31 |
|
Beautiful Despot |
| 31 |
|
Scientific Love by Russell Craft
'23 |
| 31 |
|
Une Aimable Lingere by Tristan Bernard;
The Man Who Went Riding by James B. Gitlitz;
A Bow Makes the Knot by Hal Lehrman; The
Hiding of Black Bill by M. T. Herrick; The
Stradivarius by Max Maurey |
| 31 |
|
The Boulingrins by Georges Courteline
translated by L.B. Crabtree; The Chosen,
Grandma Columbine, and The Miracle
by DeElbert Keenan |
| 31 |
|
Betsy Anne by Felicity Gray |
| 31 |
|
Plays from contest: Up in the Air; The
New Act by Sima Kaya; A Girl, the Letters and a
Spy by The Marionette; Shattered Hopes by
Cytherea Jones; The Moles by Peter Parr; A
Woman of Advanced Ideas by A.B.C. (William J. Rapp);
From Four Till Five, In the
Shadow, and The Gift of Gab by Bertram F.
Willcox; The Old Order Changeth |
| 31 |
|
Playwriting Contest evaluations |
| 31 |
|
Parrotage by L.W. (Louise Wilkeson) O'Connell;
The Pasha by William Jourdan Rapp;
Gregg by William Jourdan Rapp and Walter
Marquis |
| 31 |
|
Kitchen Company by G. L. Freeman;
Stranger by Paul Duval; The
Culmination by Saul Bernstein; The Country Ain't
so Dumb After All by A.S.W. DeKalb; The Game of
Life by E.G. Hatch; An Orchid by R.L.
Craft; Untitled by Marjory Campbell McMullen;
Cross-Purposes by Julia Eaton |
| 31 |
|
The Mother of Barbara; The Slippers
That Broke of Themselves by Marie Drennan;
Malchus by Arthur F. Nall; Fish for
Dinner; Fire From Heaven; The
Initiation by Arthur M. Coon; Signor Toto
by Aristide D'Angelo |
| 31 |
|
The Muff Diver by George Fass; Battling
Byron |
| 32 |
|
You were nice when you were young by Jean
Anouilh (translated by James Clancy) |
| 32 |
|
Chorale by Eva Wolas; What So Proudly
We Hailed and Bowl of Cherries by
Melville Shavelson; Good Evening, Mr. Senator by J.A.
Clausen; O, Say Can You See by Arthur M. Levine;
Come To Judgement, Jail Bait and
Mother of Fame by Charles Joelson; Love is
an Attitude, One Star Still Shines and
Cut is the Thread by Leonard
Feinstein |
| 32 |
|
The Power of the Press by Homer E. Baker;
Let There Be Light and Lights Out!
by Charles Brunelle; Forfeit, Clam
Digger, The War and Jones (1936),
The War and Jones (1935) and The Life of
John Doe by S.B. Berkowitz; Cabbages and
Kings by Benjamin F. Farber, Jr. |
| 32 |
|
A Dirty Trick, Fool's Luck and
His Last Crime by John Brand; You Know, or
You Don't Know by Virginia Campbell |
| 32 |
|
The Lake Guns of Seneca and Cayuga by A.M.
Drummond |
| 32 |
|
More Upstate New York Plays. Edited by A.M.
Drummond and E.L. Kamarck. Project for New York State
Plays. |
| 32 |
|
So This is College by Bertha J. Kotwica
(Heermans Playwriting Contest) |
| 32 |
|
Her Heart was Richer Than Gold by Martin
Sampson |
| 34 |
|
Sophocles' King Oedipus - Author: Sophocles -
Director: M. Carlson |
| 34 |
|
Under the Gaslight - Author: Daly - Director:
M. Carlson |
| 34 |
|
The Great God Brown - Author: O'Neill -
Director: M. Carlson |
| 34 |
|
The Lady's Not for Burning - Author: Frye -
Director: M. Carlson |
| 34 |
|
Galileo - Author: Brecht - Director: M.
Carlson |
| 34 |
|
Volpone - Author: Moliere - Director: M.
Carlson |
| 34 |
|
The Bald Soprano - Author: Ionesco - Director:
M. Carlson |
| 34 |
|
Journey of the Fifth Horse - Author: Ribman -
Director: J. Clancy |
| 34 |
|
Home - Author: Storey - Director: P.
Stelzer |
| 34 |
|
A Month in the Country - Author: Turgenev -
Director: M. Carlson |
| 34 |
|
The Empire Builders - Author: Vian - Director:
P. Stelzer |
| 34 |
|
Richard III - Author: Shakespeare - Director:
M. Carlson |
| 34 |
|
The Physicists - Author: Durrenmatt -
Director: M. Carlson |
| 34 |
|
The Willow Copse - Author: Boucicault -
Director: M. Carlson |
| 34 |
|
The Difficult Hour III - Author: P. Lagerkvist
- Director: M. Carlson |
| 34 |
|
The Story of Vasco - Author:
Schehade |
| 34 |
|
The School for Wives - Author: Moliere -
Director: J. Clancy |
| 34 |
|
Lady Windermere's Fan - Author: Wilde -
Director: J. Clancy |
| 34 |
|
As You Like It - Author: Shakespeare -
Director: J. Clancy |
| 34 |
|
An Evening of French Theatre and Music - Stage Director: J.
Clancy [included works: "Mr. Me," "Useless Civility,"
"Conversation-Symphonette" and "The Sonata or How to Speak Music" by
Jean Tardieu; "Enfantillages Pittoresques" and "Sports et
Divertissements" by Erik Satie; "The Deceased" by Rene de Obaldia;
"La Voix Humaine" by Francis Poulenc cna Jean Cocteau |
| 34 |
|
Beaux Strategem - Author: Farquhar - Director:
J. Clancy |
| 33 |
|
School for Scandal - Author: Sheridan -
Director: J. Clancy |
| 33 |
|
The Haunted House - Author: Plautus -
Director: R. Smyth |
| 33 |
|
The Changeling - Author: Rowley - Director: J.
Clancy |
| 33 |
|
The Acharnians - Author: Aristophanes -
Director: J. Clancy |
| 33 |
|
Papa is All - Author: Greene - Director: H.
Lee Adey |
| 33 |
|
Lower Depths - Author: Gorky - Director: J.
Clancy |
| 33 |
|
Taming of the Shrew - Author: Shakespeare -
Director: J. Clancy |
| 33 |
|
Country Wife - Author: Wycherly |
| 33 |
|
The Cardiff Giant |
| 33 |
|
Strife - Author: J. Galsworthy |
| 33 |
|
Everyman |
| 33 |
|
Raisin' the Devil - Author: R.
Gard |
| 33 |
|
Heermans Prize plays: Farmers' Holiday by
Boris Bittker; The Good Samaritan by William Kuchmy
(1937); You All Want Something and The Young
Go First by Arthur M. Levine; Basement
Flat by Edward Kamarck |
| 38 |
|
Mary Stuart - Author: Schiller - Director: J.
Clancy |
| |
One-act plays for A. M. Drummond course [subseries]: |
| 32 |
|
"A Piece of Pie" (1938), "Perspective," "A Piece of Pie"
(1937) and "A Statement to the Press" by Alan F. Mock; "A
One-Act Play" and "Love is Blind" by Sander A.
Yellin |
| 32 |
|
Play notes (by A.M. Drummond); "As Good As She Was
Beautiful" by J.W. Miller; "Humble Servant" by Clare Foot;
"Vigil" by Alexander Zeeve(?); "The Practised Hand" by Harold E.
Johnson |
| 32 |
|
"Chatterton's Child" and "The Organ" by Martin Squires;
"Another Midsummer Night" and "Three Sought for Death" by Howard
Rogers Houston |
| 32 |
|
"Life is Real-The Rose is Red," "The Great American
Tragedy" and "Hercul Zaba" by Peter Kuchmy |
| 32 |
|
"For the Good of the House," "The Better Part of Valor"
(original and revised), "Neverland" and "The Death of the Hired
Man" by Eugene Simonoff; "The Broken Chain," "The Widow,"
"There's a Bee-yo-tiful Moon!" and "Blessed Be Those Who
Believe" by M.L. Munn |
| 32 |
|
"The Bachelor Benedict," "The Country of the Blind" and
"Bivouac" by A.C. Hartnett; "If It's a Goldfinch Picture...,"
"The Way Out" and "Till Death Us Do Part" by Marvin
Fenster |
| 32 |
|
"And God Rested" and "Bachaanal" by Arthur F. Neumann;
"Uncle Benny Said So," "We Let It Happen," "Cordial's Ready,"
"The Spur of the Moment" and "To Soothe the Sting" by Mildred
Harriet Teitelman |
| 32 |
|
"Black Isn't Only a Color," "As Maine Goes," "Saturday"
(Acts I-III) by Jacques Anson Finke; "Some Women Never Do"
(original and rewrite), "A Slice of Sea Life" by F.
Ford |
| 32 |
|
"Outpost" and "Expelled" (original and rewrite) by George
Engles, Jr.; "Oath to Hippocrates," "The Styx Runs Dry," "Rails,
Preferred," "Thy Kingdom Come" and "Oh Mighty Pen!" by Martin F.
Beck |
| 32 |
|
"Eternity in their Heart," "Sufficient Lubrication," "At
Any Cost" and "Among the Living" by Jane B. Mann; "A Broken
Reed" (original and rewrite) and "In The Night" by Milton
Gilberg |
| 32 |
|
"Heart on her Sleeve," "I Have a Secret" and The New
Yorker No. 1" by Bettina Azzarito |
| 32 |
|
"He Knew What He Wanted," "Fated Love," "Men and Women,"
"The Future of the Thing" and "Ave Imperator" by Joseph W.
Miller |
| 32 |
|
"School for Doctors" by John R. Hefler; "The Sidewalk" by
Beatrice Marks; "Progression" by Charles Brunelle; "Columnists
Gather" by Franklin A. Moss |
| 32 |
|
"Let Them Laugh!" by Homer E. Baker; "The Importance of
Not Needing Women," "The First and the Last" and "The Unexpected
Which Happens" by Lewis Freed; "A Portrait of Charles
Baudelaire" and "A Count of No Account" by Ruth
Press |
| 32 |
|
"For the Honor of the Family," "Illusion" and "This New
Independence" by E.M. McAdoo; "As One Having a Great
Inheritance" and "The Way Out" (original and rewrite) by Mary K.
