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Series II. The Barnes Shakespeare Prize [series]:
  2  
The Elizabethan Masque and the Masque Character of Shakespeare's Tempest and A Midsummer Night's Dream, by Walter C. Bronson
  2  
Shakespeare's Nature Lines, by Oscar Diedrich von Engeln
  2  
The Character of Ophelia, by John Bail
  2  
Love Seen Through the Comic and the Tragic Spirit, as Illustrated by Benedick and Beatrice, Romeo and Juliet, by Alice W. Benham
  2  
Shakespeare's Delineation of Insanity in King Lear, by H.M. Barr
  2  
The Treatment and Significance of Shakespeare's Tragedy of Passion, by William Shea
  2  
The Winter's Tale and Pandosto, How Shakespeare has Manipulated His Raw Material in Dramatizing the Story, by Charles Antoninus Carroll
  2  
Shakespeare's Fools and Clowns, by Fred S. Kleinman
  2  
Shakespeare's Richard II and Marlowe's Edward II - A Comparison, by Florence M. Carpenter
  2  
Shakespeare's Hamlet - A Comparison with Kyd's Spanish Tragedy, by Miss Georgina Melville
  2  
A Sojourn in the Primeval, by Mr. Harper - illustrative matter
  2  
The Infinite Variety of Anthony and Cleopatra, by Colin A. H. Michael
  2  
Certain Excellences in Othello, by John W. Jones
  2  
The Macbeth of Shakespeare and the Agamemnon of Aeschylus, by Harry Caplan
  2  
A Criticism of "Coriolanus," by Miss Eva M. Seeger
  2  
The Last of the Ptolemies, by Rose S. Malmud
  2  
The Mental Response to Shakespeare, by Laura Keane Zametkin
  2  
Shakespeare, the Singer, by Desmond S. Powell
  2  
Why consider Shakespeare?, by H. F. Cook
  2  
The Supernatural Elements in The Tempest
  2  
Shakespeare's Interpretation of Justice, by Margaret L. Plunkett
  2  
The Women of Shakespeare's Coriolanus, by Frances M. Shattuck
  2  
The Infinite Variety of Cleopatra, by William Maslow
  2  
The Plutarchan Influence in Coriolanus, by George Simpson
  2  
Richard of Gloucester in History and in Shakespearean Drama, by Harold A. Lehrman
  2  
King Richard II, by Harold A. Segall
  3  
Marcus Brutus, by Philip Cohen
  3  
Shakespeare and the Aristotelian Tradition by John S. Lawrence
  3  
Poetic Imagery in Richard II, by John H. Detmold
  3  
Hamlet, a Revenge Tragedy, by Carla Small
  3  
The Relation of Real Life and Fantasy in Shakespeare's Comedies, by Robert S. Bernen
  3  
Some Remarks on King Lear, by Joanna Ruth Russ
  3  
Plot Structure in "Romeo and Juliet" by Sharon Dee Solwitz
  3  
On Pity in Hamlet, by David Ratner
  3  
Disguise, Reason, and Truth in King Lear by Mel Behr ( Martha E. Linke )
  3  
The Role of Edmund in "King Lear," by Jeremy Rabkin (First Prize)
  3  
Iago's Method: What Manner Poison for Othello's Ear, by L.M. Tozek (Second Prize)
  3  
Two winners: The Earl of Kent: Man in the Shadows by Susan BianconiConstructive Deception in As You Like It by Katharine Eisaman
  3  
Voices of Secular Value: the Ghosts of Hamlet and Richard III, by Michael C. Berthold
  3  
Walking About the Orb Like the Sun: The Role of the Wise Fools in Twelfth Night and King Lear by Susan J. Bianconi
  3  
The Elements of Earth, Air, Water, and Fire in Antony and Cleopatra, by Charlotte Ram, April 15, 1980 (first prize) (Charlotte Ram pseud. For Leslie Camhi )
  3  
The Role of Women in Hamlet by Ruth Watson , Arts & Sciences '83
  3  
Readings of Shakespeare: Dissidence and the Merchant of Venice, by Nat Ives , May 1996