Rogers |
| 32 |
|
"Forgive and Forget," "No Interview Granted," "Youth
Cures the World," "Three Years Robbed" and "A Babe in Time" by
Leonard I. Feinstein |
| 32 |
|
"For Us, the Living" by R. Heavey; "The Interior
Decorator" by R.K. Ketcham; "Tangled" by Theodore Hatlen;
"Birthday" by Julia Brainard Carson; "The Shop of Idols" by
Peter Hancock; "Sweet Little Thing!" by Marjorie Bornholz; "Pass
the Butter" by Alan F. Mock; "Thy Neighbor" by Howard Rogers
Houston; "Vacation" by J. Clausen; "The House by the Side of the
Road" by Annette R. Baker |
| 32 |
|
"Marriage for Two," Paid in Full" and "Yet Each Man
Kills" by Betty Mallabar; "Central Park Village," "Party at
Sandor's" and "To Stonehenge" by Risa Lowie |
| 32 |
|
"Green is the Grass," "Let It Be Forever Nameless" and
the Treaty of the Pumpkins" by Rodney Stewart; "Interference"
and "Lady Trouble" by Maude D. Baltzell; "The $10,000 Legacy,"
"Consolidation" and "Lessons" by Paul W. Hettes |
| 33 |
|
"The Guild Meeting," untitled and "Poppy's Garden" by
Frank H. Turner; "The Weaker One," "Family Man" and "The
Coward's Dream" by Adrian Charles Spies |
| 33 |
|
"Love - My Heart!," "Portrait of Washington," "Caesar
Reigns," "A Lovesome Thing" and "What'll He Think or The Prince
is Coming" by Amelia Ruxton; "The Wrong Mr. Wright," "The
Doctor's Wife" and "Alias Chester Brown" by Mildred
Hammond-Knowlton; |
| 33 |
|
"The Blood-Red Paint" and untitled by Virginia Campbell;
"Mr. Bumpus," "Eve's Inner Core" and "Ladies, I Thank You!" by
Dorothy Kaucher; "Jostling Jed," "A Pair of Dice" and
"Compromise" by Ada Lefkowith |
| 33 |
|
"Nothing Personal," "New York is not the Universe" and
"Home is the Warrior" by Thelma Levine; "The Sins of the Father"
and "Three Men are Killed" by Margaret Hopkins; "He's a Nice
Boy" and "Waitress" by Dorothy Zitz; "Three Wishes," "A Miracle"
and "A Few Regulations" by Dee Morrison Booth |
| |
Scrapbooks and Memorabilia [subseries]: |
| 12 |
|
Scrapbooks |
| 13 |
|
Scrapbooks |
| 14 |
|
Scrapbooks |
| 18 |
|
Scrapbook |
| 18 |
|
Scrapbook-Cornell University Theatre films |
| 1 |
|
Scrapbooks |
| 2 |
|
Scrapbooks
Includes 1901/1902 - 1903/1904,1904-1911,1911-1921
|
| 4 |
|
Scrapbooks
Includes 1908-1922, 1925/1926, 1922-1925, 1923/1924
1925/1926 has 3 volumes.
|
| 4 |
|
Cornell Dramatic Club publicity |
| 4 |
|
Cornell Dramatic Club scrapbook |
| 35 |
|
Cornell Dramatic Club scrapbook |
| 4 |
|
Loose photos, program from scrapbooks |
| 5 |
|
Scrapbooks
Includes 1926/1927, 1927/1928, 1928/1929
1927/1928 has 3 volumes.
|
| 6 |
|
Scrapbooks
Includes 1928/1929, 1930/1931, 1929/1930
1930/1931 has 3 volumes. 1929/1930 has 2 volumes.
|
| 7 |
|
Scrapbooks |
| 8 |
|
Scrapbooks |
| 9 |
|
Scrapbooks |
| 10 |
|
Scrapbooks |
| 11 |
|
Scrapbooks |
| 17 |
|
South America tour scrapbook |
| 36 |
|
Press book for Candida and Four New York State
Plays |
| 36 |
|
Summer Theatre scrapbook |
| 37 |
|
Scrapbooks |
| 1 |
|
Summer Theatre scrapbook |
| 2 |
|
Reviews and publicity scrapbook |
| 51 |
|
Metal embossing stamp for Dept. of Public
Speaking (MU 390) |
| |
Programs, Posters and other Printed Materials [subseries]: |
| |
|
The Pirates of Penzance advertising poster |
| |
|
"The Chairs" and "Krapp's Last Tape" advertising poster |
| 40 |
|
Poster advertising Fin de Partie by Samuel Beckett, produced
by le Theatrographe at the Theatre Saint-Jean |
| 40 |
|
Poster advertising plays at the Chaillot, Grand-Theatre, La
Mama de New York |
| 40 |
|
CU Theatre film posters |
| |
|
Cornell dance concert posters |
| |
|
Ithaca Repertory Theatre posters |
| |
|
Pirates of Penzance, Ithaca Choral Club |
| |
|
CU Theatre, CDC posters |
| 39 |
|
CU Theatre posters |
| 41 |
|
CU Theatre posters |
| 42 |
|
CU Theatre film and theater posters |
| |
Regular and Summer Season Programs [subseries]: |
| 43 |
|
An Enemy of the People |
| |
1909-1910 Season |
| 43 |
|
The Pillars of Society |
| 43 |
|
An Enemy of the People |
| |
1910-1911 Season |
| 43 |
|
The Inspector General |
| |
1912-1913 Season |
| 43 |
|
Dandy Dick |
| |
1913-1914 Season |
| 43 |
|
Miss Civilization; A Clerical Error |
| 43 |
|
The Garroters; A Bit of Instruction; A Romantic
Comedy |
| 43 |
|
A Clerical Error; Fritzchen; Press
Cuttings |
| |
1914-1915 Season |
| 43 |
|
Like Falling Leaves |
| |
1915-1916 Season |
| 43 |
|
Like Falling Leaves |
| 43 |
|
L'Aventurier/The Adventurer |
| |
1916-1917 Season |
| 43 |
|
Between the Soup and the Savoury; Indian Summer; The
Master of the House |
| 43 |
|
Feed the Brute; The Last Man In; By
Ourselves |
| 43 |
|
The Shadow of the Glen; The Post-Scriptum;
Lonesome-Like |
| 43 |
|
Sabotage; A Game of Chess; Cathleen Ni
Hoolihan |
| 43 |
|
Sabotage; A Game of Chess; Cathleen Ni
Hoolihan |
| 43 |
|
Leonarda |
| |
1917-1918 Season |
| 43 |
|
Make-Believe; Riders to the Sea; Welsh
Honeymoon |
| 43 |
|
The Marriage Proposal; The Hour Glass;
Modesty |
| 43 |
|
Playgoers; The Work-House Ward; The Golden
Doom |
| 43 |
|
The Monkey's Paw; Joint Owners in Spain; Pariah; The
Pot of Broth |
| |
1918-1919 Season |
| 43 |
|
Between the Soup and the Savoury; A Game of Chess;
The Traveling Man |
| 43 |
|
'Op-o'-Me-Thumb; The Dear Departed; The Maker of
Dreams |
| 43 |
|
Alice in Wonderland |
| 43 |
|
The Clod; The Farewell Supper; The Ghost of Jerry
Bundler |
| 43 |
|
Free Speech; The Bank Account; Her Tongue |
| |
1919-1920 Season |
| 43 |
|
The Country Theater (The Neighbors; The Pot O' Broth;
The Workhouse Ward; The Bracelet |
| 43 |
|
Where but in America; Sabotage; Lima
Beans |
| 43 |
|
Three Pills in a Bottle; The Fest of the Holy
Innocents; The Wonder Hat
Includes April 30 and May 1
|
| 43 |
|
America Passes By; Sam Average; Behind the
Beyond |
| |
1920-1921 Season |
| 43 |
|
Their Annual Blowout |
| 43 |
|
The Country Theater (The Neighbors; Lonesomelike;
Joint Owners in Spain; The Zone Police; Food!) |
| 43 |
|
Lonesomelike, The Neighbors, Joint Owners in
Spain |
| 43 |
|
The People; The Sweeps of Ninety-Eight; Bird in
Hand |
| 43 |
|
The One Way Out |
| 43 |
|
The Boor; Aria da Capo; A Night at an Inn |
| 43 |
|
Close the Book; Tents of the Arabs; Behind the
Beyond |
| 43 |
|
Vaudeville, A la Mode |
| |
1921-1922 Season |
| 43 |
|
Country Theatre (A Night at an Inn; The Boor; Joint
Owners in Spain; Feed the Brute; The Striker) |
| 43 |
|
Feed the Brute; A Night at an Inn; Everybody's
Husband
Includes September 30 and October 1
|
| 43 |
|
Blind; Gringoire, the Ballad Monger; The
Pot-Boiler |
| 43 |
|
Spreading the News; Trifles; Monday |
| 43 |
|
The Silver Lining; The Intruder; How He Lied to Her
Husband |
| 43 |
|
Counsel Retained; In the Zone; The Hall of
Laughter |
| 43 |
|
The Lost Silk Hat; The Goal; The Mouse
Trap
Includes March 30 and April 1
|
| 43 |
|
The Diary; Soil; The Soul of a Professor |
| 43 |
|
Original Plays: Betsey Anne; How Old is Alice; The
Soul of a Professor |
| 43 |
|
Senior Week (Her Heart Was Richer Than Gold; Feed the
Brute; The Soul of a Professor; The Pot-Boiler) |
| |
1922-1923 Season |
| 43 |
|
Exile; Jilted; Out of the Night |
| 43 |
|
The Old Lady Shows Her Medals; Two Crooks and a Lady;
Hearts; Two Slatterns and a King |
| 43 |
|
The Ghost Story; Fortune and Men's Eyes; The Hero of
Santa Maria |
| 43 |
|
Bound East for Cardiff; In the Shadow of the Glen;
The Man of Destiny |
| 43 |
|
The Bracelet; Fame and the Poet; The
Love-You-Clock |
| 43 |
|
The Whiteheaded Boy
Includes March 31 and April 2-3
|
| 43 |
|
Love and Geography |
| 43 |
|
A Game of Chess; The Last of the Lowries; Sir David
Wears a Crown |
| 43 |
|
A Very Mixed Business |
| |
1923-1924 Season |
| 43 |
|
Thursday Evening; Riders to the Sea; Wurzel
Flummery |
| 43 |
|
Monday; The Golden Doom; A Dollar |
| 43 |
|
The Neighbors; The Land of Heart's Desire; Behind the
Beyond |
| 43 |
|
The Valiant; The Very Naked Boy; Miss
Maria |
| 43 |
|
The Camberley Triangle; The Last Man In; The Trysting
Place |
| 43 |
|
Arms and the Man
Includes April 29, May 1-3, June 13-14
|
| 43 |
|
Strife |
| 43 |
|
Cornell Dramatic Club Season 1923-24 |
| 43 |
|
Lyceum Theatre: Violin Recital by Mischa Elman; The
Parisian; Zander the Great; |
| |
Summer 1924 |
| 43 |
|
A Door Must Be Either Open or Closed; Riders to the
Sea; Feed the Brute |
| 43 |
|
The Marriage Proposal; The Last Man In;
Overtones |
| 43 |
|
Thursday Evening; The Very Naked Boy; Suppressed
Desires |
| 43 |
|
Ever Young; Solemn Pride; Joint Owners in
Spain |
| 43 |
|
Overtones; The Last Man In; Thursday
Evening |
| 43 |
|
Three Cornell Comedies (Forest Home; How Old is
Alice?; The Soul of a Professor) |
| 43 |
|
Arms and the Man |
| |
1924-1925 Season |
| 43 |
|
The Storm; Never-the-less; Double Demon |
| 43 |
|
Cheezo; A Sunny Morning; The Hall of
Laughter
Includes October 31 and November 1
|
| 43 |
|
The Hall of Laughter; Never-the-Less; Double
Demon |
| 43 |
|
Where the Cross is Made; The Drawback; Where Do We Go
From Here? |
| 43 |
|
Wappin' Wharf |
| 43 |
|
Overtones; The Bogie Men; The Zealous
Guardian |
| 43 |
|
Solemn Pride; A Matter of Husbands; The Man Who
Married a Dumb Wife |
| 43 |
|
The Playboy of the Western World
Includes January 16-17 and February 21
|
| 43 |
|
Junior Week (Double Demon; The Drawback; The Man Who
Married a Dumb Wife; The Playboy of the Western
World) |
| 43 |
|
Ricardo and Viola; The Wash Tub
Includes February 27-28 and March 6-7
|
| 43 |
|
The Far-Away Princess; The Dear Departed; The
Trysting Place |
| 43 |
|
The Inn of Discontent; Beauty and the Jacobin; The
Pot Boiler |
| 43 |
|
The House Into Which We Are Born
Includes March 27-28, 30 and May 1-2
|
| 43 |
|
Sabotage; His Widow's Husband; Feed the
Brute |
| 43 |
|
Rain; The Love-You Clock; The Soul of a
Professor |
| 43 |
|
Gray Mists; Colonna; A Man Should Have a
Wife |
| 43 |
|
Wappin' Wharf |
| 43 |
|
The Valiant; The Stronger; A Matter of Husbands;
Fancy Free |
| 43 |
|
The Soul of a Professor |
| 43 |
|
Cornell Dramatic Club Season 1924-25 |
| |
Summer 1925 |
| 43 |
|
Overtones; The Stronger; Feed the Brute |
| 43 |
|
The Inn of Discontent; A Matter of Husbands; The Soul
of a Professor |
| 43 |
|
The Last Man In; For Distinguished Service;
Suppressed Desires |
| 43 |
|
The Valiant; The Dear Departed; The Wash
Tub
Includes July 30 and August 1
|
| 43 |
|
The Death of Tintagiles; The Neighbors; A Man Should
Have a Wife |
| 43 |
|
Riders to the Sea; The Drawback; A Minuet; Fancy
Free |
| 43 |
|
The Playboy of the Western World |
| |
1925-1926 Season |
| 43 |
|
Will o' the Wisp; The Workhouse Ward; The Glittering
Gate |
| 43 |
|
The Feast of the Holy Innocents; How He Lied to Her
Husband; Bird in Hand |
| 43 |
|
Aria da Capo; Phipps; Thirty Minutes in a
Street |
| 43 |
|
The Ghost of Jerry Bundler; Wrong Numbers; Her
Tongue |
| 43 |
|
Double Demon; A Minuet; The Zealous
Guardian |
| 43 |
|
The Contrast |
| 43 |
|
Napoleon's Barber; The Aulis Difficulty; The Dark
Lady of the Sonnets |
| 43 |
|
Just Women; The Traitor; Acid Drops |
| 43 |
|
The Second Shepherds' Play; Why the Chimes
Rang |
| 43 |
|
Wrong Numbers; A Matter of Husbands; The Glittering
Gate; Never-the-less |
| 43 |
|
A Woman of Character; Tents of the Arabs; X = O; A
Seat in the Park |
| 43 |
|
The Importance of Being Earnest |
| 43 |
|
The Shadow of the Glen; The Dumb and the Blind; The
Medicine Show |
| 43 |
|
Cathleen ni Hoolihan; A Proposal Under Difficulties;
Lima Beans |
| 43 |
|
It's the Poor that 'Elps the Poor; Acid Drops; Thirty
Minutes in a Street |
| 43 |
|
Young America; A Question of Principle; The Man in
the Bowler Hat |
| 43 |
|
The Sleeping Beauty |
| 43 |
|
The Learned Ladies; The Forced Marriage |
| 43 |
|
Three Cornell Plays (Gestures; Sharp Practices; The
Devil Comes to Town)
Includes April 29 and May 1
|
| 43 |
|
Carnival; L'Ecole des Belles-Meres; Traffic
Signals |
| 43 |
|
The Stronger |
| 43 |
|
Mricchakatica (The Little Clay Cart) |
| 43 |
|
The Contrast |
| 43 |
|
Willard Straight Hall Map |
| 43 |
|
Cornell Dramatic Club Season 1925-1926 |
| |
Summer 1926 |
| 43 |
|
Overtones; The Stronger; A Seat in the Park; Feed the
Brute |
| 43 |
|
The Feast of the Holy Innocents; A Dollar; Thirty
Minutes in a Street |
| 43 |
|
Where the Cross is Made; How He Lied to Her Husband;
A Matter of Husbands; Behind the Beyond |
| 43 |
|
Double Demon; Joint Owners in Spain; Fame and the
Poet; X=O |
| 43 |
|
Wrong Numbers; The Workhouse Ward; The Mousetrap; The
Medicine Show |
| 43 |
|
The Man Who Married a Dumb Wife; Lima Beans; Traffic
Signals |
| 43 |
|
Two Special Performances for the International
Congress of Plant Sciences |
| |
1926-1927 Season |
| 43 |
|
Where the Cross is Made; The Drawback; How He Lied to
Her Husband; Fame and the Poet |
| 43 |
|
Scruples; The Green Scarf; A Pot o' Broth; The Very
Naked Boy |
| 43 |
|
The Eldest; The Marriage Proposal; Speaking to
Father; Calpurnia's Dinner Party |
| 43 |
|
Freedom; A Night at an Inn; It Isn't Done; Free
Speech |
| 43 |
|
Crabbed Youth and Age; Ever Young; The Magic of an
Hour; The Mouse Trap |
| 43 |
|
Thomas Wilfred |
| 43 |
|
So That's That; A Game of Chess; 'Op-o'-Me-Thumb; No
Smoking |
| 43 |
|
Right You Are! (If You Think So) |
| 43 |
|
Three Plays by Lord Dunsany (The Golden Doom; The
Gods of the Mountain; The Glittering Gate) |
| 43 |
|
Christmas Production (The Sheaphardes' Play; The
Offering of the Sheaphardes; The Adoration of the Magi) from
The Chester Mysteries |
| 43 |
|
Seven Keys to Baldpate
Includes January 14-15 and February 3-5
|
| 43 |
|
Shall We Join the Ladies?; Two Slatterns and a King;
Behind the Beyond! |
| 43 |
|
The Critic
Includes March 4-5, 11-12, 18-19, and June 10-11
|
| 43 |
|
Snow White and the Seven Dwarfs |
| 43 |
|
A Midsummer Night's Dream |
| 43 |
|
Cornell Plays (The Door; A Tear for Harlequin; One of
Cleopatra's Knights) |
| 43 |
|
Cornell Plays (Bos'n; Rare Wine; Sappho's
Lover) |
| 43 |
|
Action; Traffic Signals |
| 43 |
|
Dramatica's Dinner Party of A Night at an Inn
(Pot-Boiler) |
| 43 |
|
Cornell Dramatic Club Season 1926-1927) |
| |
Summer 1927 |
| 43 |
|
Wrong Numbers; The Very Naked Boy; A Seat in the
Park; Lima Beans |
| 43 |
|
Riders to the Sea; Two Slatterns and a King; Monday;
Action |
| 43 |
|
The Neighbors; The Pot Boiler; Free
Speech |
| 43 |
|
The Feast of the Holy Innocents; Acid Drops;
Overtones; Thirty Minutes in a Street |
| 43 |
|
His Widow's Husband; Etiquette; Suppressed
Desires |
| 43 |
|
The Playboy of the Western World |
| |
1927-1928 Season |
| 43 |
|
By Their Words Ye Shall Know Them; The Bogie Men; The
Daily Doesn't; Two Blind Men and a Donkey |
| 43 |
|
Between Soup and Savoury; Rocking Chairs; The Wonder
Hat |
| 43 |
|
Ile; Pariah; The Pot Boiler |
| 43 |
|
Release; The Lost Silk Hat; Rehearsal;
Action |
| 43 |
|
In the Zone, The Quod Wrangle, Evening Dress
Indispensable |
| 43 |
|
Gloria Mundi; Q; The Grand Cham's Diamond |
| 43 |
|
The Jean Gros French Marionettes in The Adventures of
Huck Finn and Tom Sawyer |
| 43 |
|
The Jean Gros French Marionettes in The Blue
Bird |
| 43 |
|
Saved; Playgoers; The Grandmother; Monday |
| 43 |
|
Outward Bound
Includes December 2-3, 1927; January 6-7, 1928
|
| 43 |
|
R.U.R. (Rossum's Universal Robots) |
| 43 |
|
The School of Princesses |
| 43 |
|
Close the Book; Rest Cure; The Turtle
Dove |
| 43 |
|
O'Flaherty, V.C.; The Admirable Bashville, or
Constancy Unrewarded |
| 43 |
|
Alice in Wonderland |
| 43 |
|
A Dance Pantomime of The Pied Piper of
Hamelin |
| 43 |
|
The Merry Wives of Windsor |
| 43 |
|
Really---!?!; Black Velvet; The Eternal
Quadrangle |
| 43 |
|
Around the Corner; Wonder-Dark Epilogue; The Farce of
Master Trouble-Tete |
| 43 |
|
The Revue or A Music Hall Night |
| 43 |
|
Right You Are! (If You Think So) |
| 43 |
|
The Neighbors; the Feast of the Holy Innocents; Sauce
for the Goslings; Day by Day |
| 43 |
|
The Cornell Dramatic Club Season of
1927-28 |
| |
Summer 1928 |
| 43 |
|
A Question of Principle; Nevertheless; The Daily
Doesn't; The Drawback; The Green Scarf;
Etiquette |
| 43 |
|
Release; A Matter of Husbands; Shall We Join the
Ladies; Rehearsal; Spring |
| 43 |
|
The Man in the Bowler Hat; The Eldest; Double Demon;
A Man Should Have a Wife |
| 43 |
|
Will o' the Wisp; Saved; Gloria Mundi; Crabbed Youth
and Age |
| 43 |
|
Episode; Two Slatterns and a King; The Emperor
Jones |
| 43 |
|
A Special Performance for the International
Entomological Congress |
| |
1928-1929 Season |
| 43 |
|
Release; Episode; Spring; The Glittering
Gate |
| 43 |
|
The Man With the Flower in His Mouth; Jack's House;
Nevertheless; A Man Should Have a Wife |
| 43 |
|
His Widow's Husband; Suppressed Desires |
| 43 |
|
The Conflict; Thursday Evening; Fancy
Free |
| 43 |
|
The Hall of Laughter; Interior; Shall We Join the
Ladies? |
| 43 |
|
The Younger Generation
Includes November 16-17 and December 7
|
| 43 |
|
The Faith Healer
Includes December 14-15, 1928; January 11-12, 1929
|
| 43 |
|
Simon Simon; The Boulingrins; Two Dance
Interludes |
| 43 |
|
The Romantic Young Lady |
| 43 |
|
The Sleeping Beauty |
| 43 |
|
Doctor Knock or The Triumph of Medicine
Includes March 1-2 and June 13-15
|
| 43 |
|
A Merry Death; The Emperor Jones
Includes March 15-16 and April 12-13
|
| 43 |
|
A Dance Pantomime of Echo and Narcissus |
| 43 |
|
The Monkey's Paw; Station YYYY; The Albany
Depot |
| 43 |
|
French Club Play: On ne badine pas avec l'amour and
The Mouse |
| 43 |
|
Mary's Lamb; The Villain in the Piece; Yeah,
Variety |
| 43 |
|
Doctor Knock or The Triumph of Medicine |
| 43 |
|
The 1929 Revue |
| 43 |
|
Second Annual Community Dramatics Conest: Between the
Soup and the Savoury; Too Busy; Our Minister's Bride; The
Teeth of the Gift Horse |
| 43 |
|
Cabbages |
| 43 |
|
The Cornell Dramatic Club Annual letter To Former
Members Season of 1928-1929 |
| 43 |
|
The Emperor Jones |
| |
Summer 1929 |
| 43 |
|
Jack's House; Cocktails; The Constant Lover; Dates
Will Get Mixed; Lucy, the Farmer's Daughter |
| 43 |
|
The Veil Lifts; Station YYYY; Thursday
Evening |
| 43 |
|
The Breaking of the Calm; The Women Folks; The
Fourteenth Guest; The Boor |
| 43 |
|
The Valiant; For the Love of Pete; The Far-away
Princess; Q |
| 43 |
|
The Odd Streak; The Pie and The Tart; Other People's
Husbands |
| 43 |
|
One of Cleopatra's Knights; Black Velvet; A Man
Should Have a Wife; Yeah, Variety |
| |
1929-1930 Season |
| 43 |
|
The Women-Folks; The Power of Fate; The Pie and the
Tart; Lucy, the Farmer's Daughter |
| 43 |
|
The Valiant; A Minuet; A Wedding |
| 43 |
|
George Bernard Shaw (The Dark Lady of the Sonnets;
How He Lied to Her Husband; The Man of Destiny) |
| 43 |
|
The Man of Destiny |
| 43 |
|
Ten Nights in a Bar-Room |
| 43 |
|
E.H. Sothern in Dramatic Recital: Hamlet; Othello;
Lord Dundreary |
| 43 |
|
Cock Robin |
| 43 |
|
Everybody's Husband; The Odd Streak; Autumn Fires;
Young America |
| 43 |
|
The Would-Be Gentleman
Includes December 13-14, 1929; January 10-11, 1930
|
| 43 |
|
Mr. Pupin Dreams of a Stove; Converts; The Constant
Lover; The Wash-Tub |
| 43 |
|
Fanny's First Play |
| 43 |
|
Honeymoonshine; The Mourning Call; Two Can Bar the
Door |
| 43 |
|
The Golden Apple
Includes February 28 and March 1
|
| 43 |
|
Journey's End |
| 43 |
|
The Fires of Vesta |
| 43 |
|
The Cradle Song |
| 43 |
|
Six Characters in Search of an Author
Includes April 25-26 and May 2-3
|
| 43 |
|
Love of One's Neighbor |
| 43 |
|
The Power of Fate; Love of One's Neighbor |
| 43 |
|
The 1930 Revue; Third Annual Music Hall
Night |
| 43 |
|
Ten Nights in a Bar-Room |
| 43 |
|
Third Annual Community Dramatics Contest: The
Neighbors; The Managers; Saved; The crowning Glory; The
Neighbors |
| 43 |
|
The Cornell Dramatics Club Letter Season of
1929-1930 |
| |
Summer 1930 |
| 43 |
|
Six Characters in Search of An Author |
| 43 |
|
Trifles; The Power of Fate; The Wooden Leg; Nell of
the Golden West |
| 43 |
|
The Last Man In; Home Sweet Home; The Choir
Rehearsal |
| 43 |
|
The Cradle Song |
| 43 |
|
Fallen Angel; A Sunny Morning; The Cocklepfiefer
Case |
| 43 |
|
The Dover Road |
| |
1930-1931 Season |
| 43 |
|
The Dover Road |
| 43 |
|
Fallen Angel; A Sunny Morning; The Cocklepfiefer
Case |
| 43 |
|
The Trail of The Torch
Includes October 31 and November 1
|
| 43 |
|
Wings Over Europe |
| 43 |
|
Bound East For Cardiff; Happy Returns; Speaking to
Father |
| 43 |
|
Milestones
Includes December 13, 1930; January 9-10, 1931
|
| 43 |
|
Alice in Wonderland |
| 43 |
|
The Donovan Affair |
| 43 |
|
Words and Music; Spring; Plots and
Playwrights |
| 43 |
|
Minnie Field; For Distinguished Service; Behind the
Beyond |
| 43 |
|
The Second Man |
| 43 |
|
Lady Windermere's Fan |
| 43 |
|
The 1931 Revue-4th Annual Music Hall
Night |
| 43 |
|
Hedda Gabler |
| 43 |
|
The Cradle Song |
| 43 |
|
Fourth Annual Community Dramatics Contest: The rag
Carpet Bee; The Crowning Glory; Joint Owners In Spain; Our
Aunt From Clifornia; Cabbages |
| 43 |
|
The Cornell Dramatic Club Annual Letter to Former
Students Season 1930-31 |
| |
Summer 1931 |
| 43 |
|
The Cajun; Overtones; Feed the Brute |
| 43 |
|
The Second Man |
| 43 |
|
Ghosts |
| 43 |
|
Hedda Gabler |
| 43 |
|
A Woman of Character; Phipps; The
Neighbors
Includes July 31 and August 1
|
| 43 |
|
Riders to the Sea; The Green Scarf; The Pot
Boiler |
| |
1931-1932 Season |
| 43 |
|
Major Barbara |
| 43 |
|
Literature; The Twelve-Pound Look;
Jubilee |
| 43 |
|
Gold in the Hills, or the Dead Sister's
Secret |
| 43 |
|
Fritzchen; Overruled; The Soul of a
Professor |
| 43 |
|
The Importance of Being Earnest |
| 43 |
|
The Adding Machine |
| 43 |
|
The Bat |
| 43 |
|
The fith Annual Community Dramatics Contest: Mrs. Pat
and The law; A Window To the South; Trifles; The Dear
Departed |
| 43 |
|
The Master Builder |
| 43 |
|
Berkeley Square |
| 43 |
|
Four Original Cornell Plays (General Store; Heresy;
Home and Mother; La Gioconda) |
| 43 |
|
The Long Christmas Dinner; The Artist; Still Life;
Gadgets |
| 43 |
|
The 1932 Revue-Fifth Annual Music Hall
Night |
| 43 |
|
The Pleasure Garden |
| 43 |
|
Berkeley Square |
| |
Summer 1932 |
| 43 |
|
The Pleasure Garden |
| 43 |
|
The Artist; Still Life; The Stronger;
Overruled |
| 43 |
|
The Doctor's Duty; Smoke Screens;
Literature |
| 43 |
|
Woman's Honor; Wrong Numbers; A Matter of Husbands;
Double Demon |
| 43 |
|
Right You Are! (If You Think So) |
| |
1932-1933 Season |
| 43 |
|
The Dear Departed; A Farewell Supper; Box and
Cox |
| 43 |
|
The Rights of the Soul; The Square Triangle; The
Tragedy of Josephine Maria |
| 43 |
|
The Drunkard, or The Fallen Saved |
| 43 |
|
Three One-Act Plays (In Some Far Isle; Oh Well!;
Dolory) |
| 43 |
|
East Lynne |
| 43 |
|
The Way of the World: A Comedy |
| 43 |
|
Windows
Includes January 20-21 and February 10-11
|
| 43 |
|
Louder, Please
Includes February 24-25 and March 4
|
| 43 |
|
The Sixth Annual New York State Community Dramatics
Contest: The Bishop's Candlesticks; Sardines; Joint Owners
In Spain; Home Sweet Home |
| 43 |
|
Olympia |
| 43 |
|
From Morn to Midnight
Includes March 24-25 and April 20
|
| 43 |
|
Four Cornell Plays (Modern Temper; The People's
Friend; A Travelling Partner; Services Rendered) |
| 43 |
|
Four Plays Written by Members of the Class in
Playwriting (A Matter of Conviction; To Be; It's a Wow!;
Orchids for Laurels) |
| 43 |
|
The 1933 Revue-Sixth Annual Music Hall
Night |
| 43 |
|
Original Cornell Plays (To Be; The Last Guile;
Wonder-Dark Epilogue; The Soul of a Professor) |
| |
Summer 1933 |
| 43 |
|
Three Original Plays (The People's Friend;
Wonder-Dark Epilogue; Dolory) |
| 43 |
|
Four Plays (Londonderry Air; In Confidence; Some
Words in Edgewise; The Mayor and the Manicure) |
| 43 |
|
The Silver Cord |
| 43 |
|
Four Plays (Where the Cross is Made; Joint Owners in
Spain; One of Those Days; Out of the Night) |
| 43 |
|
The Play's the Thing |
| |
1933-1934 Season (25th) |
| 43 |
|
The Play's the Thing |
| 43 |
|
The Front Page |
| 43 |
|
Hay Fever |
| 43 |
|
See Naples and Die
Includes November 25 and December 8-9
|
| 43 |
|
The Mikado |
| 43 |
|
Another Language |
| 43 |
|
The Circle |
| 43 |
|
The Seventh Annual New York State Community Dramatics
Festival: Dust Of the Road; The Ugly Duckling; Early Ohios
and Rhode Island Reds |
| 43 |
|
The Silver Cord
February 24 and March 10
|
| 43 |
|
An Enemy of the People |
| 43 |
|
Four Short Plays Written by Members of the Class in
Playwriting (Night Routine; Be It Ever So Humble; Who Knows
Best?; Escape) |
| 43 |
|
Alice in Wonderland |
| 43 |
|
Four Plays Written by Members of the Class in
Playwriting (Draw One; The Man is Dead; The Taunted; Six
Intellectuals in Search of Reality) |
| 43 |
|
Four Plays (Our Good Brother Joseph; An Affair of
Honor; This is What Happened; Dollar Deliriums) |
| 43 |
|
The 1934 Revue, Seventh Annual Music Hall
Night |
| 43 |
|
The Annual Beano |
| 43 |
|
Gold in the Hills, or The Dead Sister's
Secret |
| |
Summer 1934 |
| 43 |
|
Four Cornell Plays (Our Good Brother Joseph; An
Affair of Honor; This is What Happened; Dollar
Deliriums) |
| 43 |
|
Four Plays (Before Breakfast; Hat and Stick; The Swan
Song; The Medicine Show) |
| 43 |
|
Is Life Worth Living? |
| 43 |
|
Ever Young, Solemn Pride, Joint Owners in
Spain |
| 43 |
|
Four Plays (The Great Dark; The Emeralds; What Never
Dies; They Refuse to be Resurrected) |
| 43 |
|
Private Lives |
| |
1934-1935 Season |
| 43 |
|
Private Lives |
| 43 |
|
The Far-Off Hills
October 27 and November 3
|
| 43 |
|
The Queen's Husband |
| 43 |
|
The Late Christopher Bean
November 24 and December 7-8
|
| 43 |
|
H.M.S. Pinafore |
| 43 |
|
Clear All Wires |
| 43 |
|
H.M.S. Pinafore |
| 43 |
|
The Torch-Bearers |
| 43 |
|
The Eighth Annual New York State Community Dramatics
Festival: The Combing Jacket; On Vengeance Height; The
Exile; The Mayor and the Manicure |
| 43 |
|
Four Original Plays Written by Members of the Class
in Playwriting (Borax; The New Humanism; Thy Neighbor's
Wife; The Life of John Doe) |
| 43 |
|
Four Original Plays Written by Members of the Class
in Playwriting (Written in the Stars; Through the Door;
Co-Ed; Aprons Without Strings) |
| 43 |
|
Uncle Vanya
Includes March 22-23 and April 13
|
| 43 |
|
Four Original Cornell Plays (Letters of a President;
Together Alone; Preface; News-Stand) |
| 43 |
|
1935 Heermans Prize Plays (He Chose to Dream;
Superman; I Would Found a University; Subway
Face) |
| 43 |
|
Rosmersholm |
| 43 |
|
The 1935 Revue-Eighth Annual Music Hall
Night |
| 43 |
|
The Chief Thing |
| |
Summer 1935 |
| 43 |
|
Program Collection; Rosmersholm; Uncle Vanya; Four
Original Cornell Plays; Four Plays; Hay Fever; Squaring the
Circle |
| 43 |
|
Rosmersholm |
| 43 |
|
Uncle Vanya |
| 43 |
|
Four Original Cornell Plays (The Feminist; The Hope
Chest; Thy Neighbor's Wife; The Life of John
Doe) |
| 43 |
|
Four Plays (Jane Woogan; Spring; Number Ten;
Sparkin') |
| 43 |
|
Hay Fever |
| 43 |
|
Squaring the Circle |
| |
1935-1936 Season |
| 43 |
|
Two Original Cornell Plays for the Class of 1939 (Thy
Neighbor's Wife; A Man Should Have a Wife) |
| 43 |
|
Squaring the Circle |
| 43 |
|
Holiday
Includes October 25-26 and November 1-2
|
| 43 |
|
Girls in Uniform |
| 43 |
|
Girls in Uniform |
| 43 |
|
Treasure Island |
| 43 |
|
Fashion or Life in New York
Includes November 22-23 and December 6-7
|
| 43 |
|
Everyman |
| 43 |
|
Fashion or Life in New York |
| 43 |
|
Community Dramatics Festival: The Singapore Spider;
The First Dress Suit; The Cuckoo's Nest |
| 43 |
|
Kermis Plays: The Horror Walks; Evening Clothes; A
Marriage Proposal |
| 43 |
|
Traffic Signals
Includes March 6-7, 13-14, 21 and May 1-2
|
| 43 |
|
Three Comedies of Courtship (Village Wooing; Mild
Oats; Sparkin') |
| 43 |
|
She Stoops to Conquer Or, The Mistakes of a
Night |
| 43 |
|
Ninth Annual Music Hall Night |
| 43 |
|
Heermans Prize Plays (Barge Baby; Nearer My God to
Thee; The Hope Chest; The Life of John Doe) |
| 43 |
|
Cornell University Theatre Letter to Former Members
Season of 1935-1936 |
| 43 |
|
Some Memorable American Films circulated the the
Museum of Modern Art Film Library: 8 programs |
| |
Summer 1936 |
| 43 |
|
Four Comedies of Courtship (Village Wooing; The Magic
of an Hour; A Matter of Husbands; Mild Oats) |
| 43 |
|
Bugles at Noon |
| 43 |
|
Three Original One-Act Plays (The Showdown; Extra
Money; Sort of Like Capek; The Power of Fate)
Includes July 31 and August 1
|
| 43 |
|
Girls in Uniform |
| |
1936-1937 Season |
| 43 |
|
Three One-Act Plays (The Power of Fate; A Matter of
Husbands; Literally Speaking, or the Mysterious Stranger
from Abyssinia) |
| 43 |
|
The Women Have Their Way |
| 43 |
|
Is Life Worth Living? |
| 43 |
|
Princess Ida |
| 43 |
|
Wings Over Europe |
| 43 |
|
Three Original Cornell Plays (Sort of Like Capek;
Yeah, Variety; The Soul of a Professor) |
| 43 |
|
Charley's Aunt |
| 43 |
|
Alice in Wonderland |
| 43 |
|
Around the Corner |
| 43 |
|
The Rivals
Includes April 30 and May 1, 7-8
|
| 43 |
|
Leave It to Psmith
Includes May 22, 28-29 and Junde 18-19
|
| |
Summer 1937 |
| 43 |
|
The Importance of Being Earnest |
| 43 |
|
Six Characters in Search of An Author |
| 43 |
|
Four One Act Comedies (Green Eyes from Romany; They
Refuse to the Resurrected; Double Demon; Fancy
Free) |
| 43 |
|
Five One Act Plays (Pariah; Etiquette; The Artist; A
Seat in the Park; A Pound on Demand) |
| 43 |
|
Traffic Signals |
| |
1937-1938 Season |
| 43 |
|
Six Characters in Search of an Author |
| 43 |
|
The Importance of Being Earnest |
| 43 |
|
Ladies in Waiting |
| 43 |
|
Six Characters in Search of an Author |
| 43 |
|
The Bucktails, or Americans in England
Includes December 4, 1937; January 7-8, 1938
|
| 43 |
|
No! Not the Russians!; The Fall of the
City |
| 43 |
|
First Lady |
| 43 |
|
1937 Forbes Heermans Prize Plays (And May God Have
Mercy; Spring; Art and Appreciation) |
| 43 |
|
Four British Prize Plays (Arising Out of the Minutes;
Folly of Faith; Tails Up; "Come Away, Death!") |
| 43 |
|
Heartbreak House |
| 43 |
|
The Breadwinner |
| 43 |
|
1938 Heermans Plays (Farmer's Holiday; Vigil; ...and
the Pursuit of Happiness; Great Caesar!? A Skit |
| 43 |
|
Aaron Slick from Punkin Crick |
| 43 |
|
Beano |
| 43 |
|
First Lady |
| |
Summer 1938 |
| 43 |
|
Heartbreak House |
| 43 |
|
Uncle Vanya |
| 43 |
|
Aaron Slick from Punkin Crick |
| 43 |
|
Variety Night (The Fall of the City; And the Pursuit
of Happiness; Miriam McCollom; A Seat in the Park;
Housebreak Vanya; The Aaron Slick Quartette; Miriam
McCollom; Great Caesar!?) |
| 43 |
|
The Yellow Jacket |
| 43 |
|
Private Lives |
| |
1938-1939 Season (30th) |
| 43 |
|
The Breadwinner |
| 43 |
|
The Yellow Jacket |
| 43 |
|
Among the Breakers |
| 43 |
|
It Can't Happen Here |
| 43 |
|
Excursion |
| 43 |
|
Tovarich |
| 43 |
|
Four One-Act Comedies (Be Sure Your Sex Will Find You
Out; Why I Am a Bachelor; Tickless Time; Privilege and
Privation) |
| 43 |
|
Three New York State Plays (Apartment 3D; Let's Get
on with the Marryin'; A Day in the Vineyard) |
| 43 |
|
The Cardiff Giant
Includes May 20, 26-27 and June 15-17
|
| |
Summer 1939 |
| 43 |
|
It Can't Happen Here |
| 43 |
|
The Three Sisters |
| 43 |
|
Four Original One-Act Plays on New York State Themes
(A Little House in Angelica; Family Co-operative; A Day in
the Vineyard; Mixing Up the Rent) |
| 43 |
|
Excursion |
| 43 |
|
Cardiff Giant |
| 43 |
|
Candida |
| |
1939-1940 Season |
| 43 |
|
Candida |
| 43 |
|
Four New York State Plays (Plain Folks; York State
Mill Town; Honeymoon-Niagara Falls; Fishin'
Weather) |
| 43 |
|
Ten Nights in a Bar-Room |
| 43 |
|
Three One-Act Plays (Second Mortgage; Rehearsal;
Simon Simon) |
| 43 |
|
Hay Fever |
| 43 |
|
Three New York State Plays (Yankee Makes a Bargain;
Nothing Doing; Chenango Crone) |
| 43 |
|
Four Comedies by Robert E. Gard (Strangers Rest Here;
The Slope of a Hill; Raisin' th' Devil; Mixin' Up th'
Rent |
| 43 |
|
Kind Lady
Includes January 26-27 and February 9-10
|
| 43 |
|
Community Dramatics Festival: The Managers; The Will;
Smile for the Lady; Sparkin' |
| 43 |
|
The Kermis Club: Raising the Devil; The Other Road;
Sparkin'; Mixin' Up The Rent |
| 43 |
|
What a Life |
| 43 |
|
Four Comedies (Marriage Proposal, Country Slicker,
Box and Cox, Madge) |
| 43 |
|
Four Plays (There's Always Tomorrow; Get Out of Your
Cage; Star Struck; In The Suds) |
| 43 |
|
Heermans Prize Plays of 1940 (Domestic Relations; The
Ripple; Over Fourteen, and Single; Chenango
Crone) |
| 43 |
|
Our Town |
| 43 |
|
Under the Gaslight |
| 43 |
|
Accent on Youth |
| |
Summer 1940 |
| 43 |
|
Our Town |
| 43 |
|
Four One-Act Plays (Star-Struck; The Hungerers;
Budge, Budge Not; Overruled) |
| 43 |
|
What a Life |
| 43 |
|
The Lake Guns of Seneca and Cayuga |
| |
1940-1941 Season |
| 43 |
|
Music Hall Show
Includes October 25-26 and November 1-2
|
| 43 |
|
Springtime for Henry |
| 43 |
|
Three One Act Plays (The Women Folks and Their Man; A
Night in the Country; Alma Mater) |
| 43 |
|
The Star-Wagon |
| 43 |
|
Three One-Act Plays (Red and Yellow; Minnie Field;
Evening Dress Indispensable) |
| 43 |
|
My Heart's in the Highlands |
| 43 |
|
The Chief Thing |
| 43 |
|
Three One-Act Plays (Close That Book; Gas and
Electric; Crabbed Youth and Age) |
| 43 |
|
George and Margaret |
| 43 |
|
Heermans Prize Plays of 1941 (The Fork in the Road;
McSorley; Cowboy Claudius Smith); No Matter What |
| 43 |
|
Music Hall Show |
| 43 |
|
Wild Hills |
| 43 |
|
Beano |
| 43 |
|
The Male Animal |
| |
Summer 1941 |
| 43 |
|
Candida |
| 43 |
|
Wild Hills |
| 43 |
|
The Male Animal |
| 43 |
|
Ladies in Retirement |
| 43 |
|
Four One-Act Plays (The Hope Chest; Hat and Stick;
The Power of Fate; Crackerbarrel Joe) |
| |
1941-1942 Season |
| 43 |
|
The Lake Guns of Seneca and Cayuga |
| 43 |
|
The Male Animal
Includes October 24-25 and November 7-8
|
| 43 |
|
Ladies in Retirement |
| 43 |
|
Three Cornell Plays (As Good as She is Beautiful; Mr.
Swizzle Reads a Story; Forty-Four Proof) |
| 43 |
|
Kerims: Cash on Hand; A Day in the VineYard;
Crackerbarrel Joe; Devil's in the Pig Pen |
| 43 |
|
Three New York State Plays (John Brown Plants a Seed
of Freedom; Flight from Connecticut Hill; The Bath at Cayuga
Bridge) |
| 43 |
|
Across the Continent |
| 43 |
|
Jim Dandy |
| 43 |
|
Community Dramatics Festival: Mother Says Her Say;
Crackerbarrel Joe; Devil's in the Pig Pen; The Dear
Departed |
| 43 |
|
Three New York State Plays (Mr. Swizzle Reads a
Story; A Day in the Vineyard; John Brown Plants a Seed of
Freedom) |
| 43 |
|
Jim Dandy |
| 43 |
|
Headin' for Havana
Includes March 13-14 and April 24-25
|
| 43 |
|
Thunder Rock
Includes March 20-21 and April 17-18
|
| 43 |
|
Love in '76 |
| |
Summer 1942 |
| 43 |
|
Jim Dandy |
| 43 |
|
Morning's at Seven |
| 43 |
|
Private Lives |
| 43 |
|
Thunder Rock
Includes July 31 and August 1
|
| 43 |
|
A Program of One-Act Plays (A Girl for the Hall; The
Happy Journey to Camden and Trenton; The Theatre of the
Soul; Moses, Saroyan and Welles) |
| 43 |
|
Films Cornell Summer Theatre |
| |
1942-1943 Season |
| 43A |
|
The Theatre of the Soul; The Happy Journey to Camden
and Trenton; The Power of Fate; Moses, Saroyan and
Welles |
| 43A |
|
No Mother to Guide Her
Includes November 20-21 and December 4-5
|
| 43A |
|
Brief Music
Includes December 12, 1942; January 8-9, 1943
|
| 43A |
|
Saroyan's Across the Board on Tomorrow Morning; The
Hungerers; Fancy Free |
| 43A |
|
Three Experimental One-Act Plays (Monday; The Hope
Chest; Pullman Car Hiawatha) |
| 43A |
|
The Music Hall Show |
| 43A |
|
Beyond the Horizon
Includes March 20 and April 16-17
|
| 43A |
|
A Program of Comedy and Farce (Hullabaloo; Pyramus
and Thisbe; A Man Should Have a Wife) |
| 43A |
|
A Private Performance of Three One-Act Plays
(Overruled; They Refuse to be Resurrected; The Soul of a
Professor) |
| |
Summer 1943 |
| 43A |
|
A Program of One-Act Plays(Hullabaloo; Overruled;
Pyramus and Thisbe) |
| 43A |
|
Beyond the Horizon |
| 43A |
|
A Program of One-Act Plays (The Shadow Passes; A Seat
in the Park; I'm a Fool; Lucy, the Farmer's
Daughter) |
| 43A |
|
A Program of One-Act Plays (A Girl in Every Port; The
Man in the Bowler Hat; Nell of the Golden West!)
Includes August 28 and September 4
|
| 43A |
|
Springtime for Henry |
| |
1943-1944 Season |
| 43A |
|
Springtime for Henry |
| 43A |
|
A Program of One-Act Plays (Star-Struck; The Pot
Boiler; All on a Summer's Day; Hello Out There) |
| 43A |
|
A Program of One-Act Plays (Village Wooing; A Matter
of Husbands; Fumed Oak)
Includes December 18, 1943; January 7-8, 1944
|
| 43A |
|
Nine Girls |
| 43A |
|
A Program of One-Act Plays (John Doe; Why I am a
Bachelor; The Happy Journey to Camden and
Trenton) |
| 43A |
|
Nine Girls |
| 43A |
|
Anatol |
| 43A |
|
Four One-Act Plays (I'm a Fool; All on a Summer's
Day; The Happy Journey to Camden and Trenton; Lucy, the
Farmer's Daughter) |
| 43A |
|
A Program of One-Act Plays (At Liberty; Love and How
to Cure It; I'm a Fool; Pyramus and Thisbe) |
| 43A |
|
A Program of One-Act Plays (I'm a Fool; All on a
Summer's Day; Lucy, the Farmer's Daughter; The Happy Journey
to Camden and Trenton; Pyramus and Thisbe) |
| 43A |
|
Our Town
Includes May 26-27 and June 9-10
|
| |
Summer 1944 |
| 43A |
|
Our Town |
| 43A |
|
Springtime for Henry |
| 43A |
|
A Program of One-Act Plays (The Hope Chest; Materia
Medica; Murder is Fun!) |
| |
1944-1945 Season |
| 43A |
|
Plays of Three Nations (Sunday Costs Five Pesos;
Evening Dress Indispensable; Hello Out There) |
| 43A |
|
Three One-Act Plays (Murder is Fun!; Evening Dress
Indispensable; Hello Out There)
Includes November 25 and December 2
|
| 43A |
|
Four One-Act Plays (How He Lied to Her Husband; Mild
Oats; Such Things Only Happen in Books; Quiet-Facing the
Park)
Includes December 30, 1944; January 13, 1945
|
| 43A |
|
The Beautiful People
Includes January 27; February 3, 10; March 17
|
| 43A |
|
Five One-Act Plays (Little Immortal; Overtones; The
Power of Fate; Sparkin'; The Square Triangle) |
| 43A |
|
Four One-Act Plays (Overtones; The Power of Fate;
Sparkin' The Square Triangle) |
| 43A |
|
John Gabriel Borkman
Includes April 21 and May 4-5
|
| 43A |
|
Four One-Act Plays (Some Women Were Talking; The
Bridegroom Waits; The Odd Streak; Lonesome-Like) |
| 43A |
|
The Skin of Our Teeth
Includes May 26 and June 1, 8-9
|
| |
Summer 1945 (22nd) |
| 43A |
|
The Skin of Our Teeth |
| 43A |
|
John Gabriel Borkman |
| 43A |
|
Four One-Act Plays (Hello Out There; All on a
Summer's Day; Mild Oats; The Power of Fate) |
| 43A |
|
Four One-Act Plays (Hat and Stick; Some Women were
Talking; Everybody's Husband; The Pot Boiler) |
| 43A |
|
The Beautiful People |
| |
1945-1946 Season |
| 43A |
|
The Pot Boiler |
| 43A |
|
The Beautiful People |
| 43A |
|
Six Characters in Search of an Author
Includes November 20, 24 and December 7-8
|
| 43A |
|
Three One-Act Period Plays (Box and Cox, Married and
Settled; The Choir Rehearsal; Exile) |
| 43A |
|
Three One-Act Plays (Shall We Join the Ladies?;
Travelling Light; Fancy Free)
Includes January 26 and February 2, 9
|
| 43A |
|
Outward Bound
Includes March 15-16, 23 and April 6
|
| 43A |
|
Three One-Act Plays (Pullman Car Hiawatha; Idyl on a
Summer Hotel Porch; Two Gentleman of Soho) |
| 43A |
|
Once Upon a Hill
Includes April 19-20 and May 17-18
|
| 43A |
|
Two Gentleman of Soho |
| 43A |
|
Six Characters in Search of an Author; The Beautiful
People; Pullman Car Hiawatha
Includes May 31 and June 1
|
| |
Summer 1946 |
| 43A |
|
The Beautiful People |
| 43A |
|
Outward Bound |
| 43A |
|
Four One-Act Plays (Fumed Oak; They Refuse to be
Resurrected; Etiquette; A Pound on Demand) |
| 43A |
|
The Damask Cheek |
| |
1946-1947 Season |
| 43A |
|
Yankee Land |
| 43A |
|
The Pot Boiler |
| 43A |
|
Yankee Land
Includes October 18-19 and November 1-2
|
| 43A |
|
Damask Cheek |
| 43A |
|
R.U.R. (Rossum's Universal Robots) |
| 43A |
|
The Second Shepherds' Play |
| 43A |
|
Across the Board on Tomorrow Morning |
| 43A |
|
Across the Board on Tomorrow Morning; Hands Across
the Sea |
| 43A |
|
Riders to the Sea; The Intruder;
Wurzel-Flummery |
| 43A |
|
Fanny's First Play |
| 43A |
|
The Pigeon |
| 43A |
|
Ah, Wilderness! |
| 43A |
|
Heermans Prize Plays (While the Moon Grows Cold; Fair
Day Thursday; The Woman in Bed) |
| 43A |
|
Ah, Wilderness! |
| |
Summer 1947 |
| 43A |
|
The Pigeon |
| 43A |
|
On Approval |
| 43A |
|
An Evening of One Act Plays (Star-Struck; Overruled;
In the Suds) |
| 43A |
|
Ah, Wilderness! |
| |
1947-1948 Season |
| 43A |
|
In the Suds |
| 43A |
|
On Approval |
| 43A |
|
Joan of Lorraine |
| 43A |
|
An Evening of One Act Plays (Ile; A Seat in the Park;
Lord Byron's Love Letter; The Happy Journey) |
| 43A |
|
Alison's House |
| 43A |
|
The Second Shepherds' Play |
| 43A |
|
Blithe Spirit
Includes January 15-17 and February 6-7
|
| 43A |
|
The Philadelphia Story |
| 43A |
|
The Doctor in Spite of Himself |
| 43A |
|
An Evening of One Act Plays (No Matter What; Kate and
her Horns; Black Velvet; Her Heart was Richer than
Gold) |
| 43A |
|
Night Must Fall
Includes May 21-22 and June 11-12
|
| |
Summer 1948 (25th) |
| 43A |
|
The Doctor in Spite of Himself |
| 43A |
|
Springtime for Henry |
| 43A |
|
An Evening of One Act Plays (Lord Byron's Love
Letter; The Happy Journey; A Seat in the Park; Her Heart Was
Richer Than Gold) |
| 43A |
|
Ladies in Retirement |
| |
1948-1949 Season (40th) |
| 43A |
|
Her Heart Was Richer than Gold |
| 43A |
|
You Touched Me! |
| 43A |
|
The Barretts of Wimpole Street |
| 43A |
|
You Touched Me! |
| 43A |
|
An Evening of One Act Plays (Champeen of the Canawl;
Portrait of a Madonna; The Cocklepfiefer Case) |
| 43A |
|
Arsenic and Old Lace |
| 43A |
|
The Second Shepherds' Play |
| 43A |
|
Macbeth |
| 43A |
|
An Inspector Calls |
| 43A |
|
The Ascent of F6 |
| 43A |
|
Deep are the Roots |
| 43A |
|
Boy Meets Girl
Includes May 20-21 and June 11-12
|
| 43A |
|
Cornell Dramatic Club Annual Letter to Former Members
Season 1948-1949 40th Season |
| |
Summer 1949 |
| 43A |
|
The Little Foxes |
| 43A |
|
The Ascent of F6 |
| 43A |
|
Mr. Pim Passes By
Includes July 22-23, September 30 and October 1
|
| 43A |
|
An Evening of One Act Plays (That's Hollywood; Papa
Never Done Nothing . . . Much; Mooney's Kid Don't Cry; They
Refuse to Be Resurrected) |
| 43A |
|
The Vinegar Tree
August 5-6 and October 21-22
|
| |
1949-1950 Season |
| 43A |
|
Pyramus and Thisbe |
| 43A |
|
The Winslow Boy |
| 43A |
|
Three One-Act Plays (The General Retreats; Bath at
Cayuga Bridge; Aria Da Capo) |
| 43A |
|
Beauty and the Beast |
| 43A |
|
Happy Birthday |
| 43A |
|
A Child Is Born |
| 43A |
|
The Winslow Boy |
| 43A |
|
As You Like It
Includes January 13 and February 3-4
|
| 43A |
|
Box and Cox; Trial by Jury |
| 43A |
|
Of Mice and Men |
| 43A |
|
The Play's the Thing |
| 43A |
|
Two Original One-Act Plays by Cornell Authors
(Ticonderoga; For Modern Mummers) |
| 43A |
|
Dr. Knock |
| 43A |
|
Two Blind Mice |
| |
Summer 1950 |
| 43A |
|
They Knew What They Wanted |
| 43A |
|
The Play's the Thing |
| 43A |
|
Home and Beauty |
| 43A |
|
Cornell One-Act Plays (A Man Should Have a Wife;
(Unnamed); Three Cheers for Woody) |
| 43A |
|
Angel Street
Includes August 4-5 and October 20-21
|
| |
1950-1951 Season |
| 43A |
|
Pyramus and Thisbe |
| 43A |
|
One Act Plays (A Man's Duty; (Unnamed); Three Cheers
for Woody) |
| 43A |
|
Unpaved Roads; How He Lied to Her Husband |
| 43A |
|
Arms and the Man |
| 43A |
|
Once Upon a Hill |
| 43A |
|
The Bonds of Interest |
| 43A |
|
Summer and Smoke |
| 43A |
|
H.M.S. Pinafore |
| 43A |
|
Cornell One-Act Plays (The Cellar; Paul Invents
Logging; The Tarnished; Business As Usual) |
| 43A |
|
The Wild Duck |
| 43A |
|
The Taming of the Shrew
Includes May 11-13 and June 8-10
|
| |
Summer 1951 |
| 43A |
|
The Silver Whistle |
| 43A |
|
The Wild Duck |
| 43A |
|
The Importance of Being Earnest
Includes May 11-13 and June 8-10
|
| 43A |
|
One-Act Plays (Sincerely Yours, Cleopatra; The Soul
of a Professor; A Phoenix Too Frequent) |
| 43A |
|
The Detour |
| |
1951-1952 Season |
| 43A |
|
Pyramus and Thisbe |
| 43A |
|
The Importance of Being Earnest |
| 43A |
|
The Rope; The Tenor |
| 43A |
|
The Vegetable |
| 43A |
|
Wurzel-Flummery |
| 43A |
|
Cornell One-Act Plays (The Late Adam Fry; The Big
Cheese; The Fishbowl) |
| 43A |
|
Riders to the Sea |
| 43A |
|
Two One-Act Plays (Wurzel Flummery; The
Fishbowl) |
| 43A |
|
Fumed Oak; Troilus and Cressida |
| 43A |
|
The Madwoman of Chaillot |
| 43A |
|
On the High Road |
| 43A |
|
Where the Cross Is Made |
| 43A |
|
Romeo and Juliet |
| 43A |
|
Desire Under the Elms |
| 43A |
|
The Pirates of Penzance |
| 43A |
|
Dirt Below Stairs; The Clod; The Ring of General
Macias |
| 43A |
|
The Family Reunion |
| 43A |
|
Awake and Sing! |
| 43A |
|
Deirdre |
| 43A |
|
The School for Wives |
| |
Summer 1952 |
| 43A |
|
Tambou |
| 43A |
|
The Family Reunion |
| 43A |
|
Yes M'Lord |
| 43A |
|
Village Wooing; Hello Out There |
| 43A |
|
Is Life Worth Living |
| |
1952-1953 Season |
| 44 |
|
Pyramus and Thisbe |
| 44 |
|
You Never Can Tell |
| 44 |
|
The Twelve Pound Look |
| 44 |
|
Ten Nights in a Bar-Room |
| 44 |
|
The Long Christmas Dinner |
| 44 |
|
The Valiant; The Little Stone House |
| 44 |
|
Hay Fever
Includes January 16-17 and February 6-7
|
| 44 |
|
Juno and the Paycock
Includes May 11-13 and June 8-10
|
| 44 |
|
The Informer; Waiting for Lefty |
| 44 |
|
Patience |
| 44 |
|
Bar-Room Incident; No Other Way |
| 44 |
|
The Autumn Garden |
| 44 |
|
The Trojan Horse |
| 44 |
|
"Homecoming," Act 1 from Mourning Becomes Electra;
Hope Is The Thing With Feathers |
| 44 |
|
The Tempest
Includes May 11-13 and June 8-10
|
| |
Summer 1953 (30th) |
| 44 |
|
The Autumn Garden |
| 44 |
|
Overruled; Master Pierre Patelin
Includes July 31 and August 1
|
| 44 |
|
The Circle |
| 44 |
|
Some Final Innocence |
| |
1953-1954 Season |
| 44 |
|
Pyramus and Thisbe |
| 44 |
|
The Country Wife
Includes October 29-31 and November 1
|
| 44 |
|
The Glass Menagerie |
| 44 |
|
The Christmas Invasion ("A Good Old-Fashioned
Christmas"; "Christmas Eve"; "The Line"; The Christmas Story
according to St. Luke) |
| 44 |
|
Wurzel-Flummery; In the Shadow of the
Glen |
| 44 |
|
The Lady's Not for Burning |
| 44 |
|
Hedda Gabler |
| 44 |
|
Three One-Act Plays (Paradiso! Paradiso!; Two Worlds
to Conquer; The Long Voyage Home) |
| 44 |
|
The Inspector-General |
| 44 |
|
This Music Crept By Me Upon the Waters |
| 44 |
|
Iolanthe |
| 44 |
|
Quare Medicine; Second Degree |
| 44 |
|
The Male Animal |
| |
Summer 1954 |
| 44 |
|
So Long |
| 44 |
|
The Old Ladies |
| |
1954-1955 Season |
| 44 |
|
Pyramus and Thisbe |
| 44 |
|
Charley's Aunt |
| 44 |
|
Thor, With Angels |
| 44 |
|
Ties That Bind (Among Friends, Moony's Kid Don't Cry,
The Ping-Pong Players) |
| 44 |
|
Twelfth Night |
| 44 |
|
Street Scene |
| 44 |
|
Blood Wedding |
| 44 |
|
Twelfth Night |
| |
Summer 1955 |
| 44 |
|
Candida |
| |
1955-1956 Season |
| 44 |
|
Pyramus and Thisbe |
| 44 |
|
The Skin of Our Teeth |
| 44 |
|
The Stallion |
| 44 |
|
Right You Are |
| 44 |
|
Amahl and the Night Visitors (preceded by The Gift of
the Magi) |
| 44 |
|
Electra |
| 44 |
|
The Flowering Peach |
| 44 |
|
The Would-Be Invalid (Le Malade
Imaginaire)
Includes May 10-13 and June 8-10
|
| |
Summer 1956 |
| 44 |
|
Arms and the Man |
| |
1956-1957 Season |
| 44 |
|
Pyramus and Thisbe |
| 44 |
|
Misalliance |
| 44 |
|
Kagekiyo |
| 44 |
|
All Summer Long |
| 44 |
|
Bernardine |
| 44 |
|
Once Upon a Hill |
| 44 |
|
Miss Julia; Mr. Sleeman Is Coming |
| 44 |
|
The Good Woman of Setzuan
Includes February 28 and March 1-3
|
| 44 |
|
Box and Cox; The Romancers |
| 44 |
|
The Witchfinders |
| 44 |
|
Favor Island |
| 44 |
|
Papa is All |
| 44 |
|
Roommate; Gomennasai |
| |
Summer 1957 |
| 44 |
|
Major Barbara |
| |
1957-1958 Season |
| 44 |
|
Pyramus and Thisbe |
| 44 |
|
This Property Is Condemned; A Sunny
Morning |
| 44 |
|
The Tavern
Includes October 31 and November 1-3
|
| 44 |
|
Amahl and the Night Visitors (preceded by The
Fountain of Youth) |
| 44 |
|
Othello |
| 44 |
|
How He Lied to Her Husband; Hello Out
There |
| 44 |
|
Shadow and Substance |
| 44 |
|
Everyman |
| 44 |
|
A Different Drummer |
| 44 |
|
Give to Me a Golden Star; Moon Hound |
| 44 |
|
The Haunted House
Includes May 15-18 and June 13-15
|
| |
1958-1959 Season (50th) |
| 44 |
|
Pyramus and Thisbe |
| 44 |
|
Bell, Book and Candle |
| 44 |
|
The Rivals |
| 44 |
|
Antigone |
| 44 |
|
Ghosts |
| 44 |
|
The Taming of the Shrew |
| |
1959-1960 Season |
| 44 |
|
Pyramus and Thisbe |
| 44 |
|
Time of Harvest; The Game of Chess |
| 44 |
|
My Three Angels
Includes October 29-31 and November 1
|
| 44 |
|
The Boy Friend |
| 44 |
|
Death of a Salesman |
| 44 |
|
Dr. Faustus |
| 44 |
|
Saint Joan, scene IV; The Death of
Odysseus |
| 44 |
|
Twilight Bar |
| 44 |
|
The School for Husbands |
| |
1960-1961 Season |
| 44 |
|
Pyramus and Thisbe |
| 44 |
|
Private Lives |
| 44 |
|
Thieves' Carnival |
| 44 |
|
Pictures in the Hallway |
| 44 |
|
Three Russian Comedies (Gamblers; A Marriage
Proposal; Squaring the Circle) |
| 44 |
|
Medea |
| 44 |
|
Volpone |
| |
1961-1962 Season |
| 44 |
|
The Time of Your Life |
| 44 |
|
The Great God Brown |
| 44 |
|
John Brown's Body |
| 44 |
|
The Gondoliers |
| 44 |
|
Three Way Split (The Sandbox; The Room; The Future is
in Eggs) |
| 44 |
|
How to Grow a Musical
Includes May 10-13 and June 9-10, 16-18
|
| |
1962-1963 Season |
| 44 |
|
Pyramus and Thisbe |
| 44 |
|
A Taste of Honey |
| 44 |
|
Man and Superman |
| 44 |
|
Rashomon |
| 44 |
|
Oedipus the King |
| 44 |
|
The Women at the Tomb |
| 44 |
|
As You Like It |
| 44 |
|
J.B. |
| 44 |
|
The Chairs; Krapp's Last Tape |
| 44 |
|
The Fantasticks |
| |
Summer 1963 |
| 44 |
|
U.S.A. |
| |
1963-1964 Season |
| 44 |
|
Lysistrata |
| 44 |
|
Rosmersholm |
| 44 |
|
Romeo and Juliet |
| 44 |
|
Look Back in Anger |
| 44 |
|
The Mistress of the Inn |
| |
Summer 1964 |
| 44 |
|
Finnegans Wake |
| 44 |
|
Endgame |
| 44 |
|
The Well of the Saints |
| 44 |
|
The Apple Cart |
| 44 |
|
The Willow Copse |
| |
1964-1965 Season |
| 44 |
|
Finnegans Wake |
| 44 |
|
The Jew of Malta |
| 44 |
|
The Happy Haven |
| 44 |
|
Tartuffe
Includes February 25-28 and March 5-7
|
| 44 |
|
The Great Magician |
| 44 |
|
Cat on a Hot Tin Roof |
| |
Summer 1965 |
| 44 |
|
The Philadelphia Story |
| 44 |
|
Telemachus Clay |
| 44 |
|
All the King's Men |
| 44 |
|
The Devil in America |
| |
1965-1966 Season |
| 44 |
|
The Man of Mode |
| 44 |
|
The Physicists |
| 44 |
|
A Funny Thing Happened on the Way to the
Forum |
| 44 |
|
Medusa |
| 44 |
|
Uncle Vanya |
| |
Summer 1966 |
| 44 |
|
Three Modern Plays (Act Without Words I; The
Difficult Hour III; The Bald Soprano) |
| 44 |
|
Saint Joan of the Stockyards |
| 44 |
|
The Knack |
| 44 |
|
The Hostage |
| 44 |
|
The Gambler |
| |
1966-1967 Season |
| 44 |
|
The Knack |
| 44 |
|
King Richard III |
| 44 |
|
Dracula |
| 44 |
|
Andorra |
| 44 |
|
The Threepenny Opera |
| |
Summer 1967 |
| 44 |
|
The Deadly Game |
| 44 |
|
A Taste of Honey |
| 44 |
|
The Cave Dwellers |
| 44 |
|
The Blood Knot |
| 44 |
|
The Egg |
| |
1967-1968 Season |
| 44 |
|
Barthol'mew Fair |
| 44 |
|
Getting Married |
| 44 |
|
Mary Stuart |
| 44 |
|
Zoo |
| 44 |
|
Orontea |
| |
Summer 1968 |
| 44 |
|
Spoon River Anthology |
| 44 |
|
John Brown's Body |
| |
1968-1969 Season (60th) |
| 44 |
|
The Acharnians
Includes October 24-26, 31 and November 1-3
|
| 44 |
|
The School for Wives |
| 44 |
|
The Rules of the Game |
| |
1969-1970 Season |
| 44 |
|
Tango |
| 44 |
|
Lock Up Your Daughters
Includes April 30 and May 3, 6-9
|
| |
1971-1972 Season |
| 44 |
|
The Rehearsal
Includes June 24-27; July 3, 8, 16, 25; August 3, 11
|
| 44 |
|
Juno and the Paycock
Includes July 1-2, 4, 9-11, 17, 31; August 2, 10
|
| 44 |
|
School for Scandal
Includes July 22-24, 29-30; August 1, 7, 12-13, 15
|
| 44 |
|
The Fantasticks
Includes July 1-2, 4, 9-11; August 4, 10
|
| 44 |
|
The Glass Menagerie
Includes June 24-27; July 3, 8, 16, 25; August 3, 5
|
| 44 |
|
Rosencrantz and Guildenstern are Dead
Includes April 30 and May 6-7
|
| 44 |
|
The Ghost Sonata |
| 44 |
|
Jacques Brel is Alive and Well And Living in
Paris
Includes June 22-25; July 1, 7, 12, 23; August 1, 9
|
| 44 |
|
Home
Includes June 22-25; July 1, 7, 12, 23; August 1, 9
|
| 44 |
|
Happy Birthday, Wanda June
Includes June 29-30; July 2, 8, 25, 29; August 2, 11
|
| 44 |
|
The Taming of the Shrew
Includes July 5-6, 9, 14-15, 21, 26; August 3, 6, 12
|
| 44 |
|
What the Butler Saw
Includes July 19-20, 22, 27-28, 30; August 4-5, 8, 10
|
| 44 |
|
Lady Windemere's Fan
Includes July 19-20, 22, 27-28, 30; August 4-5, 8, 10
|
| 44 |
|
Sunday Circus
Includes July 2, 9, 16, 23, 30; August 6
|
| |
1972-1973 Season |
| 44 |
|
Storm Weather; The Boor |
| 44 |
|
When We Dead Awaken
Includes March 29 and April 1, 5-7
|
| |
1973-1974 Season |
| 44 |
|
The Apple Tree
Includes July 27, 29; August 2, 4, 7, 10, 12, 16, 23, 30;
September 6
|
| 44 |
|
The Country Wife
Includes August 17-18, 21-22, 25-26, 29; September 2, 8
|
| 44 |
|
Old Times
Includes October 25-28 and November 1-3
|
| 44 |
|
The Effect of Gamma Rays on Man-in-the-Moon
Marigolda |
| 44 |
|
Mary Stuart
Includes November 30 and December 2, 6-9
|
| 44 |
|
A Doll's House |
| |
1974-1975 Season |
| 44 |
|
No Place to Be Somebody |
| 44 |
|
A Streetcar Named Desire |
| |
1976-1977 Season |
| 44 |
|
The Theatre Series |
| |
2007-2008 Season |
| 44 |
|
The Bourgeois Gentleman
Includes November 15-17, 29-30 and December 1
|
| 44 |
|
Love's Labour's Lost
Includes November 20-22, and December 4-6
|
| |
Undated |
| 44 |
|
Great Variety Bill |
| 44 |
|
Grand Pill!; Hot Air!; 6 Plays in Search of a
Rehearsal! |
| 44 |
|
A Kulinary Koncert |
| 44 |
|
The Hostage |
| 44 |
|
Two French Farces (Leonie is Early; Look, Don't Walk
Around Naked) |
| 44 |
|
The Martial Arts of Kubuki |
| 44 |
|
Filumena |
| 44 |
|
Charity Vaudeville |
| |
Sponsored Performances [subseries]: |
| |
Tony Sarg's Marionettes |
| 44 |
|
Rip Van Winkle |
| 44 |
|
Sinbad the Sailor |
| 44 |
|
A Connecticut Yankee in King Arthur's
Court |
| 44 |
|
Faust, the Wicked Magician |
| 44 |
|
Robinson Crusoe; The Mikado |
| 44 |
|
Treasure Island |
| |
The Tatterman Marionettes |
| 44 |
|
The Glowing Bird; Stringing Broadway |
| 44 |
|
Legend of the Lightning; Stringing
Broadway |
| 44 |
|
Peer Gynt |
| 44 |
|
The Glowing Bird |
| 44 |
|
Four Irish Plays |
| 44 |
|
Stuart Walker presents the Book of Job |
| 44 |
|
Adolph Bolm Dance Recital |
| 44 |
|
The Rivals |
| 44 |
|
Thomas Wilfred in a Clavilux Recital |
| 44 |
|
The Blue Bird; The Adventures of Huck Finn and Tom Sawyer |
| 44 |
|
Adolph Bolm Dance Recital |
| 44 |
|
Ruth St. Denis, Ted Shawn and the Denishawn
Dancers |
| 44 |
|
The Noyes School of Rhythm |
| 44 |
|
Thalia Zanou and Asya Kaz, Spanish dancers |
| 44 |
|
Dance Recital - Harald Kreutzberg and his
Group |
| 44 |
|
Tamiris |
| 44 |
|
Ted Shawn and his Ensemble of Men Dancers
Includes November 14, 1933; October 17, 1936
|
| 44 |
|
Miriam Winslow and her Dancers |
| 44 |
|
The Whiteheaded Boy |
| 44 |
|
Thomas Wilfred at the Clavilux |
| 44 |
|
Lady Precious Stream |
| 44 |
|
Arabian Nights: Aladdin and his Wonderful Lamp; Marco
Millions |
| 44 |
|
Twelfth Night |
| 44 |
|
The Theatre of Angna Enters |
| 44 |
|
Alan Lomax and Leadbelly |
| 44 |
|
The Red Gate Players and their Chinese Shadow
Plays |
| 44 |
|
The Glass Menagerie
Includes September 29-30 and October 1, 6-8
|
| 44 |
|
The Theatre of Angna Enters |
| 44 |
|
The Male Animal |
| 44 |
|
See How They Run |
| 44 |
|
Pygmalion |
| 44 |
|
Le Misanthrope |
| 44 |
|
Endgame |
| 44 |
|
The Matchmaker |
| 44 |
|
Indonesian Dance |
| 44 |
|
Six Characters in Search Of An Author |
| 44 |
|
Brecht on Brecht |
| 44 |
|
Who's Afraid of Virginia Woolf |
| 44 |
|
In White America |
| 44 |
|
The Royal Hunt of the Sun |
| 44 |
|
The Lion in Winter |
| 44 |
|
Pictures in the Hallway |
| 44 |
|
Les Danseurs Africains |
| 44 |
|
America Hurrah |
| 44 |
|
By George |
| 44 |
|
The Serpent; Ubu Cocu |
| 44 |
|
Sage Dramatic Club program |
| 44 |
|
Cornell Women's Dramatic Club programs |
| 44 |
|
Kermis play programs |
| 44 |
|
Le Cercle Français programs |
| 44 |
|
Annual New York State Community Dramatics Contest |
| 44 |
|
Miscellaneous programs from other theater groups and
clubs |
| 44 |
|
Cornell University Theatre film publicity |
| 44 |
|
Articles, press releases, newspaper clippings |
| 44 |
|
Hamlet Festival flyer |
| 44 |
|
Willard Straight Hall, pamphlet and flyers |
| 44 |
|
List of one-act play programs |
| 44 |
|
List of New York State play programs |
| |
Photographs and Slides [subseries]: |
| 24 |
|
Student photographs: E.L. McCollum, A.P. Howes |
| 24 |
|
Group photograph |
| 24 |
|
New York State Fair Country Theatre |
| 24 |
|
Unidentified backstage photos |
| 24 |
|
Campus theatre [used from 1917 to 1925] |
| 24 |
|
Campus theatre [used 1924-1955?] |
| 24 |
|
4 people standing beside dress on mannequin, Performing Arts
Center |
| 24 |
|
Theatre productions and international travels, photos and
slides from May Newfeld |
| 24 |
|
Barbara Wallace |
| 24 |
|
Franchot Tone |
| 24 |
|
Cornell Dramatic Club officers |
| 24 |
|
Taming of the Shrew |
| 24 |
|
The Lyceum, Ithaca, NY |
| 24 |
|
Ibsen's "An Enemy of the People," Lyceum Theatre |
| 24 |
|
Gogol's Inspector General |
| 24 |
|
Unidentified production at the Lyceum |
| 24 |
|
CDC tour to Latin America |
| 24 |
|
Sidney Kingsley's Wonderdark Epilogue |
| 24 |
|
You Touched Me! |
| 24 |
|
CDC 50th anniversary event |
| 24 |
|
CDC 50th anniversary luncheon |
| 24 |
|
CDC 50th anniversary banquet |
| 24 |
|
Rural dramatic competitions |
| 24 |
|
Traffic Signals, directed by Alexander Drummond |
| 24 |
|
An Enemy of the People |
| 24 |
|
Men playing cards; unidentified older man |
| 24 |
|
Roberts Hall theater |
| 24 |
|
Alexander Drummond |
| 24 |
|
Arms and the Man, backstage |
| 24 |
|
Arsenic and Old Lace |
| 24 |
|
Blithe Hour |
| 24 |
|
Deep are the Roots |
| 24 |
|
Ladies in Retirement |
| 24 |
|
Two Blind Mice |
| 24 |
|
Summer and Smoke |
| 24 |
|
Arms and the Man |
| 24 |
|
Trial by Jury |
| 24 |
|
Dr. Knock |
| 24 |
|
Princess Ida |
| 24 |
|
Boy Meets Girl |
| 24 |
|
Thunder Rock |
| 24 |
|
Treasure Island |
| 24 |
|
CDC images from magazine (including one with Sidney Kingsley,
Franchot Tone, and Dan Duryea) |
| 24 |
|
Unidentified group photographs |
| 24 |
|
"I Would Found an Institution" photographs |
| 24 |
|
Unidentified cast and play photos |
| 24 |
|
Setting for "Seven Keys to Baldpate," produced by the Benton
Harbor Teacher's Club |
| 24 |
|
Unidentified color photograph (possibly Pirates of
Penzance) |
| 24 |
|
Thor, with Angels |
| 24 |
|
The Skin of Our Teeth |
| 24 |
|
Misalliance |
| 24 |
|
The Haunted House |
| 24 |
|
The Taming of the Shrew |
| 24 |
|
The Jew of Malta |
| 24 |
|
The Knack |
| 24 |
|
Death of a Salesman |
| 24 |
|
Night Must Fall
Includes May 21-22 and June 11-12
|
| 24 |
|
A Different Drummer |
| 24 |
|
Three Way Split (The Sandbox; The Room; The Future Is in
Eggs) |
| 24 |
|
A Midsummer Night's Dream |
| 24 |
|
"Pyramus and Thisbe" from A Midsummer Night's Dream. Directed
by P.B. Pettit |
| 24 |
|
The Little Clay Cart |
| 24 |
|
Volpone |
| 35 |
|
Photographs taken during 1965-1966 school year by Louise
Manning |
| 47 |
|
Summer Theatre personnel |
| 47 |
|
Unidentified play directed by M. Carlson featuring Sue Nohr,
Al Gingold, and Beth Neustadt |
| 47 |
|
Drama Club |
| 47 |
|
Cornell University Touring Company-How to Grow a
Musical |
| 47 |
|
"The Rogues' Comedy," Lyceum Theatre |
| 46 |
|
The Contrast |
| 46 |
|
The Contrast |
| 46 |
|
Once Upon a Hill |
| 46 |
|
Taming of the Shrew |
| 46 |
|
Unidentified photographs (3 plays, 1 backstage) |
| 47 |
|
Awake and Sing |
| 47 |
|
The Mad Woman of Chaillot |
| 47 |
|
Desire Under the Elms |
| 47 |
|
The Family Reunion |
| 47 |
|
Ten Nights in a Bar-Room |
| 47 |
|
The School for Wives |
| 47 |
|
The Tempest |
| 47 |
|
Mixin' Up the Rent |
| 45 |
|
"Taming of the Shrew" |
| 45 |
|
Photographs taken backstage |
| 45 |
|
The Lady's Not for Burning |
| 45 |
|
The Inspector General |
| 47 |
|
The Pursuit of Happiness |
| 48 |
|
Thor, with Angels |
| 48 |
|
Dark of the Moon |
| |
|
Dark of the Moon |
| 48 |
|
Charley's Aunt |
| 48 |
|
Blood Wedding |
| 48 |
|
Twelfth Night |
| 45 |
|
The Would-Be Invalid |
| 47 |
|
The Would-Be Invalid |
| 47 |
|
Amahl and the Night Visitors |
| 48 |
|
Electra by Sophocles |
| 48 |
|
The Skin of our Teeth |
| 47 |
|
Right You Are |
| |
|
Right You Are |
| 48 |
|
The Flowering Peach |
| 48 |
|
The Tavern |
| 46 |
|
Under Milkwood |
| 45 |
|
Medea |
| |
|
Une Esquisse de la Comedie Musicale Americaine |
| 45 |
|
The Rivals |
| |
|
The Lake Guns of Seneca and Cayuga |
| 47 |
|
The Good Woman of Setzuan |
| 47 |
|
How to Grow a Musical |
| 47 |
|
Rashomon |
| 47 |
|
The Fantasticks |
| 47 |
|
Hedda Gabler |
| 47 |
|
Papa is All |
| 48 |
|
All Summer Long |
| 48 |
|
The Witchfinders |
| 48 |
|
The Country Wife |
| 48 |
|
Misalliance |
| 48 |
|
Man and Superman |
| 48 |
|
Iolanthe |
| 48 |
|
A Different Drummer |
| 50 |
|
Theater at Cornell in the 1930s |
| 50 |
|
Country Theater, Berkeley High School, (Cornell?) theater
productions, set construction |
| 50 |
|
Lists of slides for P.S. 48 |
| 50 |
|
Yale-Rockefeller Theatre Collection Catalogue notes and slide
ordering correspondence |
| 54 |
|
An American Festival materials |
| 54 |
|
From the Ground Up: Grassroots Theatre in Historical and
Contemporary Perspective |